【摘要】：新世紀以來,中國電視紀錄片可謂是成績斐然、高峰迭起,不論是在創(chuàng)作手法、思想內(nèi)容、表達方式,還是文化形態(tài)、精神理念、審美價值上都較上個世紀有很大改善。然則欣喜之余可以發(fā)現(xiàn),優(yōu)秀作品鮮少,題材范圍依然無法與國際比肩,紀錄片產(chǎn)業(yè)亟待一條清晰的理論脈絡(luò)作為指導(dǎo)。因此,對新世紀紀錄片風(fēng)格特征的梳理、對新舊時期紀錄片風(fēng)格差異研究、對影像作品風(fēng)格變化因素的探尋顯得尤為重要。這不僅對紀錄片的重新分類有一定的幫助,而且能夠打開紀錄視野、開拓紀錄新風(fēng),幫助中國電視紀錄片產(chǎn)業(yè)多元健康發(fā)展。 本文運用文獻綜述、案例分析、統(tǒng)計分析的方法,首先對電視紀錄片風(fēng)格概念進行了解讀,具體探討了中外紀錄片風(fēng)格形成過程、表現(xiàn)形式及影響因素；接著論述了2000-2012年紀錄作品題材、敘事、抒情三個方面的藝術(shù)風(fēng)格特征和中心文化、弄堂文化、江南文化、齊魯文化、嶺南文化風(fēng)格特征,提出了風(fēng)格與藝術(shù)創(chuàng)作、審美需求、社會觀念、收視率之間的關(guān)系；然后文章探究了中國現(xiàn)階段紀錄片的國際地位、未來發(fā)展之路及前景展望,并對中外紀錄片創(chuàng)作風(fēng)格進行了簡要對比,提出應(yīng)當(dāng)以交融、開放、多元的創(chuàng)作風(fēng)格應(yīng)對國際形勢；最后對新世紀電視紀錄片風(fēng)格走向進行總結(jié),歸納出2000-2012年中國電視紀錄片豐富的藝術(shù)風(fēng)格和鮮明的文化風(fēng)格的具體特征。
[Abstract]:Since the new century, Chinese TV documentaries have made great achievements and peaks, both in terms of creative techniques, ideological content, expression methods, cultural forms, spiritual concepts and aesthetic values, all of which have been greatly improved compared with the last century. However, we can find that there are few excellent works, and the range of subjects can not be compared with that of the international, and the documentary industry urgently needs a clear theoretical context as a guide. Therefore, it is particularly important to comb the characteristics of documentary style in the new century, to study the difference of documentary style in the new and old period, and to explore the factors of the change of the style of the image works. This will not only help the reclassification of documentaries, but also open up the field of record, open up the new trend of record, and help the diversified and healthy development of China's TV documentary industry. This article uses the literature review, the case analysis, the statistical analysis method, first has carried on the explanation to the television documentary film style concept, has discussed the Chinese and foreign documentary style formation process, the manifestation form and the influence factor concretely; Then it discusses the artistic style characteristics and the central culture, the Jiangnan culture, the Qilu culture, the Lingnan culture of the three aspects of the subject matter, the narrative and the lyricism of the recorded works from 2000 to 2012, and puts forward the style and artistic creation. The relationship between aesthetic demand, social concept and ratings; Then the article probes into the international status, the way of the future development and the prospect of the documentary film in China at present, and makes a brief contrast to the creation style of the Chinese and foreign documentaries, and puts forward that the creative style should be mixed, open and pluralistic to deal with the international situation; Finally, the author summarizes the trend of TV documentary style in the new century, and concludes the specific characteristics of the rich artistic style and distinctive cultural style of Chinese TV documentary from 2000 to 2012.
【學(xué)位授予單位】：揚州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J952

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