【摘要】：基耶斯洛夫斯基和王家衛(wèi),是20世紀90年代歐洲和亞洲電影界兩位著名電影導(dǎo)演大師,他們的電影作品都集中關(guān)注后現(xiàn)代環(huán)境下人類的生存狀態(tài)。們的影片對人物刻畫和人性描寫形象生動,特別是將當(dāng)時社會背景下人們混不堪的狀態(tài)和焦灼不安的情緒描述的淋漓盡致。 在基耶斯洛夫斯基和王家衛(wèi)的電影作品中,導(dǎo)演們通過電影這種藝術(shù)手段體現(xiàn)他們自己內(nèi)心世界的情感,這種通過電影來宣泄感情的導(dǎo)演不在少數(shù),是敢于打破常規(guī),通過消極甚至很壓抑的電影藝術(shù)來為自由尋找出口,這不僅是一種勇氣,更是內(nèi)心深處對人性的思考以及對自由的憧憬。究其根源主還是受到“法國新浪潮”電影的影響,而在“法國新浪潮”的創(chuàng)作當(dāng)中,存主義美學(xué)占有舉足輕重的地位。所以說存在主義美學(xué)及其對新浪潮的影響是耶斯洛夫斯基和王家衛(wèi)電影作品創(chuàng)作思想的根源所在。 對兩位大師電影作品的比較不難看出雖然他們所處的國度不同、社會環(huán)境同及人生經(jīng)歷不同,其作品的藝術(shù)表現(xiàn)手法不同及對作品的反映角度不同,是兩位大師作品的核心要義是相同的。呈獻給觀眾的作品其反響,讓觀眾對生的感悟、對人性的深刻思考是相同的。
[Abstract]:Chieslovsky and Wang Jiawei are two famous film directors in Europe and Asia in the 1990s. Their films focus on the living conditions of human beings in the post-modern environment. Their films depict the characters and human nature vividly, especially describe the people's confused state and anxious emotion in the social background at that time. In the works of Chieslovsky and Wang Jiawei, directors show their inner feelings through the art of film. There are not a few directors who vent their feelings through movies, and they dare to break the rules. It is not only a kind of courage to find the outlet for freedom through negative and even oppressive film art, but also a deep reflection of human nature and yearning for freedom. The origin of the film is still influenced by the French New Wave, in which existential aesthetics plays an important role in the creation of the French New Wave. Therefore, existentialism aesthetics and its influence on the new wave are the root of Yeslovsky and Wang Jiawei's film creation thought. The comparison of the two masters' film works is not difficult to see that, although they are in different countries, in the same social environment and in different life experiences, their works have different artistic expression methods and different angles of reflection to their works. The core meaning of the works of the two masters is the same. The response of the work presented to the audience is the same for the audience's perception of life and profound thinking about humanity.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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