【摘要】：正中國(guó)山水畫(huà)不單純拘泥于外表形似,更強(qiáng)調(diào)神似,具有高度的概括力與想象力,營(yíng)造出令人心馳神往的意境美。武俠電影所呈現(xiàn)的正是在現(xiàn)實(shí)社會(huì)壓力之下眾人所期待的烏托邦式桃源之地,江湖在每個(gè)人心中都有一個(gè)朦朧而又美好的意境,它的善惡分明,愛(ài)恨交織都讓人所向往。這種只存在于中國(guó)文化影響下的江湖世界里,大抵都會(huì)幻想出來(lái)的大俠形象是匡扶正義,劫富濟(jì)貧,身懷絕技,瀟灑行走天下。但《劍雨》卻另辟蹊徑,在山水意境中將更多的
[Abstract]:Chinese landscape painting is not only confined to the appearance, but also emphasizes the resemblance, has a high degree of generality and imagination, and creates a delightful artistic conception beauty. The martial arts film presents under the real social pressure is the utopian peach source that everybody expects, the river lake in each person's heart has a hazy and beautiful artistic conception, its good and evil is clear, the love and hate interweaves all let the human yearn. This kind exists only under the influence of the Chinese culture in the world of rivers and lakes, most of the city will imagine the image of the warrior is to uphold justice, robbing the rich and helping the poor, unique skills, walk the world chic. But "Jian Yu" is another way, in the landscape mood will be more
【作者單位】： 廣西大學(xué)藝術(shù)學(xué)院;
【基金】：廣西大學(xué)科研基金項(xiàng)目《廣西獨(dú)特地貌和繪畫(huà)語(yǔ)言研究》(合同編號(hào):XGS13012)之階段性成果
【分類號(hào)】：J905
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本文編號(hào)：2440289