發(fā)布時(shí)間：2018-07-09 20:05

  本文選題：鄭文光 + 科幻現(xiàn)實(shí)主義�。� 參考：《中國(guó)現(xiàn)代文學(xué)研究叢刊》2017年08期

【摘要】：鄭文光在1981年以誤讀的形式提出了以探討社會(huì)問(wèn)題為宗旨的"科幻現(xiàn)實(shí)主義"。就個(gè)人而論,他實(shí)際上是在反思和發(fā)展50年代以來(lái)自己的一系列創(chuàng)作觀念;就科幻作家群體而論,則是對(duì)此前的"科幻科普論"的有力挑戰(zhàn)。這一創(chuàng)作主張一經(jīng)提出便迅速得到金濤、魏雅華等人的熱烈響應(yīng),進(jìn)而很快成為與"驚險(xiǎn)科幻"、"軍事科幻"等并列的又一創(chuàng)作方向。由之誕生的重要作品如《月光島》《命運(yùn)夜總會(huì)》等,其影響也確實(shí)突破了狹窄的科普話語(yǔ)。此時(shí)的"科幻現(xiàn)實(shí)主義",從語(yǔ)義角度應(yīng)當(dāng)釋讀為"現(xiàn)實(shí)主義科幻",但從理論探討的角度看,這一階段的種種創(chuàng)作,既窄化、庸俗化地理解了"現(xiàn)實(shí)主義",尤其忽視了當(dāng)時(shí)與這一概念相關(guān)聯(lián)的熱烈討論;同時(shí)又模糊了"科幻"這一文類(lèi)的核心與邊界,甚至在一定程度上嚴(yán)重消解了其自身的獨(dú)立性。鄭文光等人的此次探索,是中國(guó)科幻作者建構(gòu)本土傳統(tǒng)的有益嘗試,集中反映了一代科幻作者深刻的現(xiàn)實(shí)焦慮與強(qiáng)烈的自我認(rèn)同欲望;他們以敏銳直覺(jué)觀察到的核心問(wèn)題,在此后數(shù)十年間科幻文類(lèi)的發(fā)展當(dāng)中,以種種面目一再?gòu)?fù)現(xiàn);他們所試圖傳達(dá)的基本理念,也成為中國(guó)科幻文論發(fā)展的重要資源。
[Abstract]:Zheng Wenguang put forward "science fiction realism" with the aim of exploring social problems in 1981 in the form of misreading. Personally, he is actually reflecting on and developing his own creative ideas since the 1950s, and as far as the group of science fiction writers is concerned, he is a powerful challenge to the previous science fiction popularization theory. As soon as this creative proposition was put forward, it quickly received warm responses from Jin Tao, Wei Yahua and others, and soon became another creative direction parallel to "thriller science fiction" and "military science fiction". Its important works, such as Moon Island, Destiny nightclub and so on, did break through the narrow popular science discourse. At this time, "sci-fi realism" should be interpreted as "realistic sci-fi" from the point of view of semantics, but from the angle of theoretical discussion, all kinds of works in this stage are narrow. Vulgarized understanding of "realism", especially ignoring the heated discussion associated with this concept at that time, at the same time blurring the core and boundary of "science fiction", and even seriously dispelling its own independence to a certain extent. The exploration by Zheng Wenguang and others is a useful attempt by Chinese sci-fi writers to construct a local tradition, reflecting the profound realistic anxiety and strong desire for self-identification of a generation of sci-fi writers; the core issues they observe with keen intuition. In the development of sci-fi in the following decades, the basic ideas they tried to convey have become an important resource for the development of Chinese sci-fi.
【作者單位】： 北京師范大學(xué)文學(xué)院;
【分類(lèi)號(hào)】：I207.42

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