【摘要】：本文基于動(dòng)畫式紀(jì)錄片的藝術(shù)實(shí)踐進(jìn)行研究。在自傳體記憶作品《番茄醬》的創(chuàng)作交流中,作者進(jìn)行了動(dòng)畫式紀(jì)錄片的結(jié)構(gòu)實(shí)驗(yàn)和符號(hào)性探索。動(dòng)畫式紀(jì)錄片的研究關(guān)鍵在于重新思考其界定,探索其歷史。本文在縱向梳理動(dòng)畫式紀(jì)錄片的發(fā)展脈絡(luò)時(shí),也與東歐國家(捷克、波蘭、羅馬尼亞等國)此類型作品進(jìn)行交叉對(duì)話,由此探索動(dòng)畫式紀(jì)錄片如何發(fā)掘了記憶的異質(zhì)性,諸如記憶的味道、色彩、隱喻及結(jié)構(gòu)等,進(jìn)一步深化了動(dòng)畫式紀(jì)錄片相關(guān)議題的討論,即在動(dòng)畫與記錄孰重孰輕的維度之外,引入了個(gè)體記憶與歷史敘述的角度。
[Abstract]:This paper is based on the art practice of animated documentary. In the creation and exchange of autobiographical memory work ketchup, the author has carried on the structure experiment and symbolic exploration of the animated documentary. The key of animation documentary research lies in rethinking its definition and exploring its history. While combing the development of animated documentary, this paper also has a cross-dialogue with Eastern European countries (Czech Republic, Poland, Romania, etc.) to explore how animation documentary explores the heterogeneity of memory. The taste, color, metaphor and structure of memory further deepen the discussion on the related issues of animation documentary, that is, the perspective of individual memory and historical narration is introduced in addition to the dimension of which is important to animation and record.
【基金】：“中央高校建設(shè)世界一流大學(xué)(學(xué)科)和特色發(fā)展引導(dǎo)專項(xiàng)資金”支持
【分類號(hào)】：J952

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本文編號(hào)：2341278