文本分析與傳播方式研究：中日關系蜜月期中國銀幕上的日本電影（1978-1989）
發(fā)布時間：2018-11-17 11:45
【摘要】：日本電影與中國電影的交流是中日文化交流的重要組成部分。自兩國電影誕生之日起,兩國電影的文化交流除了文化大革命時期一度中斷以外,一直保持著緊密的互動。尤其是中日邦交正常化以后,中日關系蜜月期間(1978年——1989年),隨著中國經濟社會的巨大改變,中日文化交流空前繁榮,中國在這期間引進了大量的日本電影,獲得了中國觀眾狂熱的追捧。至此,中日電影的文化交流在中國面對全民開展的“中日友好”的教育中扮演了至關重要的角色,構建了兩國人民之間相互理解和溝通的美好藍圖,體現(xiàn)了歷史的潮流和人民的愿望,同時在電影創(chuàng)作上對經歷了十年浩劫重創(chuàng)的中國電影具有全方位、積極深遠的影響,推動了兩國文化藝術的進步發(fā)展。更值得一提的是,中日電影文化的交流在兩國國際政治、經濟的進步過程中亦起到了不可小覷的作用。 2012年是中日邦交正常化40周年,也是“中日國民交流友好年”,隨著中日兩國今后在更廣泛層面上開展電影合作的前景越來越可觀,對中日電影的交流進行系統(tǒng)深入的研究則成為必要。因此,本文針對中日關系蜜月期,也是中日電影交流的黃金期這段時間日本電影在中國大陸的傳播方式與典型文本進行了梳理和分析,對中國銀幕上出現(xiàn)的日本電影在該時期的文本影像藝術特點和復雜影響展開了學理性的討論。以中國銀幕上出現(xiàn)的日本電影的文本分析和傳播方式為主要討論焦點,建立起該時期日本電影在中國傳播的多維圖景,從而揭示日本電影在中日關系蜜月期的傳播奧秘以及這一跨文化傳播的獨特性和深遠意義。 包括緒論與結語,全文分為五個部分。首先在第一章緒論中,筆者對中日關系蜜月期進行了時間上的界定以及背景上的介紹,并對本課題的研究現(xiàn)狀、思路和意義進行了詳盡的論述。接著筆者在第二章中對蜜月期日本電影在中國大陸的三種傳播方式進行了概述,然后在接下來的兩個章節(jié)中分別以《追捕》和《望鄉(xiāng)》兩種典型且不同風格的日本影片為案例進一步細致探討了日本電影在蜜月期中國大陸的傳播方式、傳播特點以及電影的文本特征。最后,在結論部分筆者對中日蜜月期日本電影在中國大陸的傳播特征與接受轉化問題進行了總結性論述。
[Abstract]:The exchange between Japanese film and Chinese film is an important part of the cultural exchange between China and Japan. Since the birth of the film between the two countries, the cultural exchange between the two countries has maintained close interaction except for the interruption of the Cultural Revolution. Especially after the normalization of Sino-Japanese diplomatic relations, during the honeymoon period of Sino-Japanese relations (1978-1989), with the tremendous changes in China's economy and society and the unprecedented prosperity of Sino-Japanese cultural exchanges, China introduced a large number of Japanese films during this period. Has won the Chinese audience fanatical pursuit. At this point, the cultural exchanges between Chinese and Japanese films have played a vital role in China's education of "Sino-Japanese Friendship" in the face of the people of China, and constructed a beautiful blueprint for mutual understanding and communication between the two peoples. It embodies the trend of history and the wishes of the people. At the same time, it has a comprehensive and profound influence on the Chinese film which has experienced ten years of disaster and has promoted the progress and development of the two countries' culture and art. It is worth mentioning that the exchange of Chinese and Japanese film culture has played an important role in the progress of international politics and economy of the two countries. The year 2012 marks the 40th anniversary of the normalization of diplomatic relations between China and Japan, as well as the year of Friendship between the Chinese and Japanese Nationals. It is necessary to make a systematic and in-depth study on the communication between Chinese and Japanese films. Therefore, this article combs and analyzes the typical texts of Japanese films in mainland China during the honeymoon period of Sino-Japanese relations, which is also the golden period of Sino-Japanese film exchange. This paper discusses the artistic characteristics and complex influence of Japanese films on Chinese screen in this period. Taking the text analysis and dissemination mode of Japanese films on Chinese screen as the main focus of discussion, the multi-dimensional picture of Japanese films spreading in China during that period was established. It reveals the mystery of Japanese film spread during the honeymoon period of Sino-Japanese relations and the uniqueness and far-reaching significance of this cross-cultural communication. Including introduction and conclusion, the full text is divided into five parts. First, in the introduction of the first chapter, the author defines the honeymoon period of Sino-Japanese relationship in time and introduces the background, and discusses the research status, ideas and significance of this topic in detail. Then, in the second chapter, the author summarizes the three ways of spreading Japanese films in the honeymoon period in mainland China. Then in the next two chapters, two typical and different styles of Japanese films, "pursuit" and "Wangxiang", are taken as a case study to further explore the mode of communication of Japanese films in the honeymoon period in mainland China. The characteristics of communication and the text of the film. Finally, in the conclusion part, the author makes a summary discussion on the characteristics of Japanese film spread in mainland China during the honeymoon period of China and the problem of its acceptance and transformation.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
