【摘要】：蘇小小的名字首見于南朝陳徐陵所編《玉臺新詠》中的《錢塘蘇小歌》,自此,由唐至清關(guān)于蘇小小的記載不斷見諸各種文學(xué)作品。這些作品數(shù)量龐大,體裁多樣,其中有些作品所講述的蘇小小故事更為后世所傳唱,錢塘蘇小小的美名隨之被越來越多的人們記住。本文即通過收集整理、深入分析眾多有關(guān)蘇小小的文學(xué)作品,對其身世進(jìn)行考辨,按照體裁分類,從抒情文學(xué)與敘事文學(xué)兩個維度對蘇小小形象流變進(jìn)行研究,并分析每一階段蘇小小形象變化背后的文化意蘊(yùn)與創(chuàng)作心理。緒論部分主要對本文的研究價值、研究方法及學(xué)界的研究現(xiàn)狀逐一作了說明。第一章主要對蘇小小的身世進(jìn)行考辨。首先依據(jù)余霞《蘇小小考》的證據(jù)、觀點(diǎn),并據(jù)筆者搜集到的其他史料,從而對蘇小小的身世問題進(jìn)行考辨。第二節(jié)將筆者所搜集整理的所有關(guān)于蘇小小的文學(xué)作品的文本留存狀況做一簡要概述。第二章重點(diǎn)探討了抒情文學(xué)(即詩、詞、散曲)中的蘇小小形象流變。繼《錢塘蘇小歌》之后,蘇小小在抒情文學(xué)中被不斷書寫,主要表現(xiàn)為對其錢塘名妓身份、才華美貌、多情性格的書寫。這樣的書寫又分別體現(xiàn)了三種文人心理:戀妓情結(jié),美人效應(yīng),知己情懷。第三章重點(diǎn)探討了敘事文學(xué)(主要是文言小說與白話小說)中的蘇小小形象流變。因敘事文學(xué)在刻畫人物、展開情節(jié)等方面的優(yōu)勢,蘇小小形象比抒情文學(xué)中更為豐滿。宋代的“錢塘夢”故事中蘇小小是一個癡情的幽魂,其言談中表現(xiàn)出北宋末年求“隱”的道教思想;明代的“箕仙”故事中她又成為了神秘而詩才不凡的箕仙,這與明代道教扶箕之術(shù)的發(fā)展流行有密切聯(lián)系。隨著時間的推移,這兩個故事又沿著各自的方向同時流傳著;最后,白話小說《西泠韻跡》又以一個全新的故事詳細(xì)講述了蘇小小短暫而豐美的人生,使其形象更立體豐滿。而這個蘇小小形象表現(xiàn)了清初士人對晚明思想的承續(xù),也是清初遺民心理的折射。結(jié)語部分總結(jié)全文內(nèi)容,對蘇小小形象流變過程作總體的簡要分析與評價。
[Abstract]:Su Xiao's name was first found in "Qiantang Su Xiao Song" compiled by Chen Xuling in Southern Dynasty. Since then, the records about Su Xiaoxian in Tang Dynasty and Qing Dynasty have been constantly seen in various literary works. These works are numerous and of various genres, and some of them tell stories of Su Xiao that have been sung by later generations, and the reputation of Qiantang Suxiao has been remembered by more and more people. This paper, through collecting and arranging, deeply analyzes the numerous literature works about Su Xiao, studies his background, and studies the evolution of Su Xiao's image from the two dimensions of lyric literature and narrative literature according to the genre classification. And analyze the cultural implication and creative psychology behind the change of Su Xiao's image in each stage. The introduction mainly explains the research value, the research methods and the present situation of the academic circle one by one. The first chapter mainly studies the background of Su Xiao. Firstly, according to the evidence and viewpoint of Yu Xia's Su Xiaoxue, and according to the other historical data collected by the author, this paper makes a textual research on Su Xiaoxian's life. In the second section, the author makes a brief summary of the text retention of Su Xiao's literary works. The second chapter focuses on the evolution of Su Xiao's image in lyric literature (i.e. poetry, ci and scattered music). After "Qiantang Su Xiao Song", Su Xiao was constantly written in lyric literature, mainly manifested in the writing of his famous prostitute status, talent and beauty, and affectionate character. This writing reflects three types of literati psychology: love prostitution complex, beauty effect, bosom friend feelings. The third chapter focuses on the changes of Su's image in narrative literature (mainly classical Chinese novels and vernacular novels). Because of the advantages of narrative literature in portraying characters and plot, Su Xiaoxia's image is more abundant than lyric literature. In the story of "Qiantang Dream" in Song Dynasty, Su Xiao is an infatuated soul. In his talks, he expresses the Taoist thought of seeking "hidden" in the late Northern Song Dynasty, and in the story of "Ji Xian" in the Ming Dynasty, she becomes a mysterious and poetic fairy. This is closely related to the development and popularity of Taoist Fuji techniques in the Ming Dynasty. With the passage of time, the two stories are circulating simultaneously along their respective directions. Finally, the vernacular novel Xiling rhyme traces tells a new story about Su Xiao's short and beautiful life in detail, which makes his image more three-dimensional and full. This image of Su Xiaoxiao reflects the continuation of the late Ming thought by the scholars in the early Qing Dynasty and the reflection of the psychology of the late Qing Dynasty. The conclusion part summarizes the content of the full text, and makes a general analysis and evaluation of the changing process of Su Xiao's image.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I206.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 李偉;;唐代詩人筆下的蘇小小形象探究[J];當(dāng)代小說(下);2011年02期

2 陶慶梅;;以愛情之歌 寫生命之悲——李賀《蘇小小墓》賞析[J];古典文學(xué)知識;1998年01期

3 郭永勤;;李賀的“蘇小小情結(jié)”[J];河南機(jī)電高等�？茖W(xué)校學(xué)報;2008年04期

4 李玉環(huán);陳順森;張靈聰;;揭秘李賀的內(nèi)心世界——重讀《蘇小小墓》[J];南昌教育學(xué)院學(xué)報;2009年04期

5 付芮;;李賀詩歌中的女性形象[J];南昌工程學(xué)院學(xué)報;2014年02期

6 李世萼;文學(xué)作品中的錢塘蘇小小[J];杭州師院學(xué)報(社會科學(xué)版);1986年01期

相關(guān)博士學(xué)位論文 前1條

1 張文德;王昭君故事傳承與嬗變[D];南京師范大學(xué);2004年

相關(guān)碩士學(xué)位論文 前3條

1 潘麗娜;貂蟬形象演變研究[D];遼寧大學(xué);2011年

2 胡海義;明末清初“西湖小說”研究[D];暨南大學(xué);2006年

3 郭慧;《玉臺新詠》女性詩人研究[D];山東大學(xué);2012年

，

本文編號：2194601