【摘要】：傅山是明末清初一位重要的遺民詩人,具有很高的地位和影響力。目前,國(guó)內(nèi)外從認(rèn)知角度對(duì)傅山詩詞進(jìn)行的研究較少,因此,本文嘗試運(yùn)用概念隱喻理論對(duì)傅山詩詞進(jìn)行探討,一方面從理論上拓寬對(duì)傅山詩詞的研究,對(duì)跨學(xué)科研究做出一定的貢獻(xiàn)。另一方面力圖加深國(guó)內(nèi)外讀者對(duì)我國(guó)古典詩詞的理解和認(rèn)知,以期體現(xiàn)出概念隱喻理論對(duì)于中國(guó)古典詩詞的解釋力�！蛾惻t龕集》是傅山的詩文集,本研究從中選出蘊(yùn)含傅山遺民精神的詩詞108首并將其作為研究的語料,采用定性和定量相結(jié)合的研究方法,運(yùn)用概念隱喻理論對(duì)詩詞中所存在的各類隱喻進(jìn)行詳細(xì)分析和闡釋。本文回顧了近幾年來國(guó)內(nèi)外學(xué)者對(duì)傅山詩詞和隱喻所做的研究,并介紹了概念隱喻理論,對(duì)其分類及認(rèn)知機(jī)制做出詳細(xì)介紹并舉例說明。同時(shí),進(jìn)一步分析傅山詩詞中的各類隱喻,從概念隱喻的角度對(duì)傅山詩詞中所蘊(yùn)含的家國(guó)情懷進(jìn)行多角度闡釋。本研究嘗試探討以下兩個(gè)問題:(1)傅山詩詞中存在哪些重要的和典型的概念隱喻?(2)如何通過概念隱喻理論表現(xiàn)傅山的家國(guó)情懷和增強(qiáng)其詩詞的藝術(shù)感染力?經(jīng)研究,本文發(fā)現(xiàn):(1)隱喻普遍存在傅山詩詞中,各類隱喻折射出傅山當(dāng)時(shí)的生活環(huán)境,生活條件以及所歷經(jīng)的社會(huì)生活。根據(jù)萊考夫和約翰遜的《我們賴以生存的隱喻》一書,概念隱喻可以分為三大類,分別為結(jié)構(gòu)隱喻,本體隱喻和方位隱喻。在傅山詩詞中,結(jié)構(gòu)隱喻集中表現(xiàn)為情感隱喻和數(shù)字隱喻,實(shí)體隱喻表現(xiàn)為物質(zhì)隱喻、擬人隱喻和容器隱喻,方位隱喻則體現(xiàn)在“下”隱喻。通過對(duì)傅山詩詞中概念隱喻的分析,讓讀者將詩詞中所存在的隱喻與現(xiàn)實(shí)生活緊密聯(lián)系,以便更好地理解傅山詩詞。(2)傅山詩詞將概念隱喻和主題表達(dá)有機(jī)融合在一起,較好地表現(xiàn)了他心系故國(guó),關(guān)心民生疾苦,注重親情等中國(guó)傳統(tǒng)知識(shí)分子所具備的家國(guó)情懷。基于概念隱喻理論,多角度分析了傅山詩詞中體現(xiàn)出的家國(guó)情懷。豐富的概念隱喻使得傅山詩詞主題鮮明,形象生動(dòng),極大地增強(qiáng)了其藝術(shù)感染力,拉近了讀者與現(xiàn)實(shí)生活之間的距離。本研究將萊考夫和約翰遜的概念隱喻理論與傅山的詩詞相結(jié)合,分析傅山詩詞中所存在的重要和典型的概念隱喻,運(yùn)用其中所存在的各類概念隱喻進(jìn)一步探究其詩詞中所蘊(yùn)含的家國(guó)情懷,有助于加深讀者對(duì)傅山詩詞的了解和后繼研究者對(duì)中國(guó)古典詩詞的認(rèn)識(shí)。
[Abstract]:Fu Shan is an important relic poet in late Ming and early Qing Dynasty, with high status and influence. At present, there are few researches on Fu Shan's poems from the perspective of cognition at home and abroad. Therefore, this paper attempts to use the theory of conceptual metaphor to probe into Fu Shan's poems, on the one hand, to broaden the research on Fu Shan's poems theoretically. To make a certain contribution to cross-disciplinary research. On the other hand, it tries to deepen the readers' understanding and cognition of Chinese classical poetry, in order to reflect the explanatory power of conceptual metaphor theory on Chinese classical poetry. In this study, 108 poems containing the spirit of Fu Shan people were selected and used as the corpus for the study, and the conceptual metaphor theory was used to analyze and explain all kinds of metaphors in the poems in detail by combining qualitative and quantitative research methods. This paper reviews the researches on Fu Shan's poems and metaphors made by scholars at home and abroad in recent years, introduces the theory of conceptual metaphor, introduces its classification and cognitive mechanism in detail and illustrates it with examples. At the same time, it further analyzes all kinds of metaphors in Fu Shan's poems, and explains the family feelings in Fu Shan's poems from the perspective of conceptual metaphor. This study attempts to explore the following two questions: (1) what are the important and typical conceptual metaphors in Fu Shan's poems? (2) how to express Fu Shan's feelings of home and country through the theory of conceptual metaphor and enhance the artistic appeal of his poems? It is found that: (1) metaphors generally exist in Fu Shan's poems, and all kinds of metaphors reflect the living environment, living conditions and social life of Fu Shan at that time. According to Lakoff and Johnson's metaphor for our existence, conceptual metaphor can be divided into three categories: structural metaphor, Noumenon metaphor and orientation metaphor. In Fu Shan's poems, structural metaphor is mainly expressed as affective metaphor and digital metaphor, physical metaphor as material metaphor, personification metaphor and container metaphor, and orientation metaphor as "lower" metaphor. Through the analysis of conceptual metaphors in Fu Shan's poems, readers can closely relate the metaphors in poems to real life, so as to better understand Fu Shan's poems. (2) Fu Shan's poems combine conceptual metaphors with thematic expressions. It shows the family feelings of Chinese traditional intellectuals, such as caring for the people's livelihood, and paying close attention to the family feelings of the Chinese traditional intellectuals. Based on the conceptual metaphor theory, this paper analyzes the feelings of home and country embodied in Fu Shan's poems. The rich conceptual metaphor makes Fu Shan's poems vivid and vivid, which greatly enhances his artistic appeal and draws closer the distance between readers and real life. This study combines Lakoff's and Johnson's conceptual metaphor theory with Fu Shan's poems to analyze the important and typical conceptual metaphors in Fu Shan's poems. The use of various conceptual metaphors to further explore the family and national feelings contained in his poems is helpful to deepen the readers' understanding of Fu Shan's poems and the subsequent researchers' understanding of Chinese classical poetry.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.2

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