【摘要】：電影《七月與安生》是對(duì)原小說(shuō)的升華。電影保留了小說(shuō)的態(tài)度,通過(guò)情節(jié)的恰當(dāng)修改和人物氣質(zhì)的合理把握,還原了同名小說(shuō)的靈魂。在存在主義哲學(xué)視野下分析,七月和安生呈現(xiàn)一種互為"我"與"他者"的鏡像結(jié)構(gòu)。"他者"既是符號(hào)化的他人,更是負(fù)載著社會(huì)文化意義的符號(hào)世界。七月是安生的影子,安生是七月的夢(mèng)。她們都是彼此的"他者",欲望成為對(duì)方,女孩們之間的"她—她"關(guān)系呈現(xiàn)出一種鏡像表征關(guān)系。
[Abstract]:The film July and Ansheng is a sublimation of the original novel. The film preserves the attitude of the novel and restores the soul of the novel of the same name through the proper modification of the plot and the reasonable assurance of the character temperament. From the perspective of existentialist philosophy, July and Ansheng present a mirror structure of "me" and "other". "other" is not only a symbolic other, but also a symbolic world of social and cultural significance. July is the shadow of Ansheng, and Ansheng is the dream of July. They are the "other" of each other, desire to be each other, the "she-she" relationship between the girls presents a mirror image of the relationship.
【作者單位】： 天津理工大學(xué);
【基金】：2015年度天津市“131”創(chuàng)新型人才培養(yǎng)工程第三層次人才計(jì)劃的資助
【分類號(hào)】：J905

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