本文選題：隱元隆琦 + 詩歌��； 參考：《紹興文理學院》2017年碩士論文

【摘要】：隱元(1592-1673),法諱隆琦,俗姓林,名曾f:,號子房,明末福清人。明亡后東渡日本弘法,為我國史上杰出的遺民詩僧。隱元一生著述頗豐,有《弘戒法儀》《普照國師廣錄》《黃檗清規(guī)》《黃檗和尚扶桑語錄》《示眾語檗》等傳世。隱元在詩歌創(chuàng)作上獨擅勝場,其詩現(xiàn)存4900多首,題材多樣、體式完備、詩藝精湛,真實地反映著他的故國情懷,寄寓著他對明亡清興的深沉感慨、中日兩國關(guān)系之思考及佛禪思想的體悟,并最終為我們塑造出一位血肉豐滿的東渡遺民詩僧形象。事實上,隱元詩歌在中國遺民文學史、僧詩創(chuàng)作史乃至日本漢文學史上均具有重要的研究價值。目前學界有關(guān)隱元的研究成果甚豐,然多從隱元的生平、隱元的遺民身份及其在中日文化交流史上的貢獻等方面進行研究,對隱元詩歌進行全面研究的專著卻沒有一部,相關(guān)論文亦寥若晨星,不由令人心生遺憾。就少數(shù)論及隱元文學成就的論文而言,僅局限于對隱元詩歌題材進行籠統(tǒng)分類和數(shù)量統(tǒng)計,未能深層次地就隱元詩作的思想內(nèi)容及藝術(shù)特色進行系統(tǒng)研究和細致剖析。因此,本文擬從《新纂校訂隱元全集》中所收錄的隱元詩作入手,綜合現(xiàn)有的隱元研究資料,將隱元詩歌放回明清之際的歷史環(huán)境中進行體味、考察,側(cè)重探討其詩歌的思想意涵及藝術(shù)風貌,從而較為全面地掌握隱元詩歌的創(chuàng)作特點,以推動這一重要文學文化遺產(chǎn)的價值當代化。全文共分五部分,分別為緒論、正文四章和結(jié)語。緒論部分梳理隱元的研究現(xiàn)狀,對隱元詩歌的研究價值作簡要闡述,并說明本文的研究方法和研究思路。第一章,結(jié)合學界現(xiàn)有研究成果對隱元生平事跡進行概述。此章主要論述隱元自明萬歷二十年(1592)出生到日本寬文十三年(1661)圓寂期間的生平活動,分別從隱元與黃檗宗之關(guān)系、隱元與南明政權(quán)之關(guān)系、隱元與17世紀日本朝野之關(guān)系三方面入手,力圖全方位展示一代高僧的偉大生命歷程。最后,在章末就隱元的著述及其詩歌創(chuàng)作分期展開討論。第二章,對作為遺民隱元的詩歌思想意涵進行探究。本章著重將遺民隱元的思想與同時代明遺民之思想進行比較,在歸納出他們思想共性之同時,揭橥遺民隱元思想的特點。隱元作為一名遺民詩僧,其詩歌中勢必呈現(xiàn)著與廣大明遺民相近的思想意涵,即抒亡國之痛、英杰之吊、感懷民瘼和立志恢復;然隱元作為一代高僧,在臨濟宗法精義、自身禪修體悟及詩人生平交游經(jīng)歷等多重因素的作用下又會使其產(chǎn)生不同于一般明遺民的思想內(nèi)涵,這主要表現(xiàn)在他對鄭成功集團的批判態(tài)度、對抗清忠烈不入禪林的嘆惋和對黍離之悲的自我化解與超悟三個方面。第三章,對作為文化使者隱元的詩歌思想意涵進行研析。隱元作為將中華優(yōu)秀文化帶到日本,并對17世紀日本文化及士風走向產(chǎn)生重要影響的文化使者,其詩歌中彰顯著開創(chuàng)黃檗、弘法東瀛之志,贊美日邦風土、感懷民生之情以及拳拳赤子、不忘故土之念等多元思想意涵。然而,隱元身為東渡明遺民的杰出典范之一,在不同生活環(huán)境、思想主張、人生閱歷之影響下,又必然會使其形成迥別于其他東渡遺民的獨特思想意蘊。因此,本章在對文化使者隱元的思想進行概述之同時,還將其與同時代中日文化交流使者東皋心越、朱舜水之思想進行比較,探究同為文化交流使者的他們在思想上的異同。第四章,探討隱元的詩歌藝術(shù)。隱元的詩歌藝術(shù)主要體現(xiàn)在其對多樣化詩風的重視,對空寂無物、清冷無礙詩境的營造,對和諧悅美詩韻的強調(diào)及對求新求變句法之追求。而隱元在詩歌藝術(shù)上所形成的鮮明特色,實與其思想精神、生活閱歷、個性氣質(zhì)、審美取向等方面有著密切聯(lián)系。余論部分主要闡述隱元作為一名杰出的詩僧,其僧詩創(chuàng)作在中國僧詩發(fā)展史及日本漢文學史上的重要地位,并就這一論題的研究空間進行展望。
[Abstract]:Hidden yuan (1592-1673), the law taboo Long Qi, vulgar name Lin, the name once f:, horn house, the Fuqing people in the late Ming Dynasty. After the death of the Ming Dynasty, it is the outstanding remains of the Japanese Buddhist monks. There are more than 4900 poems in the field, with a variety of themes, complete style and exquisite poetic art, which truly reflect his country's feelings, express his deep feeling of the Qing Dynasty, think about the relations between China and Japan and the understanding of Buddhism and Zen thoughts. The history of Chinese literature, the history of monk poetry and even the history of Japanese Chinese literature have important research value. At present, the research achievements of the hidden yuan are very abundant in the academic circles. However, many studies have been carried out from the life of the hidden yuan, the identity of the hidden elements of the hidden yuan and their contributions in the history of Sino Japanese cultural communication. There is one part of the paper, which is also rare and not regrettable. As far as a few papers on the achievements of hidden yuan literature are concerned, it is limited to the general classification and quantity statistics of the themes of the hidden Yuan poetry, and it is unable to deeply study and analyze the ideological content and artistic features of the hidden Yuan poetry. Starting with the collection of hidden yuan poems in the complete collection of hidden yuan, this paper combines the existing hidden meta data and puts the hidden Yuan poetry back into the historical environment of the Ming and Qing Dynasties to carry out his body flavor and study, to focus on the ideological connotation and artistic features of his poetry, so as to master the creative characteristics