論情感在插畫中的表現(xiàn)與影響
發(fā)布時間:2018-02-23 02:46
本文關(guān)鍵詞: 審美心理 生活 情感 精神需求 出處:《西北大學(xué)》2011年碩士論文 論文類型:學(xué)位論文
【摘要】:伴隨著中國經(jīng)濟的騰飛,以及各種新媒體技術(shù)的發(fā)展,尤其是上個世紀(jì)90年代,大量的國外優(yōu)秀作品涌入中國,插畫開始以各種各樣的方式出現(xiàn)在人們的;钪。在美國,插畫已經(jīng)發(fā)展成為非常成熟的一個產(chǎn)業(yè),涉及到各個領(lǐng)域。在日本,優(yōu)秀的動漫插畫已經(jīng)成為其民族的一種標(biāo)志,在亞洲乃至全世界都有很大的影響力。在韓國,游戲插畫也已經(jīng)成為一種品牌,發(fā)展迅速,并具有獨特的風(fēng)格。面對插畫市場的巨大潛力,利中國插畫市場良莠不齊的現(xiàn)狀,本文分析了插畫當(dāng)前的國際發(fā)展形勢,提出情感是插畫創(chuàng)作的最重要的因素之一。 隨著科技的進(jìn)步,電腦技術(shù)對插畫創(chuàng)作帶來了巨大的沖擊,一方面電腦軟件為插畫提供了更便捷的創(chuàng)作方式以及更多的可能性;但另一方面,人們過度地注重插畫的形式而忽略了插畫中情感的表現(xiàn)。本文從人們的審美心理入手,分析不同地域,不同民族,不同年齡的審美,得出審美心蟬源于;铙w驗的結(jié)論,進(jìn)一步印證了情感是人類共同語言的事實。最后從;钪械牟煌瑢嵗,來分析已經(jīng)融入到人們;钪懈鱾角落的插畫,是怎樣影響并滿足著人們的精神需求,最終得出情感是插畫創(chuàng)作必不可少的因素的論點。
[Abstract]:With the rapid development of China's economy and the development of various new media technologies, especially in -10s, a large number of excellent foreign works poured into China, illustrations began to appear in various ways in people's cattle. Illustration has developed into a very mature industry, involving various fields. In Japan, excellent animation illustration has become a symbol of its nation and has a great influence in Asia and the world. Game illustration has also become a brand with rapid development and unique style. In the face of the huge potential of the illustration market and the uneven situation of the Chinese illustration market, this paper analyzes the current international development situation of the illustration. It is suggested that emotion is one of the most important factors in illustration creation. With the development of science and technology, computer technology has brought a great impact on illustration creation. On the one hand, computer software provides more convenient ways of creating illustrations and more possibilities; on the other hand, People pay too much attention to the form of illustration and neglect the expression of emotion in the illustration. This article starts with people's aesthetic psychology, analyzes the aesthetic of different regions, different nationalities, different ages, and draws the conclusion that the aesthetic heart cicada originates from the living experience of cattle. It further confirms the fact that emotion is the common language of human beings. Finally, from different examples of cattle life, to analyze how the illustrations that have been integrated into every corner of people's cattle life affect and satisfy people's spiritual needs. Finally comes to the argument that emotion is an essential factor in illustration creation.
【學(xué)位授予單位】:西北大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J218.5
【共引文獻(xiàn)】
相關(guān)博士學(xué)位論文 前1條
1 徐波鋒;教育的審美價值[D];陜西師范大學(xué);2007年
相關(guān)碩士學(xué)位論文 前1條
1 羅金成;李澤厚、朱光潛實踐美學(xué)比較研究[D];廣西師范大學(xué);2006年
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