好萊塢科幻電影中的女性形象研究
發(fā)布時間：2019-02-16 01:00
【摘要】：最近幾年，依賴于新科學技術的科幻電影數(shù)量逐年增多，制作逾加精良，高品質(zhì)的視聽享受得了到觀眾的高度評價，科幻已經(jīng)從過去的晦澀難懂和過分注重理性、邏輯轉(zhuǎn)變?yōu)閺V泛運用電腦特技將藝術性、商業(yè)性和觀賞性完美的結合在一起。以女性為敘事視角，讓女性成為敘事主角的女戰(zhàn)士形象，特別是女性救世主是近幾年來科幻電影發(fā)展中最大的亮點，女性不僅從傳統(tǒng)的紅顏禍水轉(zhuǎn)變?yōu)閺姾返呐畱?zhàn)士，更是成為科幻片中最強勢的主角。當然這并不是科幻電影中獨特的形象，西部片、恐怖片、歌舞片等類型電影中都存在的現(xiàn)象，但科幻電影中的這種現(xiàn)象是最有科學依據(jù)的。 科幻電影中的主角并不僅僅是人，有時一些外星怪物和外星球上的植物都會成為影片中的重要角色，外星生物、外星植物、外星飛船等的設計上也都具有女性特征；外星人的飛船很多時候也是具有女性特征的，流線型優(yōu)雅的飛船和女性身體的曲線有很多類似之處；外星怪物的形狀會仿照女性生殖器官進行設計，外星植物的特征和女性的性格有很多類似之處。 科幻電影的創(chuàng)作是為了能夠使人展開想象的翅膀，，預想人類未來生活的面貌。在對未來的設想上觀眾總是期待著科幻電影能夠在內(nèi)容層面上有所創(chuàng)新，而不是簡單的表現(xiàn)科技內(nèi)容，當然更為期待的卻是科幻電影能夠?qū)ξ磥砩鐣螒B(tài)做出相應的預言。男人和女人的關系是社會結構中的重要內(nèi)容，但這無關未來，卻和歷史傳統(tǒng)以及當下現(xiàn)狀有著密切的關系，如何體現(xiàn)在男權主體的社會結構中女性的存在意義成為研究的重要內(nèi)容。 科幻電影中女性形象的崛起有著重要意義，從商業(yè)的角度分析，當然是為了提升影片的觀賞性，讓更多的觀眾對科幻電影產(chǎn)生興趣。從藝術的角度講，就是為了更加真切地投射現(xiàn)實世界，伸張女性的主體性�；ㄆ渴降呐孕蜗蠛椭黧w性很強的女性形象之間有著天壤之別，科幻是對現(xiàn)實的反應，所以塑造花瓶式的女性形象一般不會太成功，強調(diào)女性可以讓科幻電影更具有社會意義。 隨著中國綜合國力尤其是科技水平的提高，中國電影迅速發(fā)展，科幻電影的市場需求日盛，而中國科幻電影尚未真正興起，中國觀眾渴望高質(zhì)量的國產(chǎn)科幻電影，如何創(chuàng)作出來滿足市場需求的科幻片也是迫切需要解決的問題。
[Abstract]:In recent years, the number of sci-fi films that rely on new science and technology has increased year by year, and the audience has been highly praised for their well-produced, high-quality audio-visual enjoyment. Science fiction has grown from the obscurity of the past and has been overly rational. Logic changes to the extensive use of computer stunts to combine artistry, commercial and ornamental perfectly. From the perspective of female narration, the image of female warrior, especially the female savior, is the highlight of the development of sci-fi movies in recent years. Women have not only changed from the traditional beauty disaster to a strong female warrior. And become the most powerful protagonist in sci-fi films. Of course, this is not the unique image of sci-fi movies, Western movies, horror movies, music and dance films and other types of film phenomenon, but this phenomenon in science fiction film is the most scientific basis. The protagonists in sci-fi movies are not just human beings. Sometimes some alien monsters and plants on other planets become important characters in the film. The design of alien creatures, alien plants, alien spaceships and so on also has female characteristics. Alien spaceships are also feminine in many ways, and streamlined, elegant spaceships have much in common with the curves of the female body; Alien monsters are shaped like female genitals, and alien plants have a lot of resemblance to women's personalities. Sci-fi films are created to enable people to unfold imaginative wings and envision the future of human life. In the vision of the future, the audience always expect that sci-fi movies can innovate on the content level, rather than simply express the scientific content. Of course, what they expect more is that the sci-fi movies can make a corresponding prediction to the future social formation. The relationship between men and women is an important part of the social structure, but it has nothing to do with the future, but it has a close relationship with the historical tradition and the present situation. How to embody the meaning of female existence in the social structure of male dominant subject has become an important research content. The rise of female images in sci-fi films is of great significance, from a commercial point of view, of course, to enhance the film's viewing, so that more viewers interested in sci-fi movies. From the point of view of art, it is to project the real world more truthfully and to expand the subjectivity of women. There is a great difference between the vase-type female image and the subjective female image. Science fiction is a reaction to reality, so it is generally not too successful to create a vase female image, emphasizing that women can make sci-fi films more social significance. With the improvement of China's overall national strength, especially the level of science and technology, the rapid development of Chinese films, the growing market demand for sci-fi films, and the fact that Chinese sci-fi films have not really risen, Chinese audiences are eager for high-quality domestic sci-fi films. How to create sci-fi films to meet the needs of the market is also an urgent problem to be solved.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
