【摘要】：21世紀以來的奧斯卡最佳影片的主題相較之前既有繼承，又有發(fā)展�！袄^承”表現(xiàn)在——在主題上堅持討論人類情感中的共通性話題，如對“愛”和“善”的謳歌、對“斗爭精神”的頌揚、對“夢想”的追逐�！鞍l(fā)展”表現(xiàn)在——21世紀以來的最佳影片呈現(xiàn)出了之前沒有的新特征。反映社會現(xiàn)實類的影片中正義戰(zhàn)勝邪惡的模式被顛覆，善惡的界限開始消解；以政治敏感話題為題材的影片開始從“人性”層面進行分析并提出解決方法。 奧斯卡最佳影片有兩種表現(xiàn)主題的方式：一是通過對真善美等人類共有情感的描繪得到觀眾的認可和共鳴，從而滲透美國個人主義價值觀；二是表面上吸收多元文化，，通過表現(xiàn)被設(shè)計過的民族文化打開海外市場，實際上是在多元文化的包裝下傳達美國文化價值。這兩種方式使得影片的主題內(nèi)涵中都顯示出了美國的文化價值，客觀上呈現(xiàn)出了帶有文化霸權(quán)意識的特征。 由奧斯卡最佳影片主題特征觀照中國送評影片發(fā)現(xiàn)，在主題方面，中國送評影片不能獲獎原因主要在兩個方面：一是歷屆送評影片本身沒有好故事、缺乏人文關(guān)懷；二是奧斯卡最佳影片獎的評選委員在挑選影片時受自身潛意識的影響，會傾向于投票給主題上表現(xiàn)美國文化價值的影片。所以中國送評影片應該在主題方面加深創(chuàng)作，同時我們要正確看待奧斯卡獎。 以奧斯卡最佳影片評選標準來創(chuàng)作電影會有以喪失部分民族文化為代價的風險，但是為了保護民族文化不受全球化的影響而遠離奧斯卡，這種消極抵抗方式反而會使我們喪失主動塑造民族形象的機會。因此單純批判美國的文化霸權(quán)行為并不能幫助中國電影的健康發(fā)展，我們應該主動走上國際舞臺，引導世界正確地認識中國。
[Abstract]:The themes of Oscar-winning best films since the 21st century have been inherited and developed as compared with previous ones. Inheritance is manifested in the discussion of common topics in human emotions, such as the eulogizing of "love" and "good", the praise of "struggle spirit", and the pursuit of "dream". Development-the best film since the 21st century presents new features that have not been seen before. In the films which reflect the social reality, the mode of justice over evil is subverted, and the boundaries of good and evil begin to be dispelled, and the films with sensitive topics of politics begin to analyze from the level of "human nature" and put forward solutions. There are two ways to express the theme of Oscar Best Picture: one is to penetrate American individualistic values by depicting common human emotions such as truth, goodness and beauty, which are recognized and resonated by the audience. Second, absorbing multiculturalism on the surface, opening up the overseas market through the expression of the designed national culture, in fact, conveying the value of American culture under the packaging of multiculturalism. These two ways make the theme connotation of the film show the cultural value of the United States and objectively show the characteristics of the cultural hegemony consciousness. According to the theme characteristics of the best picture in China, it is found that in the theme aspect, the reasons why the Chinese film can't win the prize are mainly in two aspects: one is that there are no good stories and no humanistic care in the film itself; The second is that the members of the Academy Award for Best Picture are influenced by their subconscious mind and tend to vote for films with American cultural values on the subject. Therefore, China should deepen the theme of the film, and we should look at the Academy Award correctly. Making a film based on an Oscar for best picture can involve the risk of losing some of the national culture, but to protect it from the effects of globalization, stay away from the Oscars. This kind of negative resistance will deprive us of the opportunity to take the initiative to shape the national image. Therefore, simply criticizing the cultural hegemony of the United States can not help the healthy development of Chinese films. We should take the initiative to step on the international stage and guide the world to understand China correctly.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905

【參考文獻】

相關(guān)期刊論文 前10條

1 崔辰;;質(zhì)感、風格與“復制性”:《無間道風云》之于《無間道》[J];北京電影學院學報;2007年04期

2 劉也良;;全球化過程中的跨文化傳播思考——以華語電影沖擊奧斯卡為例[J];長春大學學報;2008年09期

3 李小麗;;《撞車》:碎片里折射出的復雜人性[J];當代電影;2006年04期

4 弗里德里克·詹姆遜;劉春榮;;全球化與政治策略[J];當代國外馬克思主義評論;2001年00期

5 雷麗平;;評《拆彈部隊》中的存在主義哲學思想[J];電影文學;2011年05期

6 鮑玉珩;薛翠華;常潤芳;;從2008年的奧斯卡獎看美國好萊塢當前的全球化電影政策[J];電影評介;2008年23期

7 黃茵;彭貝迪;;從《貧民窟的百萬富翁》獲獎看中國電影“申奧”[J];電影評介;2009年14期

8 徐紅;;淺談奧斯卡金像獎的商業(yè)效應[J];電影新作;2006年05期

9 于晶;張振華;;中國大片進軍奧斯卡的策略[J];電影藝術(shù);2007年02期

10 陳宇;;奧斯卡的新面孔與好萊塢的政治學[J];電影藝術(shù);2008年04期

本文編號：2445305