原創(chuàng)紀(jì)錄片《貓思湖》的音樂(lè)設(shè)計(jì)解析
發(fā)布時(shí)間:2018-10-20 07:50
【摘要】:《貓思湖》是一部原創(chuàng)紀(jì)錄片,紀(jì)錄片的聲音構(gòu)成與電影有所差異,其中紀(jì)錄片音樂(lè)的設(shè)計(jì)更偏重于用寫(xiě)實(shí)的手法為敘事服務(wù),在旁白、環(huán)境音響、畫(huà)面三者之間尋求補(bǔ)充與平衡,而電影音樂(lè)的設(shè)計(jì)則更注重藝術(shù)渲染。筆者把影片所闡述的主題與內(nèi)容在近20分鐘的時(shí)間內(nèi),用音樂(lè)的形式最大限度地呈現(xiàn)在觀眾面前。在本論文中,筆者通過(guò)此前對(duì)紀(jì)錄片音樂(lè)創(chuàng)作的基本認(rèn)識(shí),將自己的原創(chuàng)作品《貓思湖》的音樂(lè)設(shè)計(jì)進(jìn)行深入解析研究,并結(jié)合創(chuàng)作實(shí)踐來(lái)介紹紀(jì)錄片音樂(lè)創(chuàng)編中所需運(yùn)用到的各種手法。“自然類(lèi)”紀(jì)錄片通常遵循場(chǎng)景內(nèi)容來(lái)進(jìn)行配樂(lè),原創(chuàng)作品《貓思湖》作為“自然類(lèi)”紀(jì)錄片,筆者不僅遵循紀(jì)錄片音樂(lè)創(chuàng)作的一般規(guī)律,還賦予了作品中主要角色不同調(diào)性與旋律特征的音樂(lè)動(dòng)機(jī),將之融入到場(chǎng)景內(nèi)容中,力圖在如今“自然類(lèi)”紀(jì)錄片的音樂(lè)設(shè)計(jì)中帶來(lái)些許創(chuàng)新,希望能夠通過(guò)紀(jì)錄片的音樂(lè)結(jié)合畫(huà)面、旁白、環(huán)境音響,把視聽(tīng)方面的美感完全地向大家展示出來(lái)。
[Abstract]:The film is an original documentary. The sound composition of the documentary is different from that of the film. Among them, the design of documentary music is more focused on the use of realistic techniques for narrative services, in narration, in the environment sound, The three pictures seek supplement and balance, while the design of film music pays more attention to artistic rendering. The author presents the theme and content of the film to the audience in the form of music in nearly 20 minutes. In this paper, the author analyzed and studied the music design of his original work "Cussy Lake" through the basic understanding of the music creation of documentary film. And combined with creative practice to introduce the documentary music creation needs to use a variety of techniques. "Nature" documentaries usually follow the scene content to score music. The original work "Cussy Lake" as a "nature" documentary, the