本文選題：戲曲動(dòng)畫(huà) + 豫劇��； 參考：《中國(guó)美術(shù)學(xué)院》2008年碩士論文

【摘要】： 要提高大眾對(duì)于戲曲的關(guān)注度,使戲曲以一種新的、方便傳播的形式來(lái)承載傳播地方文化的重任,如何把中原文化進(jìn)行梳理,結(jié)合現(xiàn)代的社會(huì)背景和文化背景,在保持戲曲原本美感的同時(shí),創(chuàng)作出具有新的藝術(shù)風(fēng)格的動(dòng)畫(huà)作品。 在戲曲動(dòng)畫(huà)的概念的界定與分類(lèi)中,主要的體現(xiàn)是為誰(shuí)而做,是娛樂(lè)化的商業(yè)動(dòng)畫(huà)?還是以民族文化傳播,弘揚(yáng)傳統(tǒng)民間藝術(shù)的公益動(dòng)畫(huà)?是以完整唱腔為主的?還是以表現(xiàn)故事為主?應(yīng)該說(shuō)兩種不同目的的戲曲動(dòng)畫(huà)是相輔相承的,不存在對(duì)立的關(guān)系。 在任何一個(gè)國(guó)家,保護(hù)和弘揚(yáng)民族文化傳統(tǒng)都是必須的,在現(xiàn)代化進(jìn)程中,傳統(tǒng)文化受到經(jīng)濟(jì)、社會(huì)發(fā)展和外來(lái)文化的挑戰(zhàn)不可避免,尤其是市場(chǎng)化步伐的加快,傳統(tǒng)文化面臨的挑戰(zhàn)更加嚴(yán)峻。如何保護(hù)“國(guó)粹”,使之流傳下去?用什么形式古為今用?都是值得思考的問(wèn)題。鑒于上一節(jié)戲曲與動(dòng)畫(huà)的共性,所以用動(dòng)畫(huà)的形式傳遞戲曲文化是非常好的“古為今用”。
[Abstract]:In order to raise the public's attention to the opera, to make the opera carry the important task of spreading the local culture in a new and convenient form, how to comb the culture of the Central Plains and combine the modern social background with the cultural background, While maintaining the original aesthetic of the opera, animation works with new artistic style are created. In the definition and classification of the concept of drama animation, the main embodiment is for whom, is the entertainment of commercial animation? Or the spread of national culture to carry forward the traditional folk art of public interest animation? Is it a complete singing? Or is it a story? It should be said that the two different purposes of drama animation is complementary, there is no antagonistic relationship. In any country, it is necessary to protect and carry forward the national cultural tradition. In the process of modernization, the traditional culture is inevitably challenged by economic, social development and foreign culture, especially the acceleration of the pace of marketization. The challenge of traditional culture is even more severe. How to protect the "quintessence" and keep it going? In what form is it used for the present? Are worth thinking about. In view of the commonness between the previous opera and animation, it is very good to transfer the culture of drama by animation.
【學(xué)位授予單位】：中國(guó)美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J954

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 尚丹;;從豫劇發(fā)展看河南如何加快文化產(chǎn)業(yè)建設(shè)[J];長(zhǎng)春教育學(xué)院學(xué)報(bào);2013年10期

2 趙麗敏;;試論豫劇、動(dòng)漫與兒童的互融互動(dòng)[J];芒種;2012年14期

3 成軻;;中國(guó)三維動(dòng)畫(huà)發(fā)展趨勢(shì)之我見(jiàn)[J];美與時(shí)代(上);2010年04期

相關(guān)碩士學(xué)位論文 前2條

1 周懿;戲曲動(dòng)畫(huà)的特征及傳播途徑研究[D];中國(guó)美術(shù)學(xué)院;2011年

2 竇金啟;戲曲動(dòng)畫(huà)及其藝術(shù)性和傳播理念研究[D];山西師范大學(xué);2013年

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本文編號(hào)：1958605