零余者的封神路——論《邊走邊唱》中的“人”與“非人”
發(fā)布時間：2018-11-06 14:12
【摘要】：正《邊走邊唱》作為陳凱歌早期作品之一,被認為是其精神的自敘傳,由于該電影對史鐵生《命若琴弦》的改編獲得了較大的超越,且灌注了導演強烈的個人色彩,從某種程度上可以將之看作是陳凱歌的獨立作品。在以往的研究中,該篇的討論主要立足于電影對小說的改編,電影的信仰和宿命論色彩,導演個人精神的自敘等幾個方面,而較少關注到《邊走邊唱》中的所有角色在"人"與"非人"間的掙扎對電影表述的重要意義,本文將主要通過對老琴師和石頭
[Abstract]:As one of Chen Kaige's early works, "singing while walking" is regarded as a self-narration of his spirit. Because the adaptation of Shi Tiesheng's "Destiny string" has been greatly surpassed, and the director's strong personal color has been instilled in it, To some extent, it can be regarded as Chen Kaige's independent work. In previous studies, the discussion was based on the adaptation of the film to the novel, the film's belief and fatalism, the self-description of the director's personal spirit, and so on. Less attention has been paid to the significance of the struggles of all the characters in "Man" and "Non-Human" to the film's expression. This paper will mainly focus on the role of the old pianist and the stone.
【作者單位】： 內蒙古醫(yī)科大學馬克思主義學院大學語文教研室;
【分類號】：J905
本文編號：2314512
[Abstract]:As one of Chen Kaige's early works, "singing while walking" is regarded as a self-narration of his spirit. Because the adaptation of Shi Tiesheng's "Destiny string" has been greatly surpassed, and the director's strong personal color has been instilled in it, To some extent, it can be regarded as Chen Kaige's independent work. In previous studies, the discussion was based on the adaptation of the film to the novel, the film's belief and fatalism, the self-description of the director's personal spirit, and so on. Less attention has been paid to the significance of the struggles of all the characters in "Man" and "Non-Human" to the film's expression. This paper will mainly focus on the role of the old pianist and the stone.
【作者單位】： 內蒙古醫(yī)科大學馬克思主義學院大學語文教研室;
【分類號】：J905
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