是枝裕和電影中的日�；磉_藝術(shù)
發(fā)布時間：2019-04-01 06:27
【摘要】：從20世紀90年代步入影壇開始,是枝裕和的電影創(chuàng)作已經(jīng)持續(xù)了二十余年,他始終堅持日�；谋磉_方式,在看似松散平淡的影片之中體現(xiàn)自己對于個人、情感、家庭、社會的深入思考,頗具風格。是枝裕和善于在影片中營造日常生活氛圍,保留日常的真實感,在平鋪直敘中完成敘事,以固定機位長鏡頭的組合還原現(xiàn)實的時空,讓影片更為自然流暢,建立冷靜克制的影像風格。從內(nèi)容上看,他的電影始終圍繞著家庭日常生活展開,在人最平常的狀態(tài)中探討關(guān)于人生的基本問題,引人深思。
[Abstract]:Since he entered the film world in the 1990s, his film creation has lasted for more than 20 years. He has always insisted on the daily expression of his own personal, emotional and family in seemingly loose and plain films. The in-depth thinking of the society is quite stylish. It is he who is good at creating the atmosphere of daily life in the film, retaining the sense of daily reality, completing the narrative in the flat and direct narration, restoring the real time and space with the combination of the long lens of the fixed position, and making the film more natural and smooth. Establish a cool and restrained image style. In terms of content, his films always revolve around the daily life of his family, discussing the basic problems of life in the most common state of life, which is thought-provoking.
【作者單位】： 廣西職業(yè)技術(shù)學院;
【基金】：微動畫應(yīng)用于廣西民俗文化宣傳的研究(項目編號:KY2015YB388)
【分類號】：J911
本文編號：2451279
[Abstract]:Since he entered the film world in the 1990s, his film creation has lasted for more than 20 years. He has always insisted on the daily expression of his own personal, emotional and family in seemingly loose and plain films. The in-depth thinking of the society is quite stylish. It is he who is good at creating the atmosphere of daily life in the film, retaining the sense of daily reality, completing the narrative in the flat and direct narration, restoring the real time and space with the combination of the long lens of the fixed position, and making the film more natural and smooth. Establish a cool and restrained image style. In terms of content, his films always revolve around the daily life of his family, discussing the basic problems of life in the most common state of life, which is thought-provoking.
【作者單位】： 廣西職業(yè)技術(shù)學院;
【基金】：微動畫應(yīng)用于廣西民俗文化宣傳的研究(項目編號:KY2015YB388)
【分類號】：J911
【相似文獻】
相關(guān)期刊論文 前2條
1 龍建春;;大眾性:普遍化·日常化·泛化——中外古典正劇類似性特征一論[J];臺州學院學報;2009年01期
2 厲震林;王培雷;;表演與畫面的整體效果——論新時期電影的日�；硌輀J];福建藝術(shù);2011年03期
相關(guān)碩士學位論文 前1條
1 吳丹;《寄出去的信》的日常化敘事和累積式情感表達[D];遼寧師范大學;2016年
，本文編號：2451279
本文鏈接：http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2451279.html
