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中國傳統(tǒng)視覺元素在動畫角色設(shè)計中的運(yùn)用研究

發(fā)布時間:2018-11-05 18:35
【摘要】:中國傳統(tǒng)視覺元素是中華文明特有的藝術(shù)元素之一,是中國特定的社會和文化結(jié)構(gòu)及集體審美意識歷經(jīng)時空演變的視覺信息群。它涵蓋了物質(zhì)生活、精神生活和社會生活的方方面面,內(nèi)涵博大精深,是中國視覺文化特征的生命之根。以動畫等的藝術(shù)展現(xiàn)形式,傳承和發(fā)揚(yáng)中國傳統(tǒng)視覺元素,是藝術(shù)創(chuàng)作者的責(zé)任和義務(wù)。動畫是一門綜合藝術(shù),它是集合繪畫、漫畫、電影、數(shù)字媒體、攝影、音樂、文學(xué)等眾多藝術(shù)門類于一身的藝術(shù)表現(xiàn)形式。動畫角色是動畫的靈魂,一個動畫角色的成功不僅僅意味著動畫的成功,更加預(yù)示著巨大的文化價值與商業(yè)價值。如何在動畫創(chuàng)作中利用中國傳統(tǒng)視覺元素創(chuàng)造出在價值觀念、風(fēng)俗習(xí)慣、審美理念等方面凸顯出中華民族神韻、令人喜愛的中國動畫角色,對于推動中國動畫藝術(shù)和產(chǎn)業(yè)的發(fā)展,具有十分重要的現(xiàn)實(shí)意義。 本文從傳統(tǒng)視覺元素的構(gòu)成、傳統(tǒng)視覺元素在傳統(tǒng)藝術(shù)中的運(yùn)用、傳統(tǒng)視覺元素對傳統(tǒng)藝術(shù)的影響等方面,綜合探討中國傳統(tǒng)視覺元素在動畫角色設(shè)計中的運(yùn)用,提出從傳統(tǒng)視覺符號資源中尋求動畫角色的設(shè)計語言,創(chuàng)作中國文化特色的動畫角色。本文主要采用分析和論證的研究方法,重點(diǎn)從以下幾個方面進(jìn)行了研究:一是研究背景和研究意義;二是對中國傳統(tǒng)視覺元素和動畫角色設(shè)計進(jìn)行解析,提煉傳統(tǒng)藝術(shù)造型中所包含的視覺元素,尋找動畫角色設(shè)計創(chuàng)新點(diǎn);三是探討在動畫角色設(shè)計中傳承和借鑒中國傳統(tǒng)視覺元素;四是探討在動畫角色設(shè)計中融合傳統(tǒng)視覺元素與現(xiàn)代設(shè)計觀念。目的是探討如何把中國傳統(tǒng)視覺元素這一歷史文化特色與現(xiàn)代動畫藝術(shù)結(jié)合,以現(xiàn)代藝術(shù)形式和手段彰顯傳統(tǒng)視覺元素特色,激發(fā)中國傳統(tǒng)文化新的生命力。 本文探討了中國傳統(tǒng)視覺元素在動畫角色設(shè)計中的表現(xiàn)手法、形式語言以及藝術(shù)規(guī)律,提出了在動畫角色設(shè)計融入中國傳統(tǒng)視覺元素的理論思路;探討了中國傳統(tǒng)視覺元素在動畫角色設(shè)計中的視覺形態(tài),探討了在動畫角色設(shè)計中將中國傳統(tǒng)視覺元素和現(xiàn)代動畫角色設(shè)計理念相融合的實(shí)踐路徑。本文認(rèn)為,中國傳統(tǒng)視覺元素中蘊(yùn)含著深厚的創(chuàng)作理念、創(chuàng)作過程和創(chuàng)作形式,為我們今天動畫角色的創(chuàng)作提供了十分廣闊的創(chuàng)作空間,我們應(yīng)該注重從傳統(tǒng)視覺元素中汲取營養(yǎng),,把傳統(tǒng)視覺元素作為動畫角色創(chuàng)作的“寶礦”。在現(xiàn)代動畫角色創(chuàng)作過程中積極借鑒和運(yùn)用傳統(tǒng)視覺元素,不僅要借鑒和運(yùn)用中國傳統(tǒng)元素的“形”,更重要是給動畫角色賦予中國傳統(tǒng)視覺元素的“神”,即精神內(nèi)涵。關(guān)鍵要使動畫角色“傳統(tǒng)現(xiàn)代化”、“現(xiàn)代傳統(tǒng)化”。所謂“傳統(tǒng)現(xiàn)代化”就是運(yùn)用現(xiàn)代設(shè)計理念和藝術(shù)形式表現(xiàn)傳統(tǒng)視覺元素;所謂“現(xiàn)代傳統(tǒng)化”就是在現(xiàn)代動畫角色設(shè)計中內(nèi)化傳統(tǒng)視覺元素的精髓即中華民族的文化精神。
[Abstract]:Chinese traditional visual elements are one of the unique artistic elements of Chinese civilization. They are the visual information group of China's specific social and cultural structure and collective aesthetic consciousness. It covers all aspects of material life, spiritual life and social life. It is the responsibility and duty of art creators to inherit and develop Chinese traditional visual elements in the form of animation. Animation is a comprehensive art, it is a collection of painting, cartoon, film, digital media, photography, music, literature and many other categories of art in one form of art. The character of animation is the soul of animation. The success of an animated character not only means the success of animation, but also indicates the huge cultural value and commercial value. How to make use of Chinese traditional visual elements to create Chinese animation characters in the aspects of values, customs, aesthetic concepts, etc. For promoting the development of Chinese animation art and industry, has a very important practical significance. From the aspects of the composition of traditional visual elements, the application of traditional visual elements in traditional art, and the influence of traditional visual elements on