【摘要】：英美新批評派的代表人物艾倫·退特在《論詩的張力》中創(chuàng)造性地將“張力”運用于詩學(xué)研究，從此“張力”成為該學(xué)派的重要批評術(shù)語，新批評派也被稱為“張力詩學(xué)”，后來其他流派的文學(xué)評論家對其進(jìn)行了發(fā)展和深化�！皬埩Α崩碚摿⒆阌趯�(chuàng)作和接受中對立統(tǒng)一現(xiàn)象的研究，對藝術(shù)批評具有重要的理論意義。而電視劇具有故事性強、情節(jié)沖突集中、人物形象典型化等對立統(tǒng)一的“張力”特點，因此，“張力”理論在電視藝術(shù)的創(chuàng)作和批評方面，有著極強的適用性。 全文分為三個部分：第一部分通過“張力”理論的內(nèi)涵探究該理論運用于電視劇批評的美學(xué)價值。 第二部分以高滿堂執(zhí)筆的工業(yè)題材電視劇作為例證，從電視劇《漂亮的事》《大工匠》《鋼鐵年代》的題材、內(nèi)容、人物、語言等方面概括高滿堂工業(yè)題材電視劇審美張力的特點。彈性是電視劇審美張力最主要的表現(xiàn)形式，，是張力理論內(nèi)涵和外延之間的既對立又聯(lián)系的矛盾關(guān)系生成的。內(nèi)蘊性是內(nèi)容情節(jié)和人物性格的配合下賦予了電視劇耐人尋味的審美特質(zhì)。阻拒性存在于故事內(nèi)容和觀眾審美接受過程中，伴隨著情節(jié)沖突不斷發(fā)展與轉(zhuǎn)折，觀眾對故事情節(jié)產(chǎn)生的心理距離和理解偏差。 第三部分論述電視劇審美張力闡釋的意義和價值。通過高滿堂工業(yè)題材電視劇的審美張力特質(zhì)分析，可以更好地把握“張力”理論與電視劇創(chuàng)作和批評融合下的現(xiàn)實意義。 綜上所述，富有彈性的審美“張力”猶如“源頭活水”能為電視劇本身注入新鮮的生命活力，豐富并驗證了電視劇文藝批評中蘊含的沖突性和偶然性的張力場，為張力理論的引申和實踐做了更具代表性的實例補充，同時也為電視劇美學(xué)的創(chuàng)作和實踐提供了學(xué)術(shù)支撐，可謂相得益彰，相輔相成。
[Abstract]:Alan Huite, the representative of the New criticism School in Britain and America, creatively applied "tension" to the study of poetics in "the tension of Poems". Since then, "tension" has become an important critical term of this school, and the New criticism School is also called "tension poetics". Later, other literary critics of different schools developed and deepened it. The theory of tension is based on the study of unity of opposites in creation and acceptance, which is of great theoretical significance to artistic criticism. However, TV plays have the characteristics of unity of opposites, such as strong story, concentrated plot conflict and typical characters. Therefore, the theory of "tension" has a strong applicability in the creation and criticism of TV art. The thesis is divided into three parts: the first part explores the aesthetic value of the theory of tension applied to TV drama criticism. The second part takes the industrial TV series written by Gao Mantang as an example to summarize the characteristics of the aesthetic tension of Gaomantang's industrial TV series from the aspects of the theme, content, characters and language of the TV series "Beautiful things", "Great craftsmen" and "Iron and Steel Age". Elasticity is the most important form of aesthetic tension in TV dramas, which is formed by the contradiction between the intension and extension of tension theory. Implicature is the cooperation of the content plot and character which endows the TV series with interesting aesthetic characteristics. Resistance exists in the process of story content and audience's aesthetic acceptance. With the continuous development and turning of plot conflict, the audience's psychological distance and understanding deviation to the story. The third part discusses the significance and value of drama aesthetic tension interpretation. Through the analysis of the aesthetic tension characteristics of Gaomantang industrial TV series, we can better grasp the practical significance of the combination of the theory of "tension" with the creation and criticism of TV series. To sum up, the elastic aesthetic "tension" can inject fresh vitality into the TV series itself, which enriches and verifies the tension field of conflict and contingency contained in the literary and art criticism of TV dramas. It provides a more representative example for the extension and practice of tension theory and provides academic support for the creation and practice of TV drama aesthetics, which can be said to complement each other and complement each other.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J901

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