【摘要】： 角色造型是一部動(dòng)畫(huà)作品的靈魂,沒(méi)有它就沒(méi)有動(dòng)畫(huà)存在的意義。角色的造型設(shè)計(jì)往往是一部作品的關(guān)鍵所在,它不僅主導(dǎo)著整個(gè)動(dòng)畫(huà)的情節(jié)、風(fēng)格和趨勢(shì)還是一部動(dòng)畫(huà)作品成功的基礎(chǔ)。由此可見(jiàn)角色造型在動(dòng)畫(huà)中的重要性了。 中國(guó)動(dòng)畫(huà)曾有過(guò)輝煌的歷史,接下來(lái)那些年中國(guó)動(dòng)畫(huà)卻陷入了沉寂。目前,中國(guó)的動(dòng)畫(huà)市場(chǎng)逐漸繁榮起來(lái),無(wú)論是漫畫(huà)書(shū)還是動(dòng)畫(huà)片其數(shù)量之多,內(nèi)容之豐富是前所未有的。然而,能讓觀眾過(guò)目難忘的角色造型往往不是日本的就是美國(guó)的,幾乎沒(méi)有中國(guó)自己的。 本文的研究主題是從一部具有中國(guó)特色的動(dòng)畫(huà)片《哪吒鬧海》著手進(jìn)行分析,尋求本土動(dòng)畫(huà)新的發(fā)展道路�！赌倪隔[�！肥俏覈�(guó)動(dòng)畫(huà)史上的一個(gè)里程碑,其影片的角色造型是從我國(guó)民間年畫(huà)、戲曲人物臉譜等多方面汲取營(yíng)養(yǎng),巧妙融會(huì)貫通,兼收并蓄,以夸張的手法突出了角色的性格。論文對(duì)影片的角色造型的分析,是從性格特征、外型、服飾、配飾、色彩等角度出發(fā),研究總結(jié)了這部影片通過(guò)角色造型對(duì)文化內(nèi)涵、民族風(fēng)格的成熟運(yùn)用。通過(guò)對(duì)其角色造型設(shè)計(jì)的分析,挖掘出中國(guó)傳統(tǒng)文化中民族性的元素符號(hào)在動(dòng)畫(huà)造型設(shè)計(jì)中的應(yīng)用方式,為動(dòng)畫(huà)造型的設(shè)計(jì)根植于本土文化,創(chuàng)造出真正具有民族特色的動(dòng)畫(huà)角色造型以啟迪。
[Abstract]:Character modeling is the soul of an animated work, without which there is no meaning of animation. Character modeling design is often the key of a work, it not only dominates the plot, style and trend of the whole animation, but also the foundation of a successful animation work. This shows the importance of character modeling in animation. Chinese animation has a glorious history, the following years of Chinese animation has fallen into silence. At present, China's animation market is booming, whether comic books or animation its number, content is unprecedented. However, the characters that make the audience unforgettable are often Japanese or American, almost no Chinese own. The research theme of this paper is to start with the analysis of Nezha, an animated film with Chinese characteristics, in order to find a new way for the development of local animation, which is a milestone in the history of animation in China. The character modeling of its film is to draw nutrients from folk paintings, drama characters' faces, and so on, skillfully integrated, eclectic, with exaggerated means to highlight the character of the character. This paper analyzes the character modeling of the film from the aspects of character, appearance, dress, accessories, color and so on, and summarizes the mature application of the cultural connotation and national style of the film through the role modeling. Based on the analysis of the character modeling design, this paper excavates the application way of the national element symbol in Chinese traditional culture in the animation modeling design, which is rooted in the native culture for the animation modeling design. Create a real national characteristics of the animation character modeling to inspire.
【學(xué)位授予單位】：西安理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：J954

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本文編號(hào)：2217092