本文關(guān)鍵詞：西南少數(shù)民族傳統(tǒng)背扇研究　出處：《北京服裝學(xué)院》2017年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 西南少數(shù)民族 背扇 形制 紋樣 內(nèi)涵

【摘要】：背扇,是用來(lái)背負(fù)、系綁和包裹嬰幼兒的寬帶與被子,西南少數(shù)民族背扇相較于其他地區(qū)背扇而言,有著更豐富的藝術(shù)表現(xiàn)形式。該地區(qū)有苗、布依、侗、水、瑤、壯、仫佬等30多個(gè)民族,由于地區(qū)差異,背扇有著不盡相同的造型結(jié)構(gòu)以及豐富的紋樣裝飾。背扇作為表達(dá)長(zhǎng)輩對(duì)新生兒無(wú)私的愛(ài)的載體,往往代表著各民族最高的女紅水平。因此,研究西南少數(shù)民族傳統(tǒng)背扇是我們學(xué)習(xí)和傳承少數(shù)民族文化的一種重要途徑。本文以苗族、侗族、壯族、布依族和水族等西南少數(shù)民族背扇為研究對(duì)象,通過(guò)對(duì)傳統(tǒng)背扇實(shí)物和文獻(xiàn)進(jìn)行分析,根據(jù)每個(gè)民族獨(dú)特的生存環(huán)境、生產(chǎn)方式、風(fēng)俗習(xí)慣、宗教信仰和審美情趣等,概述了西南少數(shù)民族造型、工藝與紋樣等。本文闡述了西南少數(shù)民族背扇的歷史與社會(huì)風(fēng)俗,概括了西南少數(shù)民族背扇的主要造型結(jié)構(gòu),著重對(duì)比了幾組不同民族卻又造型相似的背扇,分析了西南少數(shù)民族背扇紋樣背后所表達(dá)的原始宗教信仰,進(jìn)一步強(qiáng)調(diào)了背扇本身在西南少數(shù)民族中的重要作用。論文從四個(gè)角度對(duì)西南少數(shù)民族背扇進(jìn)行研究,首先,概述背扇的歷史淵源與其在西南少數(shù)民族地區(qū)的使用情況,并以施洞苗族、河池布努瑤族、通道侗族為例介紹背扇的社會(huì)風(fēng)俗;其次,通過(guò)對(duì)比靖縣苗族與黎平侗族、從江苗族與三江侗族以及三都水族與三都布依族的背扇,闡述其相似性和差異性的影響因素,在此基礎(chǔ)上介紹了“T”字形背扇和“四爪背扇”的幾種背負(fù)系綁方式與制作工藝;再次,通過(guò)對(duì)西南少數(shù)民族背扇附加裝飾物件的研究,挖掘其背后所代表的深層文化內(nèi)涵;最后,闡述西南少數(shù)民族背扇在親情聯(lián)結(jié)中產(chǎn)生的作用,總結(jié)出背扇本身所代表的文化內(nèi)涵和生命寓意。
[Abstract]:The back fan is a wide band and quilt used to carry tie and wrap infants and toddlers. The back fan of the southwest ethnic minority has a richer artistic expression than the back fan of other regions. There are Miao Buyi Dong and Shui in this area. Yao, Zhuang, Mulao and other more than 30 ethnic groups, due to regional differences, the back fan has different modeling structure and rich pattern decoration. Often represents the highest female red level of all ethnic groups. Therefore, the study of the southwest minority traditional back fan is an important way for us to learn and inherit the minority culture. The back fans of southwestern minorities such as Buyi and Shui are the research objects. Through the analysis of the traditional back fans and literature, according to the unique living environment, mode of production, customs and habits of each nation. Religious belief and aesthetic taste, etc., this paper summarizes the shapes, crafts and patterns of ethnic minorities in Southwest China. This paper expounds the history and social customs of the back fans of ethnic minorities in Southwest China. This paper summarizes the main modeling structure of the back fan of the southwest ethnic minorities, focuses on the comparison of several groups of different ethnic groups but similar shape of the back fan, and analyzes the original religious beliefs expressed behind the pattern of the back fan of the southwest minority. The paper further emphasizes the important role of the back fan in the southwest minority. Firstly, the paper studies the back fan of the southwest minority from four angles. This paper summarizes the historical origin of back fan and its use in southwest minority areas, and introduces the social customs of back fan with the examples of Shidong Miao nationality, Hechi Bunu Yao nationality and Tong Dong nationality. Secondly, by comparing the back fans of Miao and Liping Dong, Congjiang Miao and Sanjiang Dong, Sandushui and Sandu Buyi, the paper expounds the influence factors of their similarity and difference. On the basis of this, the paper introduces several kinds of straining methods and manufacturing technology of "T" zigzag back fan and "four claw back fan". Thirdly, through the study of the decorative objects attached to the back fans of the southwest ethnic minorities, the deep cultural connotations represented by them are excavated. Finally, the paper expounds the function of the back fan of southwest minority in the kinship connection, and sums up the cultural connotation and life moral represented by the back fan itself.
【學(xué)位授予單位】：北京服裝學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：TS959.9

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本文編號(hào)：1386348