【摘要】：科幻電影產(chǎn)生于上世紀(jì)初，是基于科學(xué)知識(shí)而發(fā)展出來的一種比較新的電影形式。作為西方票房上映率最高的類型片之一，科幻電影以其獨(dú)特的藝術(shù)可能性、真實(shí)性、預(yù)見性以及畫面帶來的的震撼性、奇特性等特點(diǎn)吸引了全世界觀眾的目光。從二維平面到三維時(shí)空，再到現(xiàn)在的多維空間，西方科幻電影的每一次跨越都與科學(xué)技術(shù)的進(jìn)步息息相關(guān)。 但是，近年來，隨著科學(xué)技術(shù)的日新月異，科學(xué)技術(shù)的泛濫使用給人們帶來了很多不可預(yù)見的災(zāi)難性后果。由此，經(jīng)歷了科技的“狂歡”盛宴之后，人們開始對(duì)科學(xué)技術(shù)產(chǎn)生了沉痛的反思，在科幻電影中這種反思同樣有著很多體現(xiàn)。相比其他領(lǐng)域，西方科幻題材影片對(duì)科學(xué)技術(shù)理性的反思有其獨(dú)特之處一一它是一種建立在科學(xué)技術(shù)發(fā)展之上的“科技”批判，這就決定了科幻電影對(duì)科學(xué)技術(shù)的反思過程中既擁有優(yōu)勢(shì)又存在著批判的弊端�？苹妙}材類的影片，也屬于藝術(shù)門類中的一種。這種藝術(shù)以其自有的特點(diǎn)反映著人類生存所處的環(huán)境�？苹糜捌奶攸c(diǎn)還是“人本位”的�？苹秒娪皬淖匀缓腿说年P(guān)系，技術(shù)和人的關(guān)系等角度，通過充滿動(dòng)感的電影故事情節(jié)，深刻地表達(dá)出了科幻電影對(duì)人類未來發(fā)展的深深關(guān)切和憂愁，不止關(guān)切人類因?yàn)闉E用科技逐漸導(dǎo)致的環(huán)境破壞，也深深的擔(dān)憂著后世人類的發(fā)展環(huán)境和方向。因此，本文以西方科幻電影作為切入點(diǎn)，，通過對(duì)西方科幻影片的分析，探討科幻電影反思的特征和科幻電影所蘊(yùn)含的哲學(xué)意蘊(yùn)。
[Abstract]:Science-fiction film originated in the early last century is a relatively new film form based on scientific knowledge. As one of the most popular box office films in the West, sci-fi films have attracted the attention of audiences all over the world for their unique artistic possibilities, authenticity, predictability, shock and strange features. From two-dimensional plane to three-dimensional space-time, and then to multidimensional space, every leap of western sci-fi films is closely related to the progress of science and technology. However, in recent years, with the rapid development of science and technology, the flooding of science and technology has brought people a lot of unpredictable disastrous consequences. As a result, after the "carnival" feast of science and technology, people began to reflect deeply on science and technology, which is also reflected in science fiction movies. Compared with other fields, Western sci-fi films have their own unique features in the reflection of scientific and technological rationality-it is a kind of "science and technology" criticism based on the development of science and technology. This determines the science-fiction film in the process of reflection on science and technology has both advantages and critical shortcomings. Science-fiction films also belong to the category of art. This art, with its own characteristics, reflects the environment in which human beings live. Science-fiction films are also characterized by people-based films. Science fiction film, from the angle of the relationship between nature and man, technology and man, deeply expresses the deep concern and sorrow of science fiction film for the future development of mankind through the dynamic movie story. It is not only concerned about the environmental damage caused by the misuse of science and technology, but also deeply concerned about the future development environment and direction of mankind. Therefore, this paper takes the western sci-fi film as the breakthrough point, through the analysis of the western sci-fi film, discusses the characteristics of the sci-fi film reflection and the philosophical implication of the sci-fi film.
【學(xué)位授予單位】：牡丹江師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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本文編號(hào)：2358812