本文關(guān)鍵詞： 亞文化 大眾文化 動(dòng)漫影視 風(fēng)格　出處：《重慶工商大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：當(dāng)代動(dòng)漫影視產(chǎn)業(yè)是工業(yè)化和大眾化等共同作用下的時(shí)代產(chǎn)物。從傳統(tǒng)的意義上來(lái)講，在研究理論方面我們很難將“亞文化”(subculture)這個(gè)概念與大眾化的動(dòng)漫影視作品聯(lián)系起來(lái)。畢竟，亞文化的“非主流”、“邊緣化”等特征，與動(dòng)漫影視作品通常所具備的通俗性和娛樂(lè)性是完全對(duì)立的。但是近年來(lái)以美國(guó)為主要代表的歐美國(guó)家陸續(xù)推出的一些“異類(lèi)”型的動(dòng)漫影視作品，更加傾向于詭異的哥特式風(fēng)格或是大膽的寫(xiě)實(shí)性風(fēng)格；針對(duì)的主要受眾人群也不再僅僅局限于少年兒童，也更多地投向了其他目標(biāo)受眾群體；把這些“亞文化”因素加入到動(dòng)畫(huà)作品中的做法盡管飽受爭(zhēng)議，但是我們也不能忽視其在票房上、口碑等方面所取得的成功。 在全球化的時(shí)代大背景下，社會(huì)與文化發(fā)展也更加注重講求多元化和個(gè)性化，而在動(dòng)漫影視作品中也呈現(xiàn)出了越來(lái)越多的亞文化元素。本文從歐美動(dòng)漫影視內(nèi)容生產(chǎn)現(xiàn)狀出發(fā)，精心選取了四部歐美動(dòng)漫影視作品，探究亞文化元素在其相關(guān)作品中的呈現(xiàn)形式及特征，并深入了解其產(chǎn)生原因，對(duì)這一文化現(xiàn)象所產(chǎn)生的社會(huì)意義做出相對(duì)客觀(guān)的評(píng)價(jià)。歐美動(dòng)漫影視與亞文化元素之間的交融這一文化現(xiàn)象的出現(xiàn)，在現(xiàn)實(shí)社會(huì)中的確是起到了一定的積極作用，同時(shí)在文化理論研究中也存在著爭(zhēng)議與反思。從亞文化的本質(zhì)屬性方面來(lái)看，它與主流文化之間的對(duì)峙與反抗是顯而易見(jiàn)的，也并不會(huì)因此而有所改變或消失；另外，從歐美發(fā)達(dá)國(guó)家的主流文化的角度來(lái)看，亞文化元素與歐美動(dòng)漫影視的交融，實(shí)際上是主流文化對(duì)亞文化的一種變相的“抵抗—收編策略”的具體表現(xiàn)。 隨著全球化進(jìn)程的加深，尤其是在互聯(lián)網(wǎng)傳媒影響下，將會(huì)出現(xiàn)諸多全球性亞文化現(xiàn)象，亞文化并不會(huì)因此而處于被動(dòng)的地位，包括“哥特”、“惡搞”等亞文化現(xiàn)象在全球范圍都依然廣泛地存在著。如何對(duì)新興的、健康的、反主流的生活方式進(jìn)行關(guān)注、理解甚至支持也是我們必須面對(duì)的課題。
[Abstract]:The contemporary animation and film industry is the product of the times under the joint action of industrialization and popularization. In the traditional sense, It is very difficult to link the concept of "subculture" with the popular animation, film and television works in theoretical research. After all, the "non-mainstream" and "marginalized" characteristics of subculture, It is completely opposite to the popularity and entertainment of animation, film and television works. However, in recent years, some "unusual" animation films and television works have been launched in Europe and the United States, which are mainly represented by the United States. The Gothic style or bold realistic style is more inclined; the main audience is not only limited to children, but also more targeted to other target audience groups; Although the practice of adding these sub-cultural factors to animation works is controversial, we can not ignore its success in box office, word of mouth and so on. In the context of the era of globalization, social and cultural development also pays more attention to diversification and individualization. However, there are more and more sub-cultural elements in the animation, film and television works. This paper, proceeding from the current production situation of the animation, film and television content in Europe and the United States, has carefully selected four European and American animation, film and television works. To explore the forms and characteristics of subcultural elements in their related works, and to understand the causes of their emergence. To make a relatively objective evaluation of the social significance of this cultural phenomenon. The emergence of the cultural phenomenon of the blending of European and American animation, film, television and sub-cultural elements has indeed played a positive role in the real society. At the same time, there is also controversy and reflection in the study of cultural theory. From the point of view of the nature of subculture, the confrontation and resistance between it and the mainstream culture are obvious and will not change or disappear. From the point of view of the mainstream culture of the developed countries in Europe and the United States, the blending of sub-cultural elements with the animation, film and television of Europe and the United States is in fact a concrete manifestation of the mainstream culture's disguised "anti-readjustment strategy" to the sub-culture. With the deepening of the globalization process, especially under the influence of the Internet media, there will be many global sub-cultural phenomena, and the sub-culture will not be in a passive position. Subcultural phenomena such as Gothic and spoof still exist in the world. How to pay attention to, understand and even support the new, healthy, anti-mainstream lifestyle is also a subject we must face.
【學(xué)位授予單位】：重慶工商大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J954;G206

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