【摘要】：韓劇作為韓流文化中的重要組成部分對(duì)我國(guó)電視劇有著重要影響。韓劇多年來(lái)堅(jiān)持日�；谋磉_(dá)和民族文化展示，同時(shí)在故事建構(gòu)方面也不斷創(chuàng)新。本文的研究將視點(diǎn)聚焦至此，旨在探討韓劇風(fēng)格樣貌的同時(shí)也希望在學(xué)理上對(duì)中國(guó)電視劇創(chuàng)作有一定的指導(dǎo)意義。 本文首先指出韓劇堅(jiān)持在日常生活中展現(xiàn)普通人物的生存百態(tài)，并將韓國(guó)傳統(tǒng)倫理道德規(guī)范，飲食服飾等特色民族文化融入敘事表達(dá)中，形成其對(duì)自身文化的堅(jiān)守。其次，文中深刻剖析了韓國(guó)在發(fā)展資本主義時(shí)所吸收的西方文化思想與其傳統(tǒng)儒家文化及倫理觀念的碰撞融合對(duì)其電視劇創(chuàng)作的影響。總結(jié)出韓劇在受眾思想意識(shí)和審美需求變遷的作用下積極創(chuàng)新，對(duì)劇中空間背景、題材內(nèi)容選擇、悲劇元素運(yùn)用、類(lèi)型突破、人物形象塑造等方面都做出了相應(yīng)地調(diào)整。同時(shí)，基于中韓兩國(guó)文化的接近性，本文分析了中韓電視劇在創(chuàng)作上呈現(xiàn)出的不同風(fēng)格。通過(guò)對(duì)中韓家庭倫理劇的對(duì)比研究，發(fā)現(xiàn)二者在倫理元素的表現(xiàn)方式、主題思想的深度及創(chuàng)作中受眾的參與程度方面都存在著顯著不同。由此看出國(guó)產(chǎn)電視劇近年來(lái)出現(xiàn)的同質(zhì)化、民族文化展示缺失、商業(yè)化氣息嚴(yán)重等問(wèn)題，阻礙了我國(guó)電視劇品質(zhì)的提高和產(chǎn)業(yè)化發(fā)展。面對(duì)韓劇帶來(lái)的嚴(yán)峻挑戰(zhàn)，本文進(jìn)一步指出我國(guó)電視劇在未來(lái)發(fā)展中應(yīng)該重視受眾的審美需求和反饋意見(jiàn)，提升作品的精神品質(zhì)，在和諧的語(yǔ)言表達(dá)中探討社會(huì)焦點(diǎn)話題，將我國(guó)民族文化通過(guò)劇中的生活空間呈現(xiàn)出來(lái)。同時(shí)，，不斷深化電視劇產(chǎn)業(yè)化發(fā)展，建設(shè)可持續(xù)發(fā)展的產(chǎn)業(yè)鏈條，放眼國(guó)際市場(chǎng)，使電視劇作品在實(shí)現(xiàn)其商業(yè)價(jià)值后，對(duì)國(guó)家形象的建構(gòu)和民族文化的外宣起到積極的作用。 與前人研究著重于韓劇中儒家文化表達(dá)，女性形象變遷，韓劇海外傳播、中韓電視劇對(duì)比等方面不同，本文創(chuàng)新性地將視點(diǎn)聚焦至韓劇在發(fā)展中于故事建構(gòu)上的變化，系統(tǒng)地總結(jié)了其變化的表征和深層原因，對(duì)于韓劇的研究有著一定的理論意義,也對(duì)我國(guó)電視劇在未來(lái)創(chuàng)作發(fā)展有著一定的現(xiàn)實(shí)指導(dǎo)意義。
[Abstract]:As an important part of Korean Stream culture, Korean dramas have an important influence on Chinese TV dramas. Korean TV dramas for many years adhere to the daily expression and national culture display, at the same time in the story construction aspect also unceasingly innovates. Focusing on the point of view, this paper aims to explore the style and appearance of Korean TV dramas and hope to have some guiding significance for the creation of Chinese TV dramas. This paper first points out that Korean TV dramas insist on showing the existence of ordinary characters in their daily life, and integrates the traditional Korean ethical norms, food and clothing and other national cultures into the narrative expression to form their adherence to their own culture. Secondly, the paper deeply analyzes the impact of the collision and fusion of the western cultural thoughts absorbed by Korea in the development of capitalism with its traditional Confucian culture and ethics on its TV drama creation. This paper summarizes the positive innovation of Korean dramas under the influence of the changes of the audience's ideology and aesthetic demand, and makes corresponding adjustments to the play's space background, theme content selection, tragic elements application, type breakthrough, character image shaping and so on. At the same time, based on the proximity of Chinese and Korean cultures, this paper analyzes the different styles of Chinese and Korean TV dramas. Through a comparative study of Chinese and Korean family ethics dramas, it is found that there are significant differences between them in the expression of ethical elements, the depth of theme and ideology, and the participation of the audience in their creation. From this, we can see that the homogeneity of domestic TV series in recent years, the lack of national culture display, the serious atmosphere of commercialization and so on, hinder the quality improvement and industrialization development of Chinese TV series. In the face of the severe challenges posed by Korean TV dramas, this paper further points out that in the future development of Chinese TV dramas, attention should be paid to the aesthetic needs and feedback of the audience, to enhance the spiritual quality of the works, and to explore the social focus topics in the harmonious language expression. Our national culture through the drama of the living space presented. At the same time, it is necessary to deepen the industrialization of TV series, to construct the industrial chain of sustainable development, to look at the international market, and to make TV plays an active role in the construction of national image and the publicity of national culture after realizing its commercial value. Different from previous studies on Confucian cultural expression, female image change, Korean drama overseas dissemination, and contrast between Chinese and Korean TV dramas, this paper focuses on the changes of Korean TV dramas in the development of story construction. This paper systematically summarizes the characteristics and deep reasons of the change, which has certain theoretical significance for the study of Korean dramas, and also has certain practical guiding significance for the future creation and development of Chinese TV dramas.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J905

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本文編號(hào)：2300561