本文選題：恒態(tài) + 審美規(guī)范�。� 參考：《文藝爭鳴》2017年08期

【摘要】：正隨著新詩百年誕辰腳步的臨近,許多人蟄伏在心底的整數(shù)意識又開始隱隱作祟。五十而知天命,六十滿一甲子,已有一個世紀歷史積累的新詩究竟如何?它有沒有從根本上徹底打敗最初的"敵人"舊體詩,是否建立起一套獨立成熟的審美規(guī)范,留下了幾多正反兩方面的經(jīng)驗,和讀者的關(guān)系又呈現(xiàn)著怎樣隔膜抑或融洽的關(guān)系形態(tài)?在這個問題上,新中國成立后毛澤
[Abstract]:With the approaching of the centenary of new poetry, many people's consciousness of integer dormant in the bottom of their hearts began to loom. What about the new poems that have accumulated for a century and have known the fate of heaven in the past fifty years? Did it fundamentally defeat the original "enemy" old style poetry, establish a set of independent and mature aesthetic norms, and leave behind many positive and negative experiences? What is the relationship between the reader and the reader? On this issue, Mao Ze, after the founding of the people's Republic of China,
【作者單位】： 南開大學(xué)文學(xué)院;
【分類號】：I207.25

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