韓劇的堅守與創(chuàng)新對我國電視劇創(chuàng)作的啟示
發(fā)布時間：2018-10-30 16:40
【摘要】：韓劇作為韓流文化中的重要組成部分對我國電視劇有著重要影響。韓劇多年來堅持日�；谋磉_和民族文化展示，同時在故事建構方面也不斷創(chuàng)新。本文的研究將視點聚焦至此，旨在探討韓劇風格樣貌的同時也希望在學理上對中國電視劇創(chuàng)作有一定的指導意義。 本文首先指出韓劇堅持在日常生活中展現(xiàn)普通人物的生存百態(tài)，并將韓國傳統(tǒng)倫理道德規(guī)范，飲食服飾等特色民族文化融入敘事表達中，形成其對自身文化的堅守。其次，文中深刻剖析了韓國在發(fā)展資本主義時所吸收的西方文化思想與其傳統(tǒng)儒家文化及倫理觀念的碰撞融合對其電視劇創(chuàng)作的影響�？偨Y出韓劇在受眾思想意識和審美需求變遷的作用下積極創(chuàng)新，對劇中空間背景、題材內容選擇、悲劇元素運用、類型突破、人物形象塑造等方面都做出了相應地調整。同時，基于中韓兩國文化的接近性，本文分析了中韓電視劇在創(chuàng)作上呈現(xiàn)出的不同風格。通過對中韓家庭倫理劇的對比研究，發(fā)現(xiàn)二者在倫理元素的表現(xiàn)方式、主題思想的深度及創(chuàng)作中受眾的參與程度方面都存在著顯著不同。由此看出國產(chǎn)電視劇近年來出現(xiàn)的同質化、民族文化展示缺失、商業(yè)化氣息嚴重等問題，阻礙了我國電視劇品質的提高和產(chǎn)業(yè)化發(fā)展。面對韓劇帶來的嚴峻挑戰(zhàn)，本文進一步指出我國電視劇在未來發(fā)展中應該重視受眾的審美需求和反饋意見，提升作品的精神品質，在和諧的語言表達中探討社會焦點話題，將我國民族文化通過劇中的生活空間呈現(xiàn)出來。同時，，不斷深化電視劇產(chǎn)業(yè)化發(fā)展，建設可持續(xù)發(fā)展的產(chǎn)業(yè)鏈條，放眼國際市場，使電視劇作品在實現(xiàn)其商業(yè)價值后，對國家形象的建構和民族文化的外宣起到積極的作用。 與前人研究著重于韓劇中儒家文化表達，女性形象變遷，韓劇海外傳播、中韓電視劇對比等方面不同，本文創(chuàng)新性地將視點聚焦至韓劇在發(fā)展中于故事建構上的變化，系統(tǒng)地總結了其變化的表征和深層原因，對于韓劇的研究有著一定的理論意義,也對我國電視劇在未來創(chuàng)作發(fā)展有著一定的現(xiàn)實指導意義。
[Abstract]:As an important part of Korean Stream culture, Korean dramas have an important influence on Chinese TV dramas. Korean TV dramas for many years adhere to the daily expression and national culture display, at the same time in the story construction aspect also unceasingly innovates. Focusing on the point of view, this paper aims to explore the style and appearance of Korean TV dramas and hope to have some guiding significance for the creation of Chinese TV dramas. This paper first points out that Korean TV dramas insist on showing the existence of ordinary characters in their daily life, and integrates the traditional Korean ethical norms, food and clothing and other national cultures into the narrative expression to form their adherence to their own culture. Secondly, the paper deeply analyzes the impact of the collision and fusion of the western cultural thoughts absorbed by Korea in the development of capitalism with its traditional Confucian culture and ethics on its TV drama creation. This paper summarizes the positive innovation of Korean dramas under the influence of the changes of the audience's ideology and aesthetic demand, and makes corresponding adjustments to the play's space background, theme content selection, tragic elements application, type breakthrough, character image shaping and so on. At the same time, based on the proximity of Chinese and Korean cultures, this paper analyzes the different styles of Chinese and Korean TV dramas. Through a comparative study of Chinese and Korean family ethics dramas, it is found that there are significant differences between them in the expression of ethical elements, the depth of theme and ideology, and the participation of the audience in their creation. From this, we can see that the homogeneity of domestic TV series in recent years, the lack of national culture display, the serious atmosphere of commercialization and so on, hinder the quality improvement and industrialization development of Chinese TV series. In the face of the severe challenges posed by Korean TV dramas, this paper further points out that in the future development of Chinese TV dramas, attention should be paid to the aesthetic needs and feedback of the audience, to enhance the spiritual quality of the works, and to explore the social focus topics in the harmonious language expression. Our national culture through the drama of the living space presented. At the same time, it is necessary to deepen the industrialization of TV series, to construct the industrial chain of sustainable development, to look at the international market, and to make TV plays an active role in the construction of national image and the publicity of national culture after realizing its commercial value. Different from previous studies on Confucian cultural expression, female image change, Korean drama overseas dissemination, and contrast between Chinese and Korean TV dramas, this paper focuses on the changes of Korean TV dramas in the development of story construction. This paper systematically summarizes the characteristics and deep reasons of the change, which has certain theoretical significance for the study of Korean dramas, and also has certain practical guiding significance for the future creation and development of Chinese TV dramas.