traditional art, this paper comprehensively discusses the application of Chinese traditional visual elements in animation character design. This paper proposes to seek the design language of animation characters from the traditional visual symbol resources and to create animation characters with Chinese cultural characteristics. This article mainly adopts the analysis and the demonstration research method, has carried on the research from the following several aspects emphatically: first, the research background and the research significance; The second is to analyze the traditional Chinese visual elements and animation character design, extract the visual elements contained in the traditional artistic modeling, and find the creative point of animation character design. The third is to explore the inheritance and reference of Chinese traditional visual elements in animation character design, and the fourth is to explore the integration of traditional visual elements and modern design concepts in animation character design. The purpose of this paper is to discuss how to combine the historical and cultural characteristics of Chinese traditional visual elements with modern animation art, and how to display the characteristics of traditional visual elements by modern art forms and means, and to stimulate the new vitality of Chinese traditional culture. This paper discusses the expression, formal language and art rules of Chinese traditional visual elements in the animation character design, and puts forward the theoretical thinking of integrating the Chinese traditional visual elements into the animation character design. This paper probes into the visual form of Chinese traditional visual elements in the animation character design, and discusses the practical way to combine the Chinese traditional visual elements with the modern animation character design ideas in the animation character design. This paper holds that Chinese traditional visual elements contain profound creative ideas, creative processes and forms, which provide us with a very broad creative space for the creation of animated characters today. We should pay attention to drawing nutrition from traditional visual elements and regard traditional visual elements as "treasure mines" for animation character creation. In the process of creating modern animation characters, we should learn from and use the traditional visual elements actively, not only to learn from and use the "form" of the Chinese traditional elements, but also to give the animation characters the "gods" of the traditional visual elements of China, that is, the spiritual connotation. The key is to make animation characters "traditional modernization" and "modern tradition". The so-called "traditional modernization" means the use of modern design concepts and art forms to express traditional visual elements, and the so-called "modern traditionalization" is to internalize the essence of traditional visual elements in modern animation character design, that is, the cultural spirit of the Chinese nation.
【學(xué)位授予單位】:武漢紡織大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J954

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