【摘要】：隨著全球化的進(jìn)程不斷加快,不同國(guó)家、地區(qū)之間的跨文化交流也隨之加強(qiáng)。跨文化交流的主要目的是促進(jìn)文化融合,紀(jì)錄片作為文化傳播的一種重要形式,具有獨(dú)特的人文價(jià)值,不僅對(duì)自身國(guó)家和本土的文化發(fā)展具有深遠(yuǎn)的社會(huì)意義,同時(shí)在跨文化傳播的過(guò)程中逐漸成為一個(gè)具有潛力的文化產(chǎn)業(yè)。在跨文化視域下,中國(guó)要走向世界,世界想了解中國(guó),紀(jì)錄片作為跨文化交流的重要窗口,卻面臨著來(lái)自政治、歷史、傳統(tǒng)、習(xí)俗等多方位文化差異的制約。想要降低紀(jì)錄片在跨文化交流中的文化折扣,需要我們?cè)凇氨就粱迸c“國(guó)際化”之間尋找契合點(diǎn),從根本上轉(zhuǎn)換紀(jì)錄片的創(chuàng)作理念,弱化紀(jì)錄片的宣教職能,喚起紀(jì)錄片人文精神的回歸,秉承人文理念,體現(xiàn)人文關(guān)懷。本文以“把握人文訴求、體現(xiàn)人文關(guān)照”作為紀(jì)錄片在跨文化交流中的創(chuàng)新點(diǎn),通過(guò)中外紀(jì)錄片拍攝理念的類(lèi)比,為課題深入提供思路,論述人文訴求在紀(jì)錄片創(chuàng)作中的重要意義。以“普世性”、“平民化”為切入點(diǎn),對(duì)紀(jì)錄片中的人文訴求進(jìn)行梳理,把握跨文化交流中紀(jì)錄片的“中國(guó)表達(dá)”。以紀(jì)錄片的人文訴求為前提,分別從創(chuàng)新制作理念、轉(zhuǎn)變市場(chǎng)對(duì)策和立足人文訴求三方面總結(jié)出跨文化交流中中國(guó)紀(jì)錄片的發(fā)展策略。
[Abstract]:With the accelerating process of globalization, cross-cultural exchanges between different countries and regions have been strengthened. The main purpose of cross-cultural communication is to promote cultural integration. As an important form of cultural communication, documentary film has unique humanistic value, which is not only of profound social significance to the development of its own country and native culture. At the same time, in the process of cross-cultural communication, it has gradually become a potential cultural industry. From the perspective of cross-culture, China wants to go to the world. The world wants to understand China. As an important window of cross-cultural communication, documentary film is confronted with the restriction of multi-cultural differences from politics, history, tradition, custom and so on. In order to reduce the cultural discount of documentary in cross-cultural communication, we need to find a suitable point between "localization" and "internationalization", to fundamentally change the creative concept of documentary, and to weaken the propaganda function of documentary. Evoking the return of the humanistic spirit of documentary, adhering to the humanistic concept, reflecting humanistic care. This article regards "grasp the humanities appeal, manifests the humanities care" as the documentary film in the cross-cultural exchange innovation point, through the Chinese and foreign documentary film shooting idea analogy, provides the thought for the topic deeply, This paper discusses the significance of humanistic appeal in documentary creation. With "universality" and "popularization" as the breakthrough point, this paper combs the humanism demands in the documentary and grasps the "Chinese expression" of the documentary in the cross-cultural communication. Based on the humanistic demands of documentaries, this paper summarizes the development strategies of cross-cultural communication Chinese documentaries from three aspects: innovating the production idea, changing the market strategy and basing on the humanistic demands.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J952

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本文編號(hào)：2411141