【摘要】：本文試圖從美學(xué)的角度透視塔可夫斯基的藝術(shù)思想,認為塔氏藝術(shù)思想的原點在于信仰。塔氏的電影本質(zhì)在于時間,時間的核心價值在于信仰。于是,信仰是其電影藝術(shù)的核心的核心。塔可夫斯基認為人的生存需要信仰賦予意義,他將善樹立為信仰,這個善同真理一樣屬于超越的精神維度。人生在世的意義首先是和自己心中的惡斗爭,以求在精神維度上提升自己。塔可夫斯基的時間概念就是在道德信仰觀照之下的現(xiàn)世生活,向信仰前行就是其價值。同時,也只有在時間之中,人得以樹立道德信仰。然而人的時間是有限的,無法超出生命的范圍。而且現(xiàn)代生活以不停地勞碌、局限的人際交流、缺乏靈性的現(xiàn)代教育為常態(tài),這遮蔽了時間的道德價值本質(zhì),造成了現(xiàn)代人的精神空虛。于是電影藝術(shù)作為時間的重現(xiàn)就誕生了。電影藝術(shù)可以彌補人缺失的時間,亦即去填補人精神經(jīng)驗的空虛,于是詩意的精神維度得以延長,精神信仰的體悟得以可能。塔氏的電影美學(xué)觀念是在超現(xiàn)世的價值追求觀照之下的,這也對電影藝術(shù)創(chuàng)作設(shè)立了原則,即以事實的形式與表現(xiàn)雕刻時間。塔可夫斯基始終如一地將這種道德信仰貫徹在電影創(chuàng)作中,形成了獨具一格的藝術(shù)風格。
[Abstract]:This paper attempts to examine Tarkovsky's artistic thought from the angle of aesthetics, and holds that the origin of Tarkovsky's artistic thought lies in faith. The essence of the film is time, and the core value of time lies in faith. Therefore, belief is the core of his film art. Tarkovsky thinks that people's existence needs faith to give meaning, and he establishes the good as faith, which belongs to the spiritual dimension of transcendence just like truth. The meaning of life is to struggle with the evil in one's heart, in order to improve oneself in spiritual dimension. Tarkovsky's concept of time is the worldly life under the view of moral belief, and its value is moving forward to faith. At the same time, only in time, people can establish a moral belief. However, human time is limited and cannot exceed the scope of life. Moreover, modern life is characterized by constant toil, limited interpersonal communication and lack of spiritual modern education, which obscures the moral value essence of time and causes the spiritual emptiness of modern people. Film art was born as a reappearance of time. Film art can make up for the missing time, that is, to fill the emptiness of human spiritual experience, so the poetic spiritual dimension can be extended, and the realization of spiritual belief can be possible. His aesthetic concept of film is under the consideration of the pursuit of transcendental value, which also sets up the principle of film art creation, that is, the form of facts and the expression of carving time. Tacovsky consistently carried out this moral belief in film creation, forming a unique artistic style.
【學(xué)位授予單位】：北京第二外國語學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J911

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相關(guān)期刊論文 前2條

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2 舒紅躍;張黎;;何為時間:從柏格森、胡塞爾到海德格爾[J];江漢論壇;2014年06期

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本文編號：2292415