【摘要】：對人真實(shí)的生活狀態(tài)的無情披露以及對人的存在價(jià)值的追問,是荒誕作為一種審美范疇所觀照的核心。荒誕借助于非理性的表達(dá)深化理性的思考,追求的是一種求真的審美價(jià)值。黑色幽默電影力求通過刻畫極端的邊緣人物在一定社會形態(tài)下產(chǎn)生的特殊心理和荒誕行為挖掘荒謬之中的真理,意圖通過獨(dú)特的美學(xué)視角探查光怪陸離的世界中被隱匿的真實(shí),以關(guān)切的態(tài)度呼吁人性的回歸。因而,黑色幽默電影的核心可辯證地看待為一種高度藝術(shù)化的荒誕美學(xué)實(shí)質(zhì)。
[Abstract]:It is the core of absurdity as an aesthetic category to disclose mercilessly the real state of human life and to inquire into the value of human existence. Absurdity, with the aid of irrational expression, deepens rational thinking and pursues an aesthetic value of seeking truth. Black humor films seek to explore the truth of absurdity by depicting the special psychology and absurd behavior of extreme marginal characters in a certain social form, with the intention of exploring the hidden reality in the strange world through a unique aesthetic perspective. Call for the return of humanity with concern. Therefore, the core of black humor film can be dialectically regarded as a highly artistic absurd aesthetic essence.
【作者單位】： 吉林藝術(shù)學(xué)院美術(shù)學(xué)院;
【分類號】：J901
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本文編號：2329308