【摘要】：恐懼，作為人類(lèi)的基本情緒之一，伴隨了人類(lèi)漫長(zhǎng)的歷史�？植离娪�，作為一種表達(dá)恐懼情緒的電影類(lèi)型，在電影舞臺(tái)上表現(xiàn)得也愈發(fā)活躍。恐怖電影通過(guò)對(duì)人類(lèi)恐懼的藝術(shù)化表現(xiàn)，引發(fā)了人們對(duì)于“恐怖感”的關(guān)注，更在對(duì)“恐怖感”的審美中重新認(rèn)識(shí)了恐懼，，并獲得審美愉悅。學(xué)術(shù)界對(duì)于恐怖電影的討論通常停留在關(guān)于具體電影案例分析，以及類(lèi)別分析的層次，卻甚少關(guān)注到恐怖本身。本研究關(guān)注的即是對(duì)于“恐怖感”本身的審美，而觀看恐怖電影則是一種審美活動(dòng)。本文導(dǎo)論是對(duì)目前恐怖電影研究現(xiàn)狀的梳理，第一章則對(duì)“恐怖感”進(jìn)行了詳細(xì)的界定，并對(duì)恐懼在各學(xué)科中的闡釋進(jìn)行分析，以便更好地對(duì)“恐怖感”進(jìn)行分類(lèi)，并分析其特征所在。第二章是對(duì)恐怖電影的“恐怖感”進(jìn)行審美探究，主要是以恐怖電影案例為根據(jù)，分別從形象、環(huán)境、以及敘述三方面去分析“恐怖感”在恐怖電影中的審美特性。第三章在分析完“恐怖感”審美特征的基礎(chǔ)上，站在審美主體的立場(chǎng)，對(duì)“恐怖感”的審美價(jià)值進(jìn)行了分析，探討了藝術(shù)恐怖與現(xiàn)實(shí)恐怖的關(guān)系。最后總結(jié)了正是因?yàn)榭植榔哂衅渌?lèi)型電影無(wú)法替代的對(duì)于“恐怖感”的藝術(shù)化體現(xiàn)功能，才使具有獨(dú)特魅力，并擁有眾多消費(fèi)人群。
[Abstract]:Fear, as one of the basic emotions of human beings, has been accompanied by a long history. Horror movies, as a type of film expressing fear, are becoming more and more active on the film stage. Through the artistic expression of human fear, horror film has aroused people's attention to "horror", and has re-recognized fear in the aesthetic of "horror", and gained aesthetic pleasure. The academic discussion of horror film usually stays on the level of case analysis and category analysis, but seldom pays attention to terror itself. This study focuses on the aesthetics of horror itself, and watching horror movies is an aesthetic activity. The introduction of this paper is to sort out the current situation of horror film research. In the first chapter, "horror" is defined in detail, and the interpretation of fear in various disciplines is analyzed in order to better classify "horror". And analyze its characteristics. The second chapter analyzes the aesthetic characteristics of "horror" in horror films from three aspects: image, environment, and narration, based on the case of horror films. The second chapter is the aesthetic exploration of "horror feeling" in horror films, which is based on the horror movie cases and analyzes the aesthetic characteristics of "horror feeling" in horror films from image, environment and narration. The third chapter analyzes the aesthetic value of "horror" on the basis of analyzing the aesthetic characteristics of "horror", and probes into the relationship between artistic terror and realistic terror from the standpoint of aesthetic subject. Finally, it is concluded that horror films have unique charm and a large number of consumers because they have the artistic function of "horror" which can not be replaced by other types of films.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J905

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