【摘要】：中國是傳統(tǒng)文化底蘊深厚的國家,在上下五千年的文明進程中,留下了寶貴的文化遺產,湖湘文化就是其中之一。湖湘文化是一種具有鮮明特征和傳承關系且相對穩(wěn)定的歷史文化形態(tài)。先秦、兩漢時期湖南文化應該納入楚文化中。馬王堆的歷史文物、屈原的詩歌藝術,均具有鮮明的楚文化特征。而南北朝及兩宋以來,由于歷史的變遷發(fā)展,特別是經歷了宋、元、明的幾次大規(guī)模的移民,使得湖湘人民在人口、風俗習慣、思想觀念等各方面發(fā)生了重要變化,從而建構、組合出一種新的區(qū)域文化的形態(tài),我們稱之為湖湘文化。“惟楚有才,于斯為盛”,在湖湘文化的構建和發(fā)展中,先秦、兩漢的楚文化對其有著重要的影響。 湖湘文化是一種獨具特色的地域性文化,身在其中的湖南人,都深受著她的影響,接受她的洗禮,打上她的烙印。勤勞勇敢的湖南人在湖湘文化的熏陶下,受益頗多,他們走上了世界的舞臺,演繹出了自己光芒的人生,并得到世人的敬仰。湖湘文化不只是簡簡單單的地域性文化,她早己擺脫了其自身的地域限制,發(fā)展成了中國乃至全世界所關注的民族文化。但是,在近年的湖湘文化研究熱潮中,對于湖湘文化與動畫產業(yè)之間的相互影響這一課題至今沒有人進行深入系統(tǒng)的研究,具體不足表現(xiàn)在：研究工作十分零散,缺乏邏輯性、系統(tǒng)性；研究成果宏觀上缺乏對文化的把握,微觀上缺乏對動畫元素的深入挖掘。因此本文嘗試從宏觀、微觀兩個角度系統(tǒng)的研究湖湘文化與動畫的內在聯(lián)系,彌補前人在這方面研究的不足,相信這一研究對于推動我國動漫發(fā)展具有非常積極意義
[Abstract]:China is a country with profound traditional culture. In the process of five thousand years of civilization, Huxiang culture is one of them. Huxiang culture is a relatively stable historical and cultural form with distinct characteristics and inheritance relations. Hunan culture should be brought into Chu culture in pre-Qin and Han dynasties. Mawangdui's historical relics and qu Yuan's poetic art all have distinct Chu culture characteristics. However, since the Southern and Northern dynasties and the two Song dynasties, due to the historical changes and developments, especially the large-scale migration of the Song, Yuan, and Ming dynasties, the people of Huxiang have undergone important changes in population, customs, ideas, etc. The combination of a new form of regional culture, we call it Huxiang culture. In the construction and development of Huxiang culture, the Chu culture of pre-Qin and Han dynasties had an important influence on it. Huxiang culture is a unique regional culture, in which the people of Hunan are deeply influenced by her, accepted her baptism and branded her. The industrious and brave Hunan people benefited a lot from the culture of Huxiang. They stepped onto the stage of the world, deduce their own light of life, and were admired by the world. Huxiang culture is not only a simple regional culture, but also a national culture concerned by China and the whole world. However, in recent years, in the Huxiang culture research boom, there is no in-depth and systematic research on the interaction between Huxiang culture and animation industry. The specific shortcomings are: the research work is very scattered, lack of logic, Systematic; The research result lacks the grasp of culture in macroscopic and the deep excavation of animation element in microcosmic. Therefore, this paper attempts to systematically study the internal relationship between Huxiang culture and animation from macro and micro perspectives, and make up for the deficiencies of previous researches in this respect. I believe this research has a very positive significance for promoting the development of animation in China.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：G127

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