本文選題：法鼓 + 佛鐘��； 參考：《東南學(xué)術(shù)》2017年05期

【摘要】：晨鐘暮鼓是我國古代極富文學(xué)意味的聲音景觀,這個成語的解釋者往往會首先揭橥它的佛教源頭,甚至追溯至唐人李咸用的詩篇。而唐詩里鐘鼓之聲宗教意蘊(yùn)的文學(xué)表現(xiàn)一直較受學(xué)界關(guān)注。但若整體觀照我國古代(尤其是六朝至趙宋)關(guān)于鐘鼓之聲的書寫歷史,可以發(fā)現(xiàn)今人所熟識的鐘鼓之聲宗教意蘊(yùn)的生成,乃至"晨鐘暮鼓"或"暮鼓晨鐘"之類程式化的文學(xué)表現(xiàn),曾經(jīng)受到官方鐘鼓報時警戒制度、佛教儀軌等合力的作用和影響。在晨鐘暮鼓這一詩意與佛意相融的典型意象的生成演變中,對鼓聲、鐘聲、朝暮鼓和朝鐘暮鼓等聲音景觀的復(fù)雜變遷,以及這些聲音景觀所含蘊(yùn)的不同的思想文化寓意——從熙熙攘攘的朝市到清空寂靜的佛境進(jìn)行考察,不但可以見出宗教對文學(xué)的影響,也可管窺我國古代文學(xué)在寺廟建制、佛教儀軌等層面所可能具有的啟發(fā)作用。
[Abstract]:The morning bell and the twilight drum are the sound landscape of the ancient Chinese literature. The interpreter of this idiom often reveals its Buddhist origin first, and even goes back to the poems of Li Xian of the Tang Dynasty. However, the literary expression of the religious implication of the bell and drum in Tang poetry has been paid more attention to by scholars. However, if we look at the writing history of the sound of the bell drum in ancient China (especially from the six dynasties to the Zhao and Song dynasties), we can find the generation of the religious meaning of the sound of the bell drum, which is familiar to us today. Even the stylized literary expressions such as "Drum and Twilight Drum" or "Twilight Drum" have been influenced by the system of official bell-drum reporting and warning, Buddhist ritual and so on. In the formation and evolution of the typical imagery of the morning bell and the twilight drum, the complex changes of the sound landscape, such as drum, bell, Twilight drum and so on, And the different ideological and cultural implications of these sound landscapes-from the bustling city to the empty and silent Buddhist territory, one can not only see the influence of religion on literature, but also peek at the ancient Chinese literature in the temple establishment. Buddhist ritual and other aspects of the possible enlightenment.
【作者單位】： 復(fù)旦大學(xué)古籍所;
【基金】：上海市哲學(xué)社會科學(xué)規(guī)劃項目“謝靈運(yùn)詩文編年校釋”(項目編號:2014BWY002)
【分類號】：I206.2

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本文編號：2056469