本文選題：輕小說(shuō)　切入點(diǎn)：輕松　出處：《山東師范大學(xué)》2012年碩士論文

【摘要】：輕小說(shuō)是源于日本的一種小說(shuō)創(chuàng)作理念，由于其在題材選擇、創(chuàng)作手法及表現(xiàn)內(nèi)容等各方面都深深地烙有日本動(dòng)漫文化的印記，所以在日本也被稱(chēng)作是“動(dòng)漫小說(shuō)”。隨后在文化開(kāi)放與多元化的發(fā)展趨勢(shì)下，輕小說(shuō)于二十一世紀(jì)初在中國(guó)出現(xiàn)并發(fā)展壯大起來(lái)。國(guó)內(nèi)輕小說(shuō)的創(chuàng)作主體主要是上世紀(jì)八九十年代出生的、深受日本動(dòng)漫文化熏陶的80后和90后青年文學(xué)創(chuàng)作者。他們?cè)谛率兰o(jì)中國(guó)特定的社會(huì)文化背景下進(jìn)行著有別于傳統(tǒng)小說(shuō)的大膽嘗試與創(chuàng)作，他們現(xiàn)在所處的生活環(huán)境和身邊諸多變化，賦予了與父輩們不同的創(chuàng)作訴求和動(dòng)機(jī)，并將對(duì)自由與個(gè)性的強(qiáng)烈追求，對(duì)現(xiàn)實(shí)沉重生活的逃避與消解，對(duì)未來(lái)的好奇與探索等都融入了輕小說(shuō)創(chuàng)作之中。從而使這種輕小說(shuō)從內(nèi)容描寫(xiě)到文本形式都體現(xiàn)出了一種獨(dú)特的貼合青少年特定閱讀心理的輕逸之美。 本文結(jié)合國(guó)內(nèi)外對(duì)日本輕小說(shuō)和中國(guó)輕小說(shuō)的綜合對(duì)比研究及中國(guó)輕小說(shuō)在現(xiàn)實(shí)使用中的實(shí)際情況，一方面為輕小說(shuō)的合理命名及其發(fā)展建議進(jìn)行有力地論證；另一方面具體入微地闡釋出輕小說(shuō)所具有的輕逸風(fēng)格的具體表現(xiàn)、功能與價(jià)值。 文章主要從輕小說(shuō)在我國(guó)出現(xiàn)的背景與歷程、內(nèi)容描寫(xiě)中的輕之特色、文本形式上的輕之特色、輕逸之美的功能與價(jià)值及輕小說(shuō)的未來(lái)發(fā)展這幾個(gè)角度來(lái)進(jìn)行具體分析與研究。 緒論部分，在介紹了輕小說(shuō)這種小說(shuō)文體的出現(xiàn)后，對(duì)國(guó)內(nèi)外研究現(xiàn)狀進(jìn)行梳理并提出論文的研究?jī)r(jià)值、創(chuàng)新點(diǎn)及研究方法；第一部分，通過(guò)對(duì)日本動(dòng)漫文化的傳播影響、傳統(tǒng)閱讀方式的轉(zhuǎn)變及當(dāng)代青少年心理發(fā)展特點(diǎn)等方面的具體分析來(lái)深入探討輕小說(shuō)在我國(guó)出現(xiàn)的一系列社會(huì)文化背景，最后梳理出輕小說(shuō)在我國(guó)從最初出現(xiàn)到如今如火如荼的發(fā)展歷程；第二部分，從輕小說(shuō)多種多樣的題材描寫(xiě)中概括歸納出其在內(nèi)容描寫(xiě)中的輕之特色，具體可從青春幻想、另類(lèi)歷史、輕度思想和輕逸形象這四個(gè)角度來(lái)進(jìn)行論述；第三部分，由輕小說(shuō)紙質(zhì)媒介的包裝設(shè)計(jì)和出版發(fā)行到其電子文本的便捷閱讀與交流等特點(diǎn)來(lái)具體分析輕小說(shuō)在文本形式上的輕之特色，主要表現(xiàn)為語(yǔ)言表達(dá)的輕快感、插畫(huà)運(yùn)用的輕綺性、出版樣式的輕巧型和媒體傳播的輕捷化等特點(diǎn)；第四部分，通過(guò)以上對(duì)輕小說(shuō)在內(nèi)容描寫(xiě)與文本形式上的輕之特色的具體分析，來(lái)進(jìn)一步深入探討輕小說(shuō)所體現(xiàn)出的獨(dú)特審美風(fēng)格——輕逸之美的功能與價(jià)值。主要體現(xiàn)為滿(mǎn)足個(gè)體的不同心理需求、推動(dòng)文化的多元化發(fā)展和促成理論的積極反思這三個(gè)方面；第五部分，最后通過(guò)對(duì)比中日輕小說(shuō)的發(fā)展特點(diǎn)，，針對(duì)國(guó)內(nèi)輕小說(shuō)在具體創(chuàng)作過(guò)程中出現(xiàn)的一系列問(wèn)題和弊端，提出幾點(diǎn)不成熟的建議與對(duì)策。 與早已發(fā)展成熟的日本輕小說(shuō)相比，中國(guó)輕小說(shuō)的發(fā)展才剛剛起步。而針對(duì)于中國(guó)輕小說(shuō)的研究現(xiàn)狀，更是還存在著許多理論空白點(diǎn)。未來(lái)輕小說(shuō)的發(fā)展，在不斷升溫的同時(shí)，會(huì)不可避免地面臨更多的問(wèn)題與挑戰(zhàn)。因此期望更多的關(guān)注輕小說(shuō)創(chuàng)作的研究者能再接再勵(lì)，為輕小說(shuō)的理論研究和向前發(fā)展再次鋪就一個(gè)新的臺(tái)階。
[Abstract]:The novel is originated from Japan ' s novel creation concept , because it is deeply branded with Japanese animation culture in the aspects of subject selection , creation method and expression content , so it is also known as " animation novel " in China in the first century in the 21st century .
Based on the comprehensive comparative study of Japanese light novels and Chinese light novels at home and abroad , and the practical situation of Chinese light novels in practical use , this paper makes a powerful demonstration of the reasonable naming of the light novel and its development suggestion on the one hand ;
On the other hand , the concrete expression , function and value of the light - escaping style of the light novel are explained in detail .