of the hidden Yuan Poetry in an all-round way so as to promote this important literary text. The full text is divided into five parts. The full text is divided into five parts: introduction, four chapters and conclusion. The introduction part combs the research status of hidden yuan, briefly expounds the research value of hidden Yuan poetry, and explains the research methods and research ideas of this article. The chapter mainly discusses the life activities of hidden yuan from the twenty years of Ming Wanli (1592) to the period of thirteen years (1661) in Japan. The relationship between the hidden yuan and the phellodendron, the relationship between the hidden yuan and the Nanming regime, the relationship between the hidden yuan and the Nanming regime, and the relationship between the hidden yuan and the Japanese country in the seventeenth Century, show the great life course of the monks of a generation in all directions. Finally, At the end of the chapter, the author discusses the writings of the hidden yuan and the stages of his poetry creation. In the second chapter, the author explores the meaning of poetry as a hidden element of the remains of the people. This chapter focuses on the comparison of the thought of the hidden elements of the remains of the people with the thought of the people at the same time. The poetry monk of the remains of the people is bound to present the ideological meaning similar to the vast majority of the people, that is to express the pain of the nation, the hanging of the hero, the sentiments of the folk and the restoration of the ambition. The ideological connotation of the remains of the people is mainly manifested in his critical attitude towards the Zheng success group, the three aspects of the lament of the Qing Dynasty, the self dissolving and the super understanding of the sadness of the millet. The third chapter, the connotation of the poetry thought as the implicit element of the cultural messenger. The cultural envoy of Japanese culture and morale has an important influence. In his poetry, it manifests the multiple ideological implications of the creation of phellodendron, Hong FA Ying, praise of the Japanese state, the feelings of the people's livelihood, and the memory of the native land. Zhang, under the influence of life experience, will inevitably make it distinct from the unique thoughts of other people in the East. As a result, this chapter gives an overview of the thought of the cultural envoy hidden yuan, and also compares it with the cultural communication envoy of the same times, the more the thought of Zhu Shun water is to be compared, and to explore their cultural communication messenger. The similarities and differences in thought. The fourth chapter discusses the poetic art of hidden yuan. The poetry art of hidden yuan is mainly reflected in his attention to the variety of poetic style, the creation of the empty silence, the cold and no obstruction of poetry, the emphasis on the harmony and beauty of poetry and the pursuit of the innovation of the change syntax. There is a close connection between the spirit, the life experience, the personality and the aesthetic orientation. The remaining part mainly expounds the importance of the hidden yuan as an outstanding poem monk, and the important position of his monk poetry in the history of Chinese monks' poetry and the history of Japanese Chinese literature, and looks forward to the study of this topic.
【學位授予單位】：紹興文理學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22

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