【學位授予單位】：遼寧大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
本文編號：2300561
[Abstract]:As an important part of Korean Stream culture, Korean dramas have an important influence on Chinese TV dramas. Korean TV dramas for many years adhere to the daily expression and national culture display, at the same time in the story construction aspect also unceasingly innovates. Focusing on the point of view, this paper aims to explore the style and appearance of Korean TV dramas and hope to have some guiding significance for the creation of Chinese TV dramas. This paper first points out that Korean TV dramas insist on showing the existence of ordinary characters in their daily life, and integrates the traditional Korean ethical norms, food and clothing and other national cultures into the narrative expression to form their adherence to their own culture. Secondly, the paper deeply analyzes the impact of the collision and fusion of the western cultural thoughts absorbed by Korea in the development of capitalism with its traditional Confucian culture and ethics on its TV drama creation. This paper summarizes the positive innovation of Korean dramas under the influence of the changes of the audience's ideology and aesthetic demand, and makes corresponding adjustments to the play's space background, theme content selection, tragic elements application, type breakthrough, character image shaping and so on. At the same time, based on the proximity of Chinese and Korean cultures, this paper analyzes the different styles of Chinese and Korean TV dramas. Through a comparative study of Chinese and Korean family ethics dramas, it is found that there are significant differences between them in the expression of ethical elements, the depth of theme and ideology, and the participation of the audience in their creation. From this, we can see that the homogeneity of domestic TV series in recent years, the lack of national culture display, the serious atmosphere of commercialization and so on, hinder the quality improvement and industrialization development of Chinese TV series. In the face of the severe challenges posed by Korean TV dramas, this paper further points out that in the future development of Chinese TV dramas, attention should be paid to the aesthetic needs and feedback of the audience, to enhance the spiritual quality of the works, and to explore the social focus topics in the harmonious language expression. Our national culture through the drama of the living space presented. At the same time, it is necessary to deepen the industrialization of TV series, to construct the industrial chain of sustainable development, to look at the international market, and to make TV plays an active role in the construction of national image and the publicity of national culture after realizing its commercial value. Different from previous studies on Confucian cultural expression, female image change, Korean drama overseas dissemination, and contrast between Chinese and Korean TV dramas, this paper focuses on the changes of Korean TV dramas in the development of story construction. This paper systematically summarizes the characteristics and deep reasons of the change, which has certain theoretical significance for the study of Korean dramas, and also has certain practical guiding significance for the future creation and development of Chinese TV dramas.
【學位授予單位】：遼寧大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
【參考文獻】
相關期刊論文 前6條
1 肖驚鴻;;中韓青春偶像劇中女性意識之比較[J];當代電視;2006年04期
2 季玉群;從韓國女性生活狀態(tài)透視韓國大眾文化的發(fā)展[J];東南大學學報(哲學社會科學版);2000年S1期
3 吳麟;;傳播和諧的“傳統(tǒng)——現(xiàn)代”價值觀——從韓劇熱播談起[J];電視研究;2006年06期
4 王曉玲;;韓國“恨”文化的傳承與變化——一項針對韓國高中文學教科書的分析研究[J];當代韓國;2010年03期
5 祝平燕;韓國的女性學與婦女運動[J];華中師范大學學報(人文社會科學版);2003年02期
6 丁斕斕;;淺談韓國之“恨”[J];科技信息;2010年19期
本文編號：2300561
本文鏈接：http://sikaile.net/wenyilunwen/dianyingdianshilunwen/2300561.html
