發(fā)布時(shí)間：2019-01-19 21:00

【摘要】：始于19世紀(jì)、并在20世紀(jì)后半葉達(dá)到高潮的全球性移民是當(dāng)今文化研究的重要語(yǔ)境。在異質(zhì)文化的碰撞、沖突及其力量不對(duì)稱(chēng)之間，“身份認(rèn)同危機(jī)”空前突出，構(gòu)成了全球化研究、文化研究領(lǐng)域的重要課題。我們認(rèn)為，電影不僅是藝術(shù)文本，也是社會(huì)文本，，生動(dòng)地記錄和想象了全球性離散現(xiàn)象（diaspora），討論海外華人導(dǎo)演及其電影所反映的離散經(jīng)歷和身份認(rèn)同困境具有重要的現(xiàn)實(shí)意義。 本論文在全球范圍內(nèi)共收錄了140名海外華人導(dǎo)演，在定量研究基礎(chǔ)上，重點(diǎn)探索海外華人的身份危機(jī)及其認(rèn)同的建構(gòu)，主要分為三大部分展開(kāi)論述：一、海外華人導(dǎo)演群體的分布現(xiàn)狀。本部分對(duì)海外華人導(dǎo)演集中進(jìn)行原籍地分布、移民分布、移民時(shí)間等量化分析，并詳細(xì)探究北美、東南亞等海外華人導(dǎo)演群體的形成原因。二、海外華人導(dǎo)演的國(guó)際電影節(jié)獲獎(jiǎng)情況。國(guó)際電影節(jié)不僅能挑選優(yōu)秀作品，而且是培育影視人才的重要路徑，本部分廣泛搜集海外華人導(dǎo)演在全球范圍內(nèi)的獲獎(jiǎng)情況及其特點(diǎn)，并做出詳細(xì)的數(shù)量研究和分析。三、海外華人導(dǎo)演的身份危機(jī)及其認(rèn)同。本部分將海外華人電影身份危機(jī)劃分為殖民和后殖民兩個(gè)時(shí)期，通過(guò)定性分析，展現(xiàn)身份危機(jī)及其認(rèn)同在不同歷史、文化等權(quán)力話語(yǔ)“合謀”下的表現(xiàn)形態(tài)與建構(gòu)過(guò)程。
[Abstract]:Global immigration, which began in the 19 th century and reached its climax in the second half of the 20 th century, is an important context of cultural research today. Between the collision of heterogeneous cultures, conflicts and asymmetries of power, the "identity crisis" has become an important topic in the field of globalization and cultural research. We believe that film is not only an artistic text, but also a social text, vividly recording and imagining the global discrete phenomenon (diaspora), It is of great practical significance to discuss the discrete experience and identity dilemma reflected by overseas Chinese directors and their films. This thesis includes 140 overseas Chinese directors worldwide. On the basis of quantitative research, the thesis focuses on exploring the identity crisis of overseas Chinese and the construction of their identity, which is mainly divided into three parts: first, The distribution of overseas Chinese directors. This part focuses on the distribution of overseas Chinese directors, immigration time and other quantitative analysis, and explores in detail the formation of overseas Chinese directors in North America, Southeast Asia and other reasons. Second, the overseas Chinese director of the International Film Festival awards. The International Film Festival not only can select excellent works, but also is an important way to cultivate film and television talents. This part collects the awards and characteristics of overseas Chinese directors in the world, and makes a detailed quantitative study and analysis. Third, the identity crisis and identity of overseas Chinese directors. This part divides the overseas Chinese film identity crisis into two periods: colonial period and post-colonial period. Through qualitative analysis, it shows the expression and construction process of identity crisis and identity under the power discourse of different history and culture.
【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J911

【參考文獻(xiàn)】

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本文編號(hào)：2411747