【摘要】：新世紀(jì)以來(lái)中國(guó)紀(jì)錄片發(fā)展加快,近年來(lái)更是涌現(xiàn)了許多精品。2012年《舌尖上的中國(guó)》在中央電視臺(tái)熱播,社會(huì)對(duì)紀(jì)錄片的關(guān)注得到了空前的提升,《舌尖上的中國(guó)》的總導(dǎo)演陳曉卿也開(kāi)始受到人們的關(guān)注。作為一個(gè)優(yōu)秀的紀(jì)錄片導(dǎo)演,陳曉卿的作品不僅具有美學(xué)探討的價(jià)值,其市場(chǎng)化的開(kāi)拓進(jìn)取精神也是值得研究的。 本文以陳曉卿在不同時(shí)期制作的四部代表作為研究對(duì)象,主要運(yùn)用了內(nèi)容分析法和比較分析法研究陳曉卿導(dǎo)演從業(yè)以來(lái)紀(jì)錄片創(chuàng)作風(fēng)格的形成和轉(zhuǎn)變過(guò)程。作者將陳曉卿導(dǎo)演的創(chuàng)作歷程分為紀(jì)錄片創(chuàng)作風(fēng)格萌芽期、紀(jì)錄片紀(jì)實(shí)風(fēng)格轉(zhuǎn)變期、紀(jì)錄片國(guó)際化風(fēng)格形成期和紀(jì)錄片國(guó)際化風(fēng)格成熟期這四個(gè)時(shí)期。剖析每個(gè)時(shí)期陳曉卿紀(jì)錄片創(chuàng)作風(fēng)格的成因、特點(diǎn)以及創(chuàng)作風(fēng)格轉(zhuǎn)變的過(guò)程,并由此窺探了中國(guó)紀(jì)錄片的發(fā)展歷程。最后,還通過(guò)陳曉卿的作品展望了中國(guó)紀(jì)錄片的發(fā)展趨勢(shì)。 本文通過(guò)研究陳曉卿紀(jì)錄片,使陳曉卿的創(chuàng)作歷程更加明晰化,給我國(guó)新興的紀(jì)錄片導(dǎo)演樹(shù)立了標(biāo)桿和榜樣,能更好地促進(jìn)紀(jì)錄片人才的成長(zhǎng)。分析陳曉卿導(dǎo)演在創(chuàng)作過(guò)程中的相關(guān)經(jīng)驗(yàn),可供我國(guó)紀(jì)錄片創(chuàng)作者學(xué)習(xí)和借鑒,進(jìn)一步推動(dòng)我國(guó)紀(jì)錄片的發(fā)展。
[Abstract]:Since the new century, the development of Chinese documentaries has accelerated, and many fine works have emerged in recent years. In 2012, "China on the tip of the tongue" was broadcast on CCTV, and the social attention to documentaries has been increased unprecedented. Chen Xiaoqing, the director of China on the Tip of the tongue, is also getting attention. As an excellent documentary director, Chen Xiaoqing's works not only have the value of aesthetic discussion, but also the pioneering and enterprising spirit of marketization. This paper takes the four representatives made by Chen Xiaoqing in different periods as the research object, mainly uses the content analysis method and the comparative analysis method to study the formation and transformation process of the documentary creation style since Chen Xiaoqing started his career. The author divides the creation process of Chen Xiaoqing into four periods: the budding period of documentary creation style, the transformation period of documentary style, the forming period of documentary international style and the mature period of documentary international style. This paper analyzes the causes, characteristics and changing process of Chen Xiaoqing's documentary writing style in every period, and probes into the development of Chinese documentaries. Finally, the development trend of Chinese documentaries is prospected through Chen Xiaoqing's works. Through the study of Chen Xiaoqing documentary, this paper makes Chen Xiaoqing's creation process more clear, sets a benchmark and example for the new documentary directors in our country, and can better promote the growth of documentary talents. This paper analyzes the relevant experiences of director Chen Xiaoqing in the process of creation, which can be used as a reference for Chinese documentary creators to further promote the development of Chinese documentaries.
【學(xué)位授予單位】：廣西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J952

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