本文關(guān)鍵詞：耽美之美：同人女的性別化觀看研究　出處：《北京郵電大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

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【摘要】：耽美,即BL (Boys' Love),最早流行于日本,是一種描繪男男戀愛(ài)的文學(xué)形式,包括漫畫(huà)、動(dòng)漫、小說(shuō)、游戲、廣播劇等,其作者和讀者通常是女性,被稱為同人女。90年代初期耽美作品傳入中國(guó),隨著互聯(lián)網(wǎng)的高速發(fā)展在青少年女性中傳播開(kāi)來(lái)�；ヂ�(lián)網(wǎng)社區(qū)、移動(dòng)社交媒體上匯聚了一批喜愛(ài)耽美的同人女群體,娛樂(lè)化與自由追求是這個(gè)亞文化群體的顯著特征,她們的創(chuàng)作以大膽描寫(xiě)男男愛(ài)情的方式顛覆了傳統(tǒng)文學(xué)。筆者認(rèn)為,同人女對(duì)耽美作品的創(chuàng)作和欣賞突破了傳統(tǒng)社會(huì)下主流文學(xué)作品的受眾模式,挑戰(zhàn)了傳統(tǒng)價(jià)值觀與男權(quán)社會(huì),期望透過(guò)同人女觀看耽美作品這一活動(dòng)行為探討現(xiàn)代女性的文化特質(zhì)與思想特征。 本研究參考馬爾維對(duì)好萊塢電影中男性凝視的研究,從創(chuàng)作類型、觀看行為、心理滿足、社會(huì)期待等方面探討同人女在創(chuàng)作和觀看耽美作品時(shí)從何得到滿足和快樂(lè)。 論文第一章為研究導(dǎo)論,概述研究背景、研究對(duì)象、研究問(wèn)題及研究方法；第二章簡(jiǎn)述相關(guān)研究成果,包括凝視理論及其研究、個(gè)人心理層面及女性社會(huì)學(xué)層面的同人女研究；第三章分析耽美作品的內(nèi)部權(quán)力結(jié)構(gòu),通過(guò)“攻”“受”關(guān)系與男女關(guān)系的對(duì)比探討同人女作者對(duì)作品的控制與權(quán)力寄托,分析耽美作者的觀看特征——性別娛樂(lè)化的創(chuàng)作型觀看；第四章從耽美讀者的觀看內(nèi)容、觀看方式及愉悅心情、觀看視線等方面進(jìn)行分析,分析耽美讀者的觀看特征——旁觀者式的俯瞰視線；第五章討論同人女對(duì)男女社會(huì)權(quán)力現(xiàn)狀的認(rèn)同和希冀。
[Abstract]:Tanbi, BL (Boys'Love), the first popular in Japan, is a picture of male love literature, including novels, comic books, animation, games, drama, the author and the reader are usually women, called Tanbi works in early China FUIYOSHI.90 was introduced, along with the rapid development of the Internet the spread in young women. The Internet community, mobile social media brings together a number of favorite Danmei FUIYOSHI members, entertainment and the pursuit of freedom is a significant feature of this sub culture group, their creation in a bold description men love the way to subvert the traditional literature. The author believes that the FUIYOSHI of Tanbi works the creation and appreciation of breaking the traditional social mainstream literary audience mode, challenge the traditional values and the patriarchal society, expect to see this activity for Tanbi works to explore the modern women through the FUIYOSHI Idiosyncratic and ideological characteristics.
The study of male gaze reference malvey in Hollywood films, from the creation, viewing behavior, psychological satisfaction, social expectation of FUIYOSHI Tanbi works in the creative and see where to get satisfied and happy.
The first chapter is the introduction to the study, the paper summarizes the research background, research object, research questions and research methods; the second chapter summarizes the related research results, including gaze theory and research perspective, one female study of personal mentality and female society; the third chapter analyzes the internal power structure of Tanbi works, through the "attack" and "subject" the comparison of relationship and relationship between men and women with female authors of works on the control and power of sustenance, the creation of gender analysis watch entertainment features of Tanbi author's watch; the fourth chapter from the Tanbi readers to watch the content, way of viewing and pleasant mood, watching the sight and other aspects of analysis, analysis of the line of sight seeing -- overlooking the spectator features Tanbi reader; the fifth chapter discusses the lesbian identity of men and women status and expectations of social power.

【學(xué)位授予單位】：北京郵電大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I206.7;G206

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本文編號(hào)：1410885