賈樟柯電影中的“山西味道”及成因
發(fā)布時間：2019-02-20 21:13
【摘要】：百年中國電影經(jīng)歷輝煌、低谷到再次崛起,發(fā)展到今天,似乎進(jìn)入一個市場繁榮的階段,但華語電影同時陷入內(nèi)外交困的境地:外部好萊塢商業(yè)大片時代的巨大沖擊,內(nèi)部文藝電影良莠不齊,創(chuàng)作者的創(chuàng)作熱情遭受冷遇,中國電影迎來了“陣痛期”……困境中堅(jiān)持下來的是那些“做夢”的電影人,越是在困境,越能激發(fā)出他們變革的勇氣。賈樟柯在經(jīng)歷了二十幾年電影界的摸爬滾打,從“十年地下”轉(zhuǎn)入體制內(nèi),讓我們看到了他為電影造夢,為底層爭奪話語權(quán)所付出的自我犧牲,這份艱辛和堅(jiān)守是我選題的原因之一。本文以賈樟柯電影研究為出發(fā)點(diǎn),以“山西味道”的獨(dú)特地域的影像表達(dá)為依據(jù),從山西地域特征、人文心理特征、賈樟柯個人成長歷程等不同角度探究賈樟柯“山西味道”影像的成因及表現(xiàn)。山西是我的家鄉(xiāng),呂梁是我的故土,因此我更能深切體會山西這片土地孕育出的“山西味道”的影像并有了進(jìn)一步研究賈樟柯電影的沖動。這是我選題的主要原因。本論文將分兩章闡述賈樟柯的創(chuàng)作源泉及其創(chuàng)作特征:第一章論述了賈樟柯導(dǎo)演創(chuàng)作的山西影像——“山西味道”的表現(xiàn)手法�！拔兜馈笔且环N隱喻的用法,實(shí)際上是指賈樟柯電影創(chuàng)作的一種美學(xué)特性和風(fēng)格。這既是賈樟柯對故鄉(xiāng)人文關(guān)懷的不能釋懷以及對紀(jì)實(shí)美學(xué)的執(zhí)著追求,而且更是賈樟柯與眾不同的個性以及屹立于世界電影史夢想的顯現(xiàn)。而“山西”既是生于斯長于斯的故土——人、事、景、物、方言和鄉(xiāng)情等等,更是符號化的敘事策略和影像靈魂。賈樟柯將“山西小縣城”——汾陽拿給世界看,利用對縣城這一特定空間的選擇和處理來聯(lián)結(jié)整個社會的現(xiàn)實(shí)空間,展示的是轉(zhuǎn)型期真實(shí)的中國。第二章主要論述了“山西味道”這一傳統(tǒng)的環(huán)境熏陶影響對導(dǎo)演賈樟柯是決定性作用,對于賈樟柯來說,他的出生、生長的地方——山西汾陽,就成為他創(chuàng)作的源泉和靈感來源,也成為他言說的主題和情感釋放的藝術(shù)世界的載體,他在電影創(chuàng)作中所表現(xiàn)的主題內(nèi)容、思想情感、審美情趣無不打上“山西味道”的深深烙印,成為他電影的底色。
[Abstract]:A hundred years of Chinese films have experienced brilliant, low and rising again, and today, they seem to have entered a stage of market prosperity, but Chinese movies are also trapped in the situation of domestic and foreign affairs: the tremendous impact of the era of Hollywood commercial blockbusters. Internal literature and art film intermingled, the creator's creation enthusiasm suffered a cold reception, Chinese film ushered in a "labor pain period." It is the dreamers who persevere in the dilemma, and the more they are in trouble, the more they inspire their courage to change. Jia Zhangke has gone through more than 20 years in the film industry, moving from "ten years underground" to the system, showing us the self-sacrifice he paid for his dreams for films and for the bottom layer to fight for the right to speak. The hardship and persistence is one of the reasons why I choose this topic. This article takes Jia Zhangke's film research as the starting point, takes the image expression of the unique region of "Shanxi taste" as the basis, from the Shanxi regional characteristic, the humanities psychology characteristic, Jia Zhangke's personal growth process and other different angles explore the causes and manifestations of Jia Zhangke's Shanxi taste image. Shanxi is my hometown, Lv Liang is my native land, so I can deeply understand the Shanxi "Shanxi flavor" image and have the impulse to further study Jia Zhangke movies. This is the main reason why I choose this topic. This paper will be divided into two chapters to elaborate Jia Zhangke's creative source and creative characteristics: the first chapter discusses Jia Zhangke's creation of Shanxi image-"Shanxi taste" expression. Taste is a metaphorical usage, which actually refers to a kind of aesthetic characteristic and style of Jia Zhangke's film creation. This is not only Jia Zhangke's unbridled concern for the humanities in his hometown and his persistent pursuit of documentary aesthetics, but also Jia Zhangke's distinctive personality and the appearance of his dream standing in the world film history. Shanxi is not only the native land of people, things, scenery, dialects and country feelings, but also the symbolic narrative strategy and image soul. Jia Zhangke showed Fenyang, a small county town in Shanxi Province, to the world, using the choice and treatment of this particular space to connect the real space of the whole society, showing the real China in the transition period. The second chapter mainly discusses the influence of the traditional environmental influence on the director Jia Zhangke. For Jia Zhangke, the place where he was born and grown is Fenyang, Shanxi. As a source of inspiration and source of inspiration for his creation, as well as the carrier of the artistic world of his speech and emotion, the subject content, thought and emotion that he has shown in his film creation, Aesthetic taste on the "Shanxi flavor" deeply imprinted, became his film background color.