當(dāng)代中國(guó)影像文化中的游民與游民意識(shí)
發(fā)布時(shí)間：2018-11-20 04:30
【摘要】：自上個(gè)世紀(jì)九十年代大眾影像興盛以來,我們?cè)诮缍ㄓ跋袼从车闹黧w的時(shí)候,通常把一類人稱作底層、邊緣人、非主流群體,但至今都沒有一個(gè)明確統(tǒng)一的概念定義這些大眾影像當(dāng)中出現(xiàn)的民間身影。由于宏觀政策的調(diào)控以及維穩(wěn)工作的需要,大部分關(guān)于底層游民的影像資料都被主流媒體有意無意地屏蔽掉了,即使得到了播出許可,影像當(dāng)中最為核心的關(guān)于游民行為方式和價(jià)值觀念的部分也會(huì)被重新統(tǒng)一和規(guī)整。因此在主流的影像研究中關(guān)于游民與游民意識(shí)的討論處于長(zhǎng)期缺席的狀況。本文通過查閱現(xiàn)當(dāng)代的文史資料,來追溯這類人群的歷史文化淵源,從而對(duì)其游民身份進(jìn)行定義與總結(jié)。并結(jié)合九十年代以來的電影、電視等影像資料,分析與歸納當(dāng)代中國(guó)影像中展現(xiàn)游民的敘事方式與符號(hào)特征,進(jìn)而討論游民和游民意識(shí)對(duì)影像的創(chuàng)作與社會(huì)傳播的影響。
[Abstract]:Since the prosperity of mass images in the 1990s, when we define the subjects reflected in the images, we usually refer to one kind of people as the bottom class, the marginal group, the non-mainstream group. But up to now, there is no clear and unified concept to define the folk figure in these mass images. As a result of macro-policy regulation and the need to maintain stability, most of the video material on the bottom Traveller has been deliberately or unintentionally blocked by the mainstream media, even if it has been granted broadcast permission. The most central part of the image on Traveller behavior and values will also be reunified and regularized. Therefore, the discussion of Traveller and Traveller consciousness in the mainstream image study is in the condition of absence for a long time. This paper traces the historical and cultural origins of this kind of people by referring to modern and contemporary literature and history materials, and then defines and summarizes their nomadic identity. Combined with the film, television and other video materials since the 1990s, this paper analyzes and summarizes the narrative and symbolic characteristics of the nomadic people in contemporary Chinese images, and then discusses the influence of the nomadic and Traveller consciousness on the creation and social dissemination of the images.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2343731
[Abstract]:Since the prosperity of mass images in the 1990s, when we define the subjects reflected in the images, we usually refer to one kind of people as the bottom class, the marginal group, the non-mainstream group. But up to now, there is no clear and unified concept to define the folk figure in these mass images. As a result of macro-policy regulation and the need to maintain stability, most of the video material on the bottom Traveller has been deliberately or unintentionally blocked by the mainstream media, even if it has been granted broadcast permission. The most central part of the image on Traveller behavior and values will also be reunified and regularized. Therefore, the discussion of Traveller and Traveller consciousness in the mainstream image study is in the condition of absence for a long time. This paper traces the historical and cultural origins of this kind of people by referring to modern and contemporary literature and history materials, and then defines and summarizes their nomadic identity. Combined with the film, television and other video materials since the 1990s, this paper analyzes and summarizes the narrative and symbolic characteristics of the nomadic people in contemporary Chinese images, and then discusses the influence of the nomadic and Traveller consciousness on the creation and social dissemination of the images.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
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