This article mainly analyzes and studies the background and course of the light novel in our country , the light characteristics in the content description , the light characteristics in the form of text , the function and value of the light and the future development of the light novel .
The introduction part , after introducing the emergence of the novel style of the light novel , sorts out the research situation at home and abroad , and puts forward the research value , innovation point and research method of the paper ;
In the first part , through the analysis of the influence of the spread of Japanese animation culture , the transformation of traditional reading mode and the characteristics of contemporary teenagers ' psychological development , a series of social and cultural backgrounds of light novels in our country are discussed in detail , and finally , the development course of light novels from the first to the present in China has been combed out .
In the second part , the light characteristics of the content description are summarized in the description of various themes of the light novel , which can be discussed from the four angles of youth fantasy , alternative history , light ideology and light escaping image ;
In the third part , the characteristics of the light novel in the form of text are analyzed by the packaging design of the paper media of the light novel and the convenient reading and communication of the electronic text .
The fourth part further discusses the function and value of the unique aesthetic style _ light escaping in the light novel through the detailed analysis of the characteristics of the light novel in the content description and the text form . It mainly embodies three aspects : meeting the individual ' s different psychological needs , promoting the diversification of culture and promoting the positive reflection of the theory ;
The fifth part , through comparing the characteristics of the development of Sino - Japanese light novel , aiming at a series of problems and disadvantages of the domestic light novel in the process of creation , puts forward some immature proposals and countermeasures .
Compared with the mature Japanese light novels , the development of Chinese light novels has just started . In the light of the present situation of the Chinese light novel , there are many theoretical blank spots . In the light of the development of the light novel in the future , more problems and challenges will inevitably be faced in the light novel development . Therefore , it is expected that more attention should be paid to the research and development of light novels , which will pave the way for the theoretical research and the forward development of the light novel .

【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I207.42

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 付秀梅;淺析日本輕小說(shuō)的特色及漢譯注意要點(diǎn)[D];曲阜師范大學(xué);2013年

本文編號(hào)：1712859