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J911
[Abstract]:A hundred years of Chinese films have experienced brilliant, low and rising again, and today, they seem to have entered a stage of market prosperity, but Chinese movies are also trapped in the situation of domestic and foreign affairs: the tremendous impact of the era of Hollywood commercial blockbusters. Internal literature and art film intermingled, the creator's creation enthusiasm suffered a cold reception, Chinese film ushered in a "labor pain period." It is the dreamers who persevere in the dilemma, and the more they are in trouble, the more they inspire their courage to change. Jia Zhangke has gone through more than 20 years in the film industry, moving from "ten years underground" to the system, showing us the self-sacrifice he paid for his dreams for films and for the bottom layer to fight for the right to speak. The hardship and persistence is one of the reasons why I choose this topic. This article takes Jia Zhangke's film research as the starting point, takes the image expression of the unique region of "Shanxi taste" as the basis, from the Shanxi regional characteristic, the humanities psychology characteristic, Jia Zhangke's personal growth process and other different angles explore the causes and manifestations of Jia Zhangke's Shanxi taste image. Shanxi is my hometown, Lv Liang is my native land, so I can deeply understand the Shanxi "Shanxi flavor" image and have the impulse to further study Jia Zhangke movies. This is the main reason why I choose this topic. This paper will be divided into two chapters to elaborate Jia Zhangke's creative source and creative characteristics: the first chapter discusses Jia Zhangke's creation of Shanxi image-"Shanxi taste" expression. Taste is a metaphorical usage, which actually refers to a kind of aesthetic characteristic and style of Jia Zhangke's film creation. This is not only Jia Zhangke's unbridled concern for the humanities in his hometown and his persistent pursuit of documentary aesthetics, but also Jia Zhangke's distinctive personality and the appearance of his dream standing in the world film history. Shanxi is not only the native land of people, things, scenery, dialects and country feelings, but also the symbolic narrative strategy and image soul. Jia Zhangke showed Fenyang, a small county town in Shanxi Province, to the world, using the choice and treatment of this particular space to connect the real space of the whole society, showing the real China in the transition period. The second chapter mainly discusses the influence of the traditional environmental influence on the director Jia Zhangke. For Jia Zhangke, the place where he was born and grown is Fenyang, Shanxi. As a source of inspiration and source of inspiration for his creation, as well as the carrier of the artistic world of his speech and emotion, the subject content, thought and emotion that he has shown in his film creation, Aesthetic taste on the "Shanxi flavor" deeply imprinted, became his film background color.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J911
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