何采及其詞研究
發(fā)布時(shí)間：2018-08-21 12:08
【摘要】：本文以四個(gè)章節(jié)對(duì)何采及其詞進(jìn)行研究:第一章研究何采的家世、生平,首先從晚明的桐城士風(fēng)出發(fā),揭示何氏家風(fēng)與何采行為背后的地域文化因素;其次研究何采的家世,理清何氏家族世系,特別是對(duì)何采父親何應(yīng)璜的生平作最大程度的考證,以正世人認(rèn)識(shí)之誤。同時(shí)指出何氏家風(fēng)的特點(diǎn),揭示出何采壯年歸隱、力戒詩文背后的家族文化因素;再次,考證何采的生平,揭示何采壯年歸隱、力戒詩文的時(shí)代背景和直接原因。第二章,研究何采的交游,考證何采的詞創(chuàng)作與主流詞壇的聯(lián)系,以及何采詞與時(shí)代詞風(fēng)關(guān)系。第三章研究何采詞的思想內(nèi)容,首先指出何采詞雖然以譏刺戲虐詞最富個(gè)性、最有特色,但數(shù)量極少,不足以代表何采詞的主導(dǎo)思想傾向。何采詞的思想內(nèi)容主要表現(xiàn)淡泊蕭散隱居生活與自甘淡泊的情懷。然后從四個(gè)方面對(duì)何采詞的各種思想內(nèi)容進(jìn)行闡釋:一是何采的淡泊情懷詞,二是何采的人倫詞,三是何采的家國情懷詞,四是何采的悼亡詞。第四章研究何采詞的藝術(shù)特征,指出何采詞的藝術(shù)風(fēng)格為疏曠,與清初陽羨詞派悲慨激昂的詞風(fēng)有所區(qū)別。然后從三個(gè)方面展開,具體論述何采詞的藝術(shù)特征:一、何采詞的多樣風(fēng)格;二、何采詞的用典繁富;三、何采小令的闊大意境。通過以上研究,以期可以對(duì)何采的家世、生平以及交游作較為全面的展示,對(duì)何采詞的思想內(nèi)容與藝術(shù)特征作出較為準(zhǔn)確的概括。
[Abstract]:This paper studies He Cai and his Ci poems in four chapters: The first chapter studies his family background and life, first of all, from the Tongcheng scholar style in the late Ming Dynasty, reveals the regional and cultural factors behind He Cai's family style and behavior; secondly, studies He Cai's family background and clarifies his family lineage, especially the greatest degree of his father He Yinghuan's life. At the same time, it points out the characteristics of He's family style, reveals the family culture factors behind He Cai's poetry and prose; thirdly, it examines his life, reveals the background and direct reasons of He Cai's returning to seclusion and forcing him to abstain from poetry and prose. The third chapter studies the ideological content of He Cai's Ci, pointing out that although he Cai's Ci is the richest in personality and the most distinctive in character, its quantity is very small, which is not enough to represent the dominant ideological tendency of He Cai's Ci. Then it explains the various ideological content of He Cai's Ci from four aspects: first, He Cai's indifferent sentiment Ci, second, He Cai's human relations Ci, third, He Cai's family sentiment Ci, and fourth, He Cai's mourning Ci. The fourth chapter studies the artistic characteristics of He Cai's Ci, and points out that he Cai's artistic style is sparse, and the Qing Dynasty Yang Xianci School laments lamentation. There are some differences in the passionate style of CI poetry. Then, the artistic features of He Cai's ci poetry are discussed in three aspects: first, the various styles of He Cai's CI poetry; second, the rich usage of He Cai's CI poetry; third, the broad artistic conception of He Cai Xiaoling. Content and artistic features are summarized more accurately.
【學(xué)位授予單位】：安慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.23
本文編號(hào)：2195674
[Abstract]:This paper studies He Cai and his Ci poems in four chapters: The first chapter studies his family background and life, first of all, from the Tongcheng scholar style in the late Ming Dynasty, reveals the regional and cultural factors behind He Cai's family style and behavior; secondly, studies He Cai's family background and clarifies his family lineage, especially the greatest degree of his father He Yinghuan's life. At the same time, it points out the characteristics of He's family style, reveals the family culture factors behind He Cai's poetry and prose; thirdly, it examines his life, reveals the background and direct reasons of He Cai's returning to seclusion and forcing him to abstain from poetry and prose. The third chapter studies the ideological content of He Cai's Ci, pointing out that although he Cai's Ci is the richest in personality and the most distinctive in character, its quantity is very small, which is not enough to represent the dominant ideological tendency of He Cai's Ci. Then it explains the various ideological content of He Cai's Ci from four aspects: first, He Cai's indifferent sentiment Ci, second, He Cai's human relations Ci, third, He Cai's family sentiment Ci, and fourth, He Cai's mourning Ci. The fourth chapter studies the artistic characteristics of He Cai's Ci, and points out that he Cai's artistic style is sparse, and the Qing Dynasty Yang Xianci School laments lamentation. There are some differences in the passionate style of CI poetry. Then, the artistic features of He Cai's ci poetry are discussed in three aspects: first, the various styles of He Cai's CI poetry; second, the rich usage of He Cai's CI poetry; third, the broad artistic conception of He Cai Xiaoling. Content and artistic features are summarized more accurately.
【學(xué)位授予單位】：安慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.23
【參考文獻(xiàn)】
相關(guān)期刊論文 前4條
1 張仲謀;;晚明柳洲詞派考論[J];江蘇師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2015年03期
2 李波;;明代桐城方氏學(xué)派易學(xué)研究[J];周易研究;2011年05期
3 劉東海;;清初詞壇“辛酉唱和”述論[J];河池學(xué)院學(xué)報(bào);2011年04期
4 陳水云,張清河;稼軒風(fēng)在清初的“回歸”[J];廈門教育學(xué)院學(xué)報(bào);2004年04期
相關(guān)博士學(xué)位論文 前1條
1 袁美麗;清代金陵詞壇研究[D];南京師范大學(xué);2012年
，本文編號(hào)：2195674
本文鏈接：http://sikaile.net/wenyilunwen/hanyuyanwenxuelunwen/2195674.html
