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影視藝術(shù)作品中傳統(tǒng)文化符號創(chuàng)意設(shè)計進(jìn)階研析

發(fā)布時間:2018-12-31 08:23
【摘要】:正眾所周知,作為符號,應(yīng)具備能指與所指的雙重屬性,能指即為物象化與具象化;所指即為表象化與抽象化,以及由化表象與抽象化進(jìn)一步升華的更加高遠(yuǎn)的意象化。中華傳統(tǒng)文化凝結(jié)著中華文化大系數(shù)千載的文明積淀能指,同時,這些中華傳統(tǒng)文化之中的許多能指,又以其文化根性靈魂而形成了形而上的所指。作為中華傳統(tǒng)文化符號,其最大的優(yōu)勢就在
[Abstract]:As we all know, as a symbol, the signifier should have the dual attributes of signifier and signifier, that is, materialization and figurative, signifying and abstracting, as well as the further sublimation of image from metaphoric and abstract. The traditional Chinese culture condenses the accumulated signifier of civilization with a large coefficient of Chinese culture for thousands of years. At the same time, many of the signifiers in these Chinese traditional cultures form metaphysical signifiers by the soul of their cultural roots. As a symbol of Chinese traditional culture, its greatest advantage lies in
【作者單位】: 河南理工大學(xué)建筑與藝術(shù)設(shè)計學(xué)院實驗中心;
【基金】:河南省高等學(xué)校重點(diǎn)科研項目(18A220001)成果
【分類號】:J905
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本文編號:2396321

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