本文選題：戲曲程式化表演　切入點(diǎn)：動(dòng)畫角色表演　出處：《中國(guó)美術(shù)學(xué)院》2012年碩士論文

【摘要】：近年來(lái)，隨著全球文化交流的日益頻繁與深入，中國(guó)動(dòng)畫創(chuàng)作開始呈現(xiàn)出趨同化的特征，一是對(duì)外來(lái)動(dòng)漫文化的接受和消化程度不夠，二是我國(guó)原有的民族特色未能得到很好表現(xiàn)，使得動(dòng)畫創(chuàng)作陷入了新的困境。我們不得不重新思考中國(guó)動(dòng)畫的發(fā)展方向。 作為一門綜合藝術(shù)，動(dòng)畫涵蓋文學(xué)、音樂(lè)、美術(shù)、表演等多種藝術(shù)門類。動(dòng)畫角色表演是動(dòng)畫創(chuàng)作中比較重要的環(huán)節(jié)，它是完善角色性格特征、劇情發(fā)展、主題表達(dá)的重要手段，是動(dòng)畫片講述故事的外在傳遞媒介。通過(guò)真正優(yōu)秀具有民族符號(hào)化的表演，彰顯民族特色和傳達(dá)本土文化的內(nèi)涵。 傳統(tǒng)戲曲是中華民族文化中的瑰寶，它歷史悠久，，具有深厚的民族文化內(nèi)涵和豐富多樣的程式化表演形式，尤其是程式化表演有著獨(dú)特的魅力和民族韻味。本文通過(guò)對(duì)戲曲程式化表演和動(dòng)畫角色表演的深入比較，闡述動(dòng)畫角色表演與戲曲程式化表演兩者之間的相似性，并通過(guò)動(dòng)作的夸張、動(dòng)作的節(jié)奏和運(yùn)動(dòng)的軌跡來(lái)解析二者間的外在表現(xiàn)，并以角色的個(gè)性化塑造和對(duì)時(shí)空的虛擬傳達(dá)，充分展現(xiàn)其內(nèi)在表達(dá)的基本共性。同時(shí)，結(jié)合當(dāng)前戲曲動(dòng)畫創(chuàng)作，具體分析戲曲程式化表演在當(dāng)代動(dòng)畫創(chuàng)作中的啟示作用，其強(qiáng)烈的民族文化特征正是發(fā)展民族動(dòng)畫的有力手段，在當(dāng)下的動(dòng)畫創(chuàng)作中，應(yīng)積極發(fā)揮戲曲程式化表演對(duì)動(dòng)畫角色表演的借鑒作用，從最基礎(chǔ)的動(dòng)畫表演中滲透出民族的韻味和特色。
[Abstract]:In recent years, with the development of global cultural exchanges have become increasingly frequent and in-depth, China animation began showing the characteristics of assimilation, one is to accept and digest foreign cartoon culture is not enough, the two is China's national characteristics of the original has not been very good performance, making the animation creation a new dilemma. We have to think again the development direction of Chinese animation.
As a comprehensive art, animation, music, art, covering literature, performing arts and so on. Animation role performance is an important link in animation creation, it is the perfect character, plot development, an important means of expression of the theme, is a cartoon story about the external transmission medium. Through the excellent national symbols the show, highlight the ethnic characteristics and convey the connotation of local culture.
Traditional opera is the treasure of Chinese culture, it has a long history, has a profound cultural connotation and rich stylized performances, especially the stylized performance has a unique charm and ethnic flavor. Based on in-depth comparison of opera stylized performance and animation role performance, expounds the similarity between animated characters show and opera stylized performance of both, and through the action of exaggeration, movement rhythm and movement to external performance analytical between the two, and to personalize the roles of space and virtual communication, fully demonstrated its inherent basic common expression. At the same time, combined with the current opera animation creation, specific inspiration analysis of opera stylized performance in contemporary animation creation, its strong cultural characteristics is a powerful means for the development of national animation, in the animation creation, should Actively play the role of the opera stylized performance for the animation role performance, from the most basic animation performance of the national charm and characteristics.

【學(xué)位授予單位】：中國(guó)美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J218.7

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本文編號(hào)：1715193