本文選題：劉北汜 + 文學(xué)活動(dòng)　； 參考：《東北師范大學(xué)》2017年碩士論文

【摘要】：劉北汜(1917—1995),現(xiàn)代作家。四十年代到六十年代,一直在《大公報(bào)》擔(dān)任編輯;“文革”后,到故宮博物院工作,期間《故宮博物院院刊》(季刊)復(fù)刊、創(chuàng)辦《紫禁城》雜志。劉北汜將編輯與作家的兩種身份相互交融在一起,以作家的眼光進(jìn)行編輯工作,形成自己獨(dú)特的編輯風(fēng)格;同時(shí),他又從編輯的角度進(jìn)行創(chuàng)作,形成了自己的文學(xué)審美特征。本文力圖對(duì)劉北汜的文學(xué)活動(dòng)進(jìn)行較為系統(tǒng)、整體和全面的分析,對(duì)其文學(xué)活動(dòng)生涯——西南聯(lián)大求學(xué)時(shí)期、《大公報(bào)》任編輯時(shí)期、故宮博物院工作時(shí)期進(jìn)行分析,集中于他的小說(shuō)、散文詩(shī)、散文和報(bào)告文學(xué)創(chuàng)作�？傊�,從創(chuàng)作主題、創(chuàng)作風(fēng)格、創(chuàng)作手法等多角度進(jìn)行研究,將其不同體裁的文學(xué)作品進(jìn)行比較,探討它們之間的相通性,力求對(duì)劉北汜的文學(xué)活動(dòng)作出較為中肯的評(píng)述。論文第二章、第三章、第四章分別探討了劉北汜散文詩(shī)創(chuàng)作、小說(shuō)創(chuàng)作、報(bào)告文學(xué)創(chuàng)作等方面的特色,第五章總結(jié)歸納,探索其文學(xué)創(chuàng)作的審美個(gè)性,發(fā)掘出不同體裁創(chuàng)作之間在主題和藝術(shù)手法上的呼應(yīng),同時(shí)結(jié)合歷史語(yǔ)境與作家的創(chuàng)作心理、生命體驗(yàn)進(jìn)行較為全面的分析,豐富現(xiàn)代文學(xué)史上關(guān)于劉北汜的研究,彌補(bǔ)空白。
[Abstract]:Liu Bei Si (1917-1995), a modern writer. From 1940s to 1960s, he was editor of Ta Kung Pao. After the Cultural Revolution, he went to work at the Palace Museum, during which the Palace Museum Proceedings (Quarterly) was republished and the Forbidden City magazine was founded. Liu Bei, who intermingled the two identities of editors and writers, carried out editing work from the writer's point of view and formed his own unique editing style. At the same time, he created from the angle of editing and formed his own literary aesthetic characteristics. This paper tries to make a systematic, overall and comprehensive analysis of Liu Bei's literary activities, including the period of his literary activity-the study period of Southwest University, the period of "Ta Kung Pao" as editor, and the period of the Palace Museum work. Focus on his novels, prose, prose and reportage. In a word, the author makes a comparative study of his literary works of different genres from various angles, such as the theme, style and technique of creation, and tries to make a more pertinent comment on Liu Bei's literary activities. Chapter two, chapter three and chapter four respectively discuss the characteristics of Liu Bei's prose poem creation, novel creation, reportage creation and so on. Find out the echo between different genres in theme and artistic technique, combine historical context and writer's creation psychology, carry on more comprehensive analysis of life experience at the same time, enrich the research on Liu Bei in the history of modern literature, make up the blank.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I206.6

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