本文編號：2337665
[Abstract]:The exchange between Japanese film and Chinese film is an important part of the cultural exchange between China and Japan. Since the birth of the film between the two countries, the cultural exchange between the two countries has maintained close interaction except for the interruption of the Cultural Revolution. Especially after the normalization of Sino-Japanese diplomatic relations, during the honeymoon period of Sino-Japanese relations (1978-1989), with the tremendous changes in China's economy and society and the unprecedented prosperity of Sino-Japanese cultural exchanges, China introduced a large number of Japanese films during this period. Has won the Chinese audience fanatical pursuit. At this point, the cultural exchanges between Chinese and Japanese films have played a vital role in China's education of "Sino-Japanese Friendship" in the face of the people of China, and constructed a beautiful blueprint for mutual understanding and communication between the two peoples. It embodies the trend of history and the wishes of the people. At the same time, it has a comprehensive and profound influence on the Chinese film which has experienced ten years of disaster and has promoted the progress and development of the two countries' culture and art. It is worth mentioning that the exchange of Chinese and Japanese film culture has played an important role in the progress of international politics and economy of the two countries. The year 2012 marks the 40th anniversary of the normalization of diplomatic relations between China and Japan, as well as the year of Friendship between the Chinese and Japanese Nationals. It is necessary to make a systematic and in-depth study on the communication between Chinese and Japanese films. Therefore, this article combs and analyzes the typical texts of Japanese films in mainland China during the honeymoon period of Sino-Japanese relations, which is also the golden period of Sino-Japanese film exchange. This paper discusses the artistic characteristics and complex influence of Japanese films on Chinese screen in this period. Taking the text analysis and dissemination mode of Japanese films on Chinese screen as the main focus of discussion, the multi-dimensional picture of Japanese films spreading in China during that period was established. It reveals the mystery of Japanese film spread during the honeymoon period of Sino-Japanese relations and the uniqueness and far-reaching significance of this cross-cultural communication. Including introduction and conclusion, the full text is divided into five parts. First, in the introduction of the first chapter, the author defines the honeymoon period of Sino-Japanese relationship in time and introduces the background, and discusses the research status, ideas and significance of this topic in detail. Then, in the second chapter, the author summarizes the three ways of spreading Japanese films in the honeymoon period in mainland China. Then in the next two chapters, two typical and different styles of Japanese films, "pursuit" and "Wangxiang", are taken as a case study to further explore the mode of communication of Japanese films in the honeymoon period in mainland China. The characteristics of communication and the text of the film. Finally, in the conclusion part, the author makes a summary discussion on the characteristics of Japanese film spread in mainland China during the honeymoon period of China and the problem of its acceptance and transformation.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
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