本文選題：地域文化 + 蘇北　； 參考：《東北師范大學(xué)》2017年碩士論文

【摘要】：地域文化,包涵一定地域的自然風(fēng)貌、風(fēng)習(xí)傳統(tǒng)、歷史文化等方面因素,涵蓋一定地理空間的個性表征和人文發(fā)展規(guī)律。文學(xué)中的地域文化因素有時隱蔽、有時顯著,潛移默化地影響作家的品性氣質(zhì)、行為操守和審美追求,進而孕育出屬于特定地域的創(chuàng)作流派和作家群體。蘇北地域文化作為江蘇版圖的“異數(shù)”,曾長期隱于蘇南的光環(huán)之后,新時期伊始,伴隨著學(xué)界對“邊緣文學(xué)”的發(fā)掘,蘇北獨特的地域風(fēng)情開始引發(fā)關(guān)注。越來越多的本土作家立足于地域文化的展演視角,既著力于江南之北的地理空間建構(gòu),又在因循代際差異的背景下呈現(xiàn)不同時代的個性化、立體化蘇北,從而在時空交融的基礎(chǔ)上實現(xiàn)蘇北世界的人地互動以及向多元地緣文化的突圍,顯現(xiàn)出前所未有的地域開放性和包容性。本文以新時期以來蘇北小說家的地域文化書寫為研究對象,深入探究八十年代、九十年代、新世紀三個時期蘇北世界與作家創(chuàng)作的關(guān)系。論文第一章圍繞蘇北地域及其文化品格、蘇北地域文化與蘇北小說家創(chuàng)作兩部分展開,先是運用文學(xué)地理學(xué)方法梳理了蘇北的歷史發(fā)展,并在此基礎(chǔ)上分點介紹了蘇北地域文化的特征;接著從文學(xué)史的角度呈現(xiàn)各個時期的蘇北作家及其文學(xué)成就,并重點分析隨著時間的流變,新時期以來蘇北小說家的審美選擇。論文的第二章從古典、野趣、傳奇等關(guān)鍵詞切入,八十年代的文壇剛從政治藩籬中走出,生動自由的小說書寫模式形成熱潮,以汪曾祺、曹文軒、趙本夫為代表的蘇北作家立足寓言式溫情的敘述風(fēng)格,圍繞水墨風(fēng)貌、輕喜劇式的婚喪俗、富情趣的方言等角度呈現(xiàn)蘇北市井鄉(xiāng)民的人生百態(tài),是詩性的鄉(xiāng)土謠和風(fēng)俗挽歌。論文的第三章以九十年代變革的現(xiàn)代化為背景,中國社會尤其是邊緣城鄉(xiāng)正在經(jīng)歷著前所未有的權(quán)力和信仰危機,蘇北作家從家族的、歷史的角度詮釋被壓抑的民間和被損害的生命,于愛恨交織的地域情感中見證封閉地域的反叛和逃離。這一時期的蘇北小說家以趙本夫、畢飛宇為代表。論文的第四章重點分析了新世紀以來蘇北小說家的地域文化書寫的創(chuàng)新點和當(dāng)下意義。結(jié)合多元地域文化聯(lián)系加強的背景和“流寓”寫作的文化多樣性影響特征,一方面分析了新世紀蘇北作家的原鄉(xiāng)文化呈現(xiàn),另一方面也提出了作家的單一地域認同危機,從而實現(xiàn)蘇北封閉地域及本籍作家創(chuàng)作的雙線突圍。綜之,站在共時性、歷時性的視野中研究新時期以來蘇北小說家的地域文化書寫,將地域文化與文學(xué)的關(guān)系從整體、宏觀的角度推進到個體、微觀的層面,為封閉地理空間融入人地互動的多元文化因質(zhì),對展現(xiàn)蘇北風(fēng)情、完善江蘇地域文學(xué)版圖、充實現(xiàn)代文學(xué)史的“邊緣文學(xué)”意義重大。
[Abstract]:Regional culture includes the natural features of certain regions, customs and traditions, historical and cultural factors, including the personality of a certain geographical space and the law of human development. The factors of regional culture in literature are sometimes hidden, sometimes remarkable, and have a subtle influence on the writers' temperament, conduct and aesthetic pursuit, thus giving birth to creative schools and writers' groups belonging to a specific region. As the "different number" of Jiangsu's territory, the regional culture of northern Jiangsu had long hidden in the aura of southern Jiangsu. At the beginning of the new period, with the discovery of "marginal literature" by academic circles, the unique regional customs of northern Jiangsu began to arouse attention. More and more local writers based on the angle of view of regional culture, not only focus on the construction of geographical space in the north of the Yangtze River, but also present the individuation of different times under the background of intergenerational differences, and make the north of Jiangsu three-dimensional. On the basis of the blending of time and space, the interaction between people and land in the north of Jiangsu Province and the breakthrough to the pluralistic geographical culture show unprecedented regional openness and inclusiveness. This paper takes the writing of the regional culture of the novelists in northern Jiangsu Province as the research object, and probes into the relationship between the world of northern Jiangsu and the writers' creation in the 1980s, 1990s and the new century. The first chapter focuses on the region of northern Jiangsu and its cultural character, the regional culture of northern Jiangsu and the creation of novelists in northern Jiangsu. First, it combs the historical development of northern Jiangsu with the method of literary geography. On this basis, this paper introduces the characteristics of the regional culture in Northern Jiangsu, and then presents the writers and their literary achievements in each period from the perspective of literary history, and analyzes emphatically the aesthetic choice of the novelists in Northern Jiangsu since the new period with the development of time. The second chapter of the paper from classical, wild interest, legend and other key words cut into the 1980s literary world has just come out of political barriers, vivid and free novel writing mode formed upsurge, with Wang Cengqi, Cao Wenxuan, Zhao Benfu's representative writers in northern Jiangsu based on the fable warmth of narrative style, around the style of ink and ink, light comedy style of marriage and funeral customs, rich in interesting dialects and other angles to present the life of northern Jiangsu townspeople, is a poetic local ballad and custom elegy. The third chapter takes the modernization of the 1990s as the background. Chinese society, especially the marginal urban and rural areas, is experiencing an unprecedented crisis of power and belief. The historical perspective interprets the suppressed folk and the damaged life, witness the rebellion and escape of the closed region in the love-hate intertwined regional emotion. In this period, the novelists of northern Jiangsu were represented by Zhao Benfu and Bi Feiyu. The fourth chapter focuses on the innovation and current significance of the regional culture writing of the novelists in Northern Jiangsu Province since the new century. Combined with the background of strengthening the multi-regional cultural connection and the cultural diversity influence characteristics of "Liu Yu" writing, on the one hand, it analyzes the native culture of the writers in the north of Jiangsu Province in the new century, on the other hand, it also puts forward the crisis of the writer's single regional identity. In order to realize the closed area of northern Jiangsu and the author's creation of double-line breakthrough. From the perspective of synchronic and diachronic research on the writing of the regional culture of the novelists in northern Jiangsu since the new period, the relationship between regional culture and literature has been promoted from the overall and macroscopic perspective to the individual and micro level. In order to close the geographical space and integrate the multi-culture of human-land interaction, it is of great significance to show the customs of northern Jiangsu, perfect the territory of Jiangsu regional literature, and enrich the "marginal literature" in the history of modern literature.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

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