【摘要】：本文主要以塞夫、麥麗絲等蒙古族導(dǎo)演們的民族電影作品為研究對象,首次提出蒙古族類型片——騎士電影的概念,并就騎士電影的概念、發(fā)展?fàn)顩r、類型因素和重要幾個(gè)特質(zhì)進(jìn)行了深入考察。論文認(rèn)為騎士電影是民族文化藝術(shù)與新興藝術(shù)形式融為一體的產(chǎn)物,對民族電影的發(fā)展做出了突出貢獻(xiàn),進(jìn)而探討了其未來發(fā)展空間。緒論部分,說明了蒙古族騎士電影研究的價(jià)值、研究目標(biāo)和研究方法,并梳理了前人相關(guān)研究成果。第一章,說明類型片的概念、范疇以及在電影發(fā)展史中的重要地位,并對其他國家和地區(qū)的類型片的發(fā)展情況、主要特點(diǎn)進(jìn)行說明。首次提出蒙古族類型片——騎士電影概念,論述其起源、發(fā)展階段。認(rèn)為騎士的崇拜、馬的神化和場景的史詩化三點(diǎn)是該類型片的主要類型因素。第二章,分別從文化特性、藝術(shù)特性、商業(yè)特性、時(shí)代特性等四個(gè)方面來詳細(xì)分析和考察蒙古族騎士電影的成就,探討騎士電影在蒙古族民族電影發(fā)展史中的重要意義。第三章,將蒙古族騎士電影與其他國家和民族的類似類型片進(jìn)行比較,認(rèn)為蒙古族類型片在電影敘事方面展現(xiàn)出的從主流意識形態(tài)敘事發(fā)展為文化敘事,再到類型模糊化的發(fā)展趨勢是其發(fā)展規(guī)律。
[Abstract]:This paper mainly takes the national film works of Mongolian directors, such as Seif and Melis, as the research object, and puts forward for the first time the concept of the Mongolian genre film, which is the chivalry film, and the concept and development of the chivalry film. The factors of type and several important traits were investigated. The paper holds that the chivalry film is the product of the combination of the national culture and art and the new art form, and makes outstanding contribution to the development of the national film, and then discusses its future development space. In the introduction part, it explains the value, research goal and research method of Mongolian chivalry film research, and combs the previous related research results. The first chapter explains the concept, category and important position in the history of film development, and explains the development and main characteristics of type films in other countries and regions. For the first time, the concept of knight film is put forward, and its origin and development stage are discussed. It is considered that the worship of knights, the deification of horses and the epic of scenes are the main types of films. The second chapter, from the cultural characteristics, artistic characteristics, commercial characteristics, characteristics of the times to analyze and investigate the achievements of the Mongolian chivalry film in the history of Mongolian national film development significance. The third chapter compares the Mongolian chivalry films with similar films of other countries and nations, and points out that the Mongolian genre films have developed from mainstream ideology to cultural narration in film narrative. The trend of fuzzification is the law of its development.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J905

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本文編號：2412358