本文選題：東晉 + 文人�。� 參考：《安徽大學(xué)》2015年碩士論文

【摘要】：本篇論文從文人心態(tài)的角度進(jìn)行研究,通過對東晉初期、中期、后期社會環(huán)境對文人心態(tài)影響的分析,展現(xiàn)東晉文人不同階段的心態(tài)流變,闡釋東晉初期、中期、后期文人所具有的普遍性或代表性心態(tài),并重點剖析不同階段的文人心態(tài)對文學(xué)創(chuàng)作的影響。全文分為導(dǎo)論、正文、余論三個部分。導(dǎo)論闡釋“心態(tài)”的基本含義,對東晉分期進(jìn)行界定；簡述本課題的研究現(xiàn)狀、研究價值。正文部分包括三章。第一章主要分析了東晉初期的文人心態(tài)及其文學(xué)創(chuàng)作。西晉末年動亂的時局、東晉初年百廢待興的局面、“王與馬共天下”等都影響到東晉初期文人心態(tài)。受此影響,東晉文人心態(tài)呈現(xiàn)出以匡扶晉室的中興心態(tài)為主,以淡泊飄逸的超世心態(tài)為輔的特點。在此種心態(tài)影響下,文學(xué)作品的主題密切聯(lián)系政治,而謳歌新朝的大賦也一度盛行。第二章主要分析了東晉中期的文人心態(tài)及文學(xué)創(chuàng)作。穩(wěn)定的社會政治局面,玄學(xué)、佛教的盛行是東晉中期影響文人心態(tài)的兩大因素。受此影響,文人心態(tài)以清靜虛無的玄佛心態(tài)和感傷遷逝的悲劇心態(tài)為主,且以玄虛空靈的玄佛心態(tài)為主流。在此種心態(tài)的影響下,文人創(chuàng)作了大量內(nèi)容玄虛的作品,且傾向于使用“興寄”的創(chuàng)作手法。第三章主要分析了東晉后期文人的心態(tài)及文學(xué)創(chuàng)作。門閥士族腐朽不堪,皇權(quán)勢力趁機(jī)擴(kuò)張,門閥政治行將覆滅,文人山水審美意識勃發(fā)等因素導(dǎo)致文人心態(tài)發(fā)生變化。保全自身的無奈心態(tài)和瀟灑自適的悠游心態(tài)成為主流心態(tài)。受此影響,文學(xué)創(chuàng)作回歸抒情傳統(tǒng),詩歌出現(xiàn)“物我泯一”的境界。余論將本課題內(nèi)容進(jìn)行擴(kuò)展,將東晉文人心態(tài)與南朝文人心態(tài)進(jìn)行對比。東晉與南朝同為偏安江左的政權(quán)。但文人心態(tài)與文學(xué)創(chuàng)作并不相同。東晉文人特別是士族文人憑借高貴的出生,自始自終以逍遙自適心態(tài)自居。文學(xué)創(chuàng)作重視“神”、“理”,妙悟。南朝文人尤其是南朝皇室,因下級將領(lǐng)的出身,皇室常懷有自卑心態(tài)。隨著文化水平提高,皇族心態(tài)才由自卑轉(zhuǎn)為自信,其文學(xué)創(chuàng)作傾向于世俗之情與形式之美。
[Abstract]:Through the analysis of the influence of the social environment on the literati mentality in the early, middle and later periods of the Eastern Jin Dynasty, this paper shows the changes of the mentality of the scholars in different stages of the Eastern Jin Dynasty, and explains the initial and middle periods of the Eastern Jin Dynasty. The later writers have the universal or representative mentality, and analyze the influence of the different stages of the literati mentality on literary creation. The full text is divided into three parts: introduction, text and conclusion. The introduction explains the basic meaning of "mentality", defines the stages of the Eastern Jin Dynasty, and briefly describes the present research situation and research value of this subject. The text includes three chapters. The first chapter mainly analyzes the literati mentality and literary creation in the early Eastern Jin Dynasty. The turbulent situation in the late Western Jin Dynasty, the situation of the early Eastern Jin Dynasty, the situation of "King and horse in the world together" all affected the mentality of scholars in the early Eastern Jin Dynasty. Influenced by this, the mentality of the scholars in the Eastern Jin Dynasty was characterized by the ZTE mentality of Kuang Fu Jin Room, supplemented by the surpassing mentality of indifferent and elegant. Under the influence of this mentality, the themes of literary works were closely related to politics, and the great Fu of the Acura of the New Dynasty also prevailed. The second chapter mainly analyzes the literati mentality and literary creation in the middle of the Eastern Jin Dynasty. The stable social and political situation, the prevalence of metaphysics and Buddhism are the two major factors influencing the mentality of literati in the middle of the Eastern Jin Dynasty. Influenced by this, the mentality of literati is mainly the mind-set of the metaphysical Buddha and the tragic state of sadness, and the mainstream is the mind-set of the metaphysical Buddha. Under the influence of this kind of mentality, the literati created a lot of mysterious works, and tended to use the creative technique of "Xingzhi". The third chapter mainly analyzes the mentality and literary creation of the literati in the late Eastern Jin Dynasty. The decayed family of the door valve, the expansion of the imperial power force, the imminent extinction of the door valve politics and the flourishing aesthetic consciousness of the literati led to the change of the literati mentality. To preserve their own helpless mentality and natural and self-adapted state of mind to become the mainstream state of mind. Influenced by this, literary creation returns to lyrical tradition, and poetry appears the realm of "one thing I lose". The last part expands the content of this subject and compares the mentality of the scholars in the Eastern Jin Dynasty and the Southern Dynasty. The Eastern Jin Dynasty and the Southern Dynasty were the regime on the left of the Yangtze River. But literati mentality and literary creation are not the same. The Eastern Jin literati, especially the literati, by virtue of noble birth, from the beginning to the end to be at ease. Literary creation attaches importance to "God", "reason", Miao Wu. The Southern Dynasty literati, especially the Southern Dynasty royal family, often have a inferiority complex because of the origin of the lower generals. With the improvement of cultural level, the imperial family's mentality changed from inferiority to self-confidence, and its literary creation tended to secular feeling and formal beauty.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I206.2

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本文編號：2005922