【摘要】：色彩最奇妙的就在于人們不用通過(guò)學(xué)習(xí)就能了解它,并因此產(chǎn)生一些本能的反應(yīng)。在人類的一切活動(dòng)中都會(huì)用到色彩。色彩源于自然,且高于自然。因?yàn)樯首陨淼纳蕦傩?使其擁有一個(gè)復(fù)雜的色彩體系理論。同時(shí)因色彩是可以被人主觀感知與理解,因此又擁有其情感特征與可感知性。此外,色彩因?yàn)樾枰c社會(huì)、人文因素相融合,從而也擁有地域性、文化性。色彩如此感性,因此在很多時(shí)候需要設(shè)計(jì)師進(jìn)行理性的認(rèn)為控制,否則,無(wú)意識(shí)的感性就是隨性,毫無(wú)意義、深度可言。國(guó)內(nèi)外近來(lái)雖已有一些完整的色彩搭配指導(dǎo)理論體系,但其復(fù)雜性與非實(shí)用性使得大多數(shù)色彩愛(ài)好者、甚至設(shè)計(jì)師不能很好的抓住理論精髓,靈活運(yùn)用,從而導(dǎo)致很多設(shè)計(jì)中色彩不協(xié)調(diào)、意義不明確的問(wèn)題。因此在設(shè)計(jì)過(guò)程中就需要一個(gè)健全的方法來(lái)指導(dǎo)色彩搭配。藝術(shù)作品中充滿了對(duì)色彩的考量與運(yùn)用,因此借鑒不同藝術(shù)作品對(duì)制定一個(gè)行之有效色的色彩策略起到了很多知道性的作用。針對(duì)這樣一個(gè)較為混亂與復(fù)雜的、顧此失彼的、毫無(wú)目的性的色彩搭配方法現(xiàn)狀,本文通過(guò)對(duì)藝術(shù)作品中色彩屬性與情感上的特點(diǎn)進(jìn)行分析與歸納,對(duì)用戶視覺(jué)感知進(jìn)行調(diào)研與總結(jié),借助平衡感性與理性的方法,基于設(shè)計(jì)目的,從色彩感知、審美等多角度重新提煉色彩在設(shè)計(jì)過(guò)程中的選擇與搭配、設(shè)計(jì)與表達(dá)的方法。通過(guò)協(xié)調(diào)色彩中的平衡,以此從色彩屬性上及感性上滿足用戶的心理、生理需求;通過(guò)利用色彩對(duì)焦點(diǎn)的影響,以此引導(dǎo)用戶的瀏覽視線,控制其聚焦處;通過(guò)管理色彩中的類似色,為畫面增強(qiáng)異處呼應(yīng)與層次,平衡畫面的正負(fù)力量。憑借這三個(gè)較為直觀、實(shí)用的搭配方法就能有效地抓住色彩之“道”,透過(guò)色彩分析設(shè)計(jì),將色彩與設(shè)計(jì)緊密結(jié)合,構(gòu)建一個(gè)易于使用的、完善的實(shí)用配色方案與色彩策略體系,同時(shí)將其加以運(yùn)用到用戶界面的視覺(jué)設(shè)計(jì)實(shí)踐中。
[Abstract]:The most wonderful thing about color is that people can understand it without learning and have some instinctive reactions as a result. Color is used in all human activities. Color comes from nature and is higher than nature. Because of the color attribute of color itself, it has a complex theory of color system. At the same time, color is subjective perception and understanding, so it has its emotional characteristics and perceptual understanding. In addition, because of the need to blend with social and cultural factors, color also has a regional, cultural nature. Color is so sensual that designers often need rational control, otherwise unconscious sensibility is random, pointless, and deep. Although there have been some complete color collocation guidance theories at home and abroad recently, their complexity and non-practicability make most color lovers and even designers unable to grasp the essence of the theory and use it flexibly. As a result, a lot of design color is not coordinated, the meaning of the problem is not clear. Therefore, in the design process needs a sound method to guide color collocation. The art works are full of the consideration and application of color, so drawing lessons from different works of art has played a lot of role in making an effective color strategy. In view of the present situation of such a chaotic and complex color collocation method with no purpose, this paper analyzes and summarizes the color attributes and emotional characteristics in the works of art. This paper investigates and summarizes the visual perception of the user, with the help of the method of balancing sensibility and rationality, based on the design purpose, rerefining the selection and collocation, design and expression of the color in the design process from the color perception, aesthetic and other angles. By coordinating the balance in color to meet the psychological and physiological needs of the user from the color attributes and sensuality, and by using the influence of color on the focus, the author can guide the user's view and control the focus. By managing the similar colors in colors, enhance the coherence and level of the picture and balance the positive and negative forces of the picture. With these three more intuitive and practical collocation methods can effectively grasp the "Tao" of color, through color analysis and design, color and design are closely combined to build an easy-to-use, Perfect practical color matching scheme and color strategy system are applied to the visual design practice of user interface at the same time.
【學(xué)位授予單位】：華中科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J906

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本文編號(hào)：2313110