【摘要】：動(dòng)畫(huà)是介于繪畫(huà)和電影之間的一種藝術(shù)形式，是基于敘事特征上的一種有效嫁接，它兼有電影與繪畫(huà)的品格特征，但又不是將兩種藝術(shù)形式簡(jiǎn)單地進(jìn)行疊加。在動(dòng)畫(huà)發(fā)展的初期階段,創(chuàng)作者們對(duì)動(dòng)畫(huà)的創(chuàng)作方法、創(chuàng)新、目的、媒介形式等進(jìn)行不斷的探索，這種探索便是早期實(shí)驗(yàn)動(dòng)畫(huà)形成的基礎(chǔ)。在實(shí)驗(yàn)的過(guò)程中創(chuàng)作者對(duì)不同的內(nèi)容與形式進(jìn)行實(shí)驗(yàn)與探索，這不但擴(kuò)大了未來(lái)動(dòng)畫(huà)的覆蓋范圍，更豐富了其表現(xiàn)形式。催生了當(dāng)今很多主流動(dòng)畫(huà)表現(xiàn)形式的同時(shí)，彌補(bǔ)了商業(yè)動(dòng)畫(huà)不敢涉足的領(lǐng)域。目前很多商業(yè)動(dòng)畫(huà)電影的表現(xiàn)形式正是實(shí)驗(yàn)動(dòng)畫(huà)不斷探索的結(jié)果。由此可見(jiàn)，實(shí)驗(yàn)動(dòng)畫(huà)在整個(gè)動(dòng)畫(huà)發(fā)展歷程中有著旺盛的生命力和重要的現(xiàn)實(shí)意義。本文主要是通過(guò)對(duì)實(shí)驗(yàn)動(dòng)畫(huà)的歷史進(jìn)程進(jìn)行分類(lèi)總結(jié)并對(duì)其演進(jìn)過(guò)程中的種種影響因素進(jìn)行分析，指出了由于文化意識(shí)形態(tài)自身的發(fā)展規(guī)律、物 質(zhì)對(duì)文化意識(shí)形態(tài)的影響、藝術(shù)創(chuàng)作者創(chuàng)造藝術(shù)和受眾吸收的能力、主流文化和非主流文化的存在性以及經(jīng)濟(jì)和政治等因素的存在，促使了實(shí)驗(yàn)動(dòng)畫(huà)從雛形到發(fā)展再到繁盛的整個(gè)過(guò)程的形成。再?gòu)膶?shí)驗(yàn)動(dòng)畫(huà)所具備的價(jià)值方向來(lái)分析其自身產(chǎn)生的價(jià)值，如：藝術(shù)價(jià)值、技術(shù)價(jià)值、社會(huì)經(jīng)濟(jì)價(jià)值和人文價(jià)值等，并在基礎(chǔ)上通過(guò)對(duì)比中國(guó)實(shí)驗(yàn)動(dòng)畫(huà)與國(guó)外實(shí)驗(yàn)動(dòng)畫(huà)的發(fā)展得到結(jié)論：中國(guó)動(dòng)畫(huà)一直停滯不前，可能是因?yàn)闆](méi)有重視實(shí)驗(yàn)動(dòng)畫(huà)探索的發(fā)展。中國(guó)動(dòng)畫(huà)可適當(dāng)借鑒國(guó)外實(shí)驗(yàn)動(dòng)畫(huà)發(fā)展的優(yōu)勢(shì)，比如可以從國(guó)外的產(chǎn)業(yè)模式上來(lái)指導(dǎo)中國(guó)動(dòng)畫(huà)產(chǎn)業(yè)；另外，，以商業(yè)動(dòng)畫(huà)為載體，將實(shí)驗(yàn)動(dòng)畫(huà)探索與創(chuàng)新的精神應(yīng)用于商業(yè)動(dòng)畫(huà)中，實(shí)驗(yàn)動(dòng)畫(huà)將轉(zhuǎn)化為“生產(chǎn)力”來(lái)創(chuàng)造經(jīng)濟(jì)價(jià) 值。使實(shí)驗(yàn)動(dòng)畫(huà)服務(wù)于商業(yè)動(dòng)畫(huà),擺正二者之間的關(guān)系,則兩者都能夠得到健康、長(zhǎng)足發(fā)展，最終將帶動(dòng)中國(guó)乃至整個(gè)世界動(dòng)畫(huà)產(chǎn)業(yè)的發(fā)展。
[Abstract]:Animation is an artistic form between painting and film, which is an effective grafting based on narrative features. It has the character characteristics of film and painting, but it is not simply superimposed between the two artistic forms. In the early stage of animation development, the creators constantly explore the creative method, innovation, purpose and media form of animation, which is the basis of the formation of the early experimental animation. In the course of the experiment, the creators experimented and explored different contents and forms, which not only expanded the scope of the animation in the future, but also enriched its forms of expression. At the same time, it makes up for the field that commercial animation dares not set foot in. At present, the manifestation of many commercial animation films is the result of the continuous exploration of experimental animation. Thus, experimental animation has strong vitality and important practical significance in the course of animation development. In this paper, the historical process of experimental animation is classified and summarized, and the influence factors in its evolution are analyzed, and the development law of cultural ideology itself is pointed out. The influence of material quality on cultural ideology, the ability of artistic creators to create art and audience absorption, the existence of mainstream culture and non-mainstream culture, and the existence of economic and political factors, To promote the experimental animation from the embryonic form to development and prosperity of the whole process of formation. Then from the experimental animation has the value direction to analyze its own generated value, such as: artistic value, technical value, social and economic value and human value, etc. On the basis of comparing the development of Chinese experimental animation with foreign experimental animation, it is concluded that the development of Chinese animation has been stagnant, which may be due to the lack of attention to the development of experimental animation exploration. Chinese animation can draw lessons from the advantages of foreign experimental animation development, for example, it can guide the Chinese animation industry from the industrial model of foreign countries; In addition, with commercial animation as the carrier, the spirit of exploration and innovation of experimental animation is applied to commercial animation, and experimental animation will be transformed into "productivity" to create economic value. If the experimental animation serves commercial animation and corrects the relationship between them, both of them will be able to develop healthily and rapidly, which will eventually lead to the development of animation industry in China and the world as a whole.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J954

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本文編號(hào)：2342822