本文關(guān)鍵詞： 手繪插圖 讀圖時(shí)代 現(xiàn)代科技　出處：《西北師范大學(xué)》2011年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：插圖屬于繪畫(huà)藝術(shù)的一種,插圖一詞源于英語(yǔ)“illustration”,原意為圖解、說(shuō)明、例證的意思。手繪插圖是插圖表現(xiàn)的一種形式,在印刷術(shù)發(fā)明之前占有主導(dǎo)地位。尤其在唐、宋是其發(fā)展的鼎盛時(shí)期,為當(dāng)時(shí)文化的繁榮起到了巨大的推動(dòng)作用。手繪插圖的表現(xiàn)形式多樣,中國(guó)畫(huà)、版畫(huà)、油畫(huà)、鋼筆等等,都可以作為手繪插圖的表現(xiàn)手段,從而可以依據(jù)不同的題材和內(nèi)容選擇相應(yīng)的表現(xiàn)形式。許多插圖畫(huà)家諸如黃永玉、葉淺予、張仃等畫(huà)家,都為我國(guó)插圖事業(yè)的發(fā)展做出了貢獻(xiàn)。 隨著“讀圖時(shí)”的到來(lái),人們的閱讀模式也逐漸的由文字轉(zhuǎn)向了對(duì)圖像信息的獲取。這種轉(zhuǎn)變充分體現(xiàn)了人們?cè)诂F(xiàn)代社會(huì)快節(jié)奏的生活狀態(tài)下,盡力的去尋求高效、便捷的信息渠道。在這種情況下傳統(tǒng)的圖書(shū)則受到諸如:網(wǎng)絡(luò)、影視等媒介的沖擊。進(jìn)而以圖書(shū)為主要載體的手繪插圖也受到影響,逐漸的被數(shù)碼照片等電子媒介所替代。再加上插圖從業(yè)人員的逐漸流失,這些將給手繪插圖的生存和發(fā)展帶來(lái)巨大的挑戰(zhàn)。但是,在這挑戰(zhàn)的背后,手繪插圖也存在很大的發(fā)展空間�，F(xiàn)代科技的發(fā)展可以使手繪插圖的表現(xiàn)形式更加多元化,創(chuàng)作者可以在電腦上用鼠標(biāo)或數(shù)位板繪制插圖,這種獨(dú)特而又快捷的方式,可以為創(chuàng)作者節(jié)省大量的時(shí)間用于創(chuàng)意工作。同時(shí),手繪插圖也逐漸的應(yīng)用于網(wǎng)絡(luò)、動(dòng)漫、廣告、墻畫(huà)等新興領(lǐng)域,為手繪插圖的發(fā)展創(chuàng)造了更大的空間。 手繪插圖作為圖像信息的一種獨(dú)特的表現(xiàn)形式,它和數(shù)碼照片相比具有一種靈動(dòng)感,在創(chuàng)作過(guò)程中它凝結(jié)了藝術(shù)家的思想感情,是藝術(shù)家智慧的結(jié)晶。并且也具有很高的商業(yè)價(jià)值。手繪插圖的發(fā)展,也期待插圖人才教育長(zhǎng)效機(jī)制的建立。只有這樣手繪插圖才能隨著時(shí)代不斷的發(fā)展。
[Abstract]:An illustration is the art of painting, illustration from the English word "illustration", meaning that the meaning of graphic, illustration. Illustration is a form of illustration, dominant position before the invention of printing. Especially in the Tang Dynasty, the Song Dynasty was the prosperous period, to push is that the culture of prosperity. Various performance forms of hand drawn illustrations, China painting, printmaking, painting, pen and so on, can be used as illustration of the performance means, so we can select the corresponding form based on different subjects. Many illustrators such as Huang Yongyu, ye Qianyu, Zhang Ding and other artists, all make a contribution for the development of China's illustration career.
With the arrival of "Reading Pictures", people's reading pattern has gradually shifted by the text on the image information acquisition. It fully reflects the change of the fast-paced life of modern society, try to seek efficient and convenient information channels. In this case the traditional books such as: network film and television media, the impact of the book. As the main carrier of the illustration also affected, gradually being replaced by digital photos and other electronic media. Coupled with the gradual loss of illustrations of employees, these will give the illustration students bring great challenge to the survival and development. However, behind this challenge. Illustration has great development space. The development of modern science and technology can make the form of hand-painted illustrations more diversified, creators can draw illustrations with the mouse or tablet on the computer, this unique and Another efficient way for creators can save a lot of time for creative work. At the same time, illustration is gradually applied in network, animation, advertising, the emerging field of painting, to create more space for the development of hand drawn illustrations.
Hand-painted illustrations as a unique form of expression of image information, and it is compared with the digital photo a dynamic spirit, in the creative process it condenses artist's thoughts and feelings, is the wisdom of artists. And also has a high commercial value. The development of hand drawn illustrations, illustrations look forward to establishing long-term mechanism of talent education the hand drawn illustrations. Only in this way can constantly develop with the times.

【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J218.5

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 任偉;圖像解讀與文字資訊的整合傳達(dá)——兼談《讀者》的插圖藝術(shù)[J];編輯之友;2004年05期

2 楊大禹;;論西方藝術(shù)插圖對(duì)我國(guó)藝術(shù)插圖的影響[J];北京印刷學(xué)院學(xué)報(bào);2008年03期

3 伍毅志;;文化全球化背景下的商業(yè)插圖設(shè)計(jì)[J];包裝工程;2007年07期

4 周毅;“讀圖時(shí)代”?[J];出版參考;1999年05期

5 佟海豐;;淺析現(xiàn)代插圖的藝術(shù)性與商業(yè)性[J];長(zhǎng)江大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2008年06期

6 曹磊;;插圖藝術(shù)為何迅速衰落?——搶救出版業(yè)的非物質(zhì)文化遺產(chǎn)[J];科技與出版;2007年12期

7 余繼成;;淺析中國(guó)插畫(huà)藝術(shù)的繼承與創(chuàng)新[J];美術(shù)界;2008年12期

8 何方;插圖的數(shù)字化生存[J];南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)&設(shè)計(jì)版);2003年01期

9 沈曉麗;淺論插圖藝術(shù)的從屬性[J];內(nèi)蒙古師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2003年04期

10 劉冬梅;;“讀圖時(shí)代”與受眾的讀圖心理探究[J];重慶教育學(xué)院學(xué)報(bào);2009年04期

，

本文編號(hào)：1462182