新世紀(jì)寶萊塢敘事模式的嬗變
發(fā)布時間：2018-10-20 18:40
【摘要】：寶萊塢,印度電影的代名詞。世界電影的百年歷史中,除了好萊塢,印度電影也是功不可沒。在印度電影的歷史長河中,經(jīng)歷“新概念印度電影”和“印度新電影運動”兩次新浪潮,促使了“馬紗拉”電影的產(chǎn)生。其特點表現(xiàn)為：現(xiàn)實主義題材的挖掘、模式化的人物類型,和敘事并置的結(jié)構(gòu)、側(cè)重神話史詩的描述、眾類型雜揉和因果定式等等。寶萊塢始終把握著本民族的文化特征,并將其成功地植入電影中,形神兼?zhèn)?令世界矚目——印度的民族文化是世界其他國家不可模擬,不可復(fù)制的。 新世紀(jì)前后,印度電影的敘事似乎都遵循著“三段歌舞,六首歌曲,一個明星”的大致模式,但受全球化語境的影響,又多多少少發(fā)生著變化。本文主旨就是從印度新世紀(jì)前后的經(jīng)典影片入手,剖析印度電影在敘事模式這一文學(xué)角度,包含題材、人物、結(jié)構(gòu)、情節(jié)、制作等,剖析其在全球化語境中題材的豐盈、歌舞音樂段落情節(jié)精湛、夢幻、多變,并增加熱舞、電子樂、嘻哈等現(xiàn)代元素,植入更隱性等嬗變,讓觀眾對現(xiàn)代寶萊塢有了更明確的認(rèn)識,而宗教民族文化轉(zhuǎn)向全球化多文化視域的交流,以及使用好萊塢的敘事風(fēng)格和場面調(diào)度鏡頭,采用英語對白、跨國導(dǎo)演、跨國演員、跨國場景等國際元素與歌舞傳統(tǒng)形式的嫁接的嬗變,吸取寶萊塢成功走向世界現(xiàn)代化,贏得觀眾贏得市場的經(jīng)驗,以期中國電影工作者不至在“文化殖民主義”下迷失方向,挖掘我們的民族特色,并大力發(fā)展我們的電影事業(yè)。
[Abstract]:Bollywood is synonymous with Indian films. In the world's 100-year history of film, in addition to Hollywood, Indian film is also a credit. In the long history of Indian film, two new waves of "New concept Indian Film" and "Indian New Film Movement" promoted the emergence of "Marsara" film. It is characterized by the excavation of realistic themes, the stylized character types, the parallel structure of narration, the description of mythical epics, the mixing of various types and causal patterns, and so on. Bollywood has always grasped the cultural characteristics of its own nation, and successfully implanted it into the film, with both shapes and spirits, which has attracted the attention of the world-India's national culture cannot be imitated or copied by other countries in the world. Before and after the new century, the narration of Indian films seems to follow the general pattern of "three songs and dances, six songs and one star", but under the influence of the context of globalization, more or less changes have taken place. The purpose of this paper is to analyze the literary perspective of the narrative mode of Indian film from the classical films around the new century, including the theme, characters, structure, plot, production and so on, and to analyze the abundance of the subject matter in the context of globalization. Song and dance music paragraphs are exquisite, dreamy, changeable, and add modern elements, such as hot dance, electronic music, hip-hop, and more recessive changes, so that the audience has a clearer understanding of modern Bollywood. And the religious culture has shifted to global, multi-cultural communication, as well as using Hollywood narrative styles and scene scheduling scenes, using English dialogue, multinational directors, multinational actors, The transmutation of international elements such as transnational scenes and traditional forms of singing and dancing, drawing on Bollywood's experience of successfully moving to the world modernization and winning the audience to win the market, in the hope that Chinese filmmakers will not lose their way under the "cultural colonialism". Explore our national characteristics and vigorously develop our film industry.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J904
本文編號：2284044
[Abstract]:Bollywood is synonymous with Indian films. In the world's 100-year history of film, in addition to Hollywood, Indian film is also a credit. In the long history of Indian film, two new waves of "New concept Indian Film" and "Indian New Film Movement" promoted the emergence of "Marsara" film. It is characterized by the excavation of realistic themes, the stylized character types, the parallel structure of narration, the description of mythical epics, the mixing of various types and causal patterns, and so on. Bollywood has always grasped the cultural characteristics of its own nation, and successfully implanted it into the film, with both shapes and spirits, which has attracted the attention of the world-India's national culture cannot be imitated or copied by other countries in the world. Before and after the new century, the narration of Indian films seems to follow the general pattern of "three songs and dances, six songs and one star", but under the influence of the context of globalization, more or less changes have taken place. The purpose of this paper is to analyze the literary perspective of the narrative mode of Indian film from the classical films around the new century, including the theme, characters, structure, plot, production and so on, and to analyze the abundance of the subject matter in the context of globalization. Song and dance music paragraphs are exquisite, dreamy, changeable, and add modern elements, such as hot dance, electronic music, hip-hop, and more recessive changes, so that the audience has a clearer understanding of modern Bollywood. And the religious culture has shifted to global, multi-cultural communication, as well as using Hollywood narrative styles and scene scheduling scenes, using English dialogue, multinational directors, multinational actors, The transmutation of international elements such as transnational scenes and traditional forms of singing and dancing, drawing on Bollywood's experience of successfully moving to the world modernization and winning the audience to win the market, in the hope that Chinese filmmakers will not lose their way under the "cultural colonialism". Explore our national characteristics and vigorously develop our film industry.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J904
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 張靜;新概念印度電影跨文化傳播策略解析[D];安徽大學(xué);2015年
，本文編號：2284044
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