本文編號：2423880
[Abstract]:In recent years, the number of sci-fi films that rely on new science and technology has increased year by year, and the audience has been highly praised for their well-produced, high-quality audio-visual enjoyment. Science fiction has grown from the obscurity of the past and has been overly rational. Logic changes to the extensive use of computer stunts to combine artistry, commercial and ornamental perfectly. From the perspective of female narration, the image of female warrior, especially the female savior, is the highlight of the development of sci-fi movies in recent years. Women have not only changed from the traditional beauty disaster to a strong female warrior. And become the most powerful protagonist in sci-fi films. Of course, this is not the unique image of sci-fi movies, Western movies, horror movies, music and dance films and other types of film phenomenon, but this phenomenon in science fiction film is the most scientific basis. The protagonists in sci-fi movies are not just human beings. Sometimes some alien monsters and plants on other planets become important characters in the film. The design of alien creatures, alien plants, alien spaceships and so on also has female characteristics. Alien spaceships are also feminine in many ways, and streamlined, elegant spaceships have much in common with the curves of the female body; Alien monsters are shaped like female genitals, and alien plants have a lot of resemblance to women's personalities. Sci-fi films are created to enable people to unfold imaginative wings and envision the future of human life. In the vision of the future, the audience always expect that sci-fi movies can innovate on the content level, rather than simply express the scientific content. Of course, what they expect more is that the sci-fi movies can make a corresponding prediction to the future social formation. The relationship between men and women is an important part of the social structure, but it has nothing to do with the future, but it has a close relationship with the historical tradition and the present situation. How to embody the meaning of female existence in the social structure of male dominant subject has become an important research content. The rise of female images in sci-fi films is of great significance, from a commercial point of view, of course, to enhance the film's viewing, so that more viewers interested in sci-fi movies. From the point of view of art, it is to project the real world more truthfully and to expand the subjectivity of women. There is a great difference between the vase-type female image and the subjective female image. Science fiction is a reaction to reality, so it is generally not too successful to create a vase female image, emphasizing that women can make sci-fi films more social significance. With the improvement of China's overall national strength, especially the level of science and technology, the rapid development of Chinese films, the growing market demand for sci-fi films, and the fact that Chinese sci-fi films have not really risen, Chinese audiences are eager for high-quality domestic sci-fi films. How to create sci-fi films to meet the needs of the market is also an urgent problem to be solved.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
【參考文獻】
相關期刊論文 前1條
1 李銀河;后現(xiàn)代女權主義思潮[J];哲學研究;1996年05期
本文編號：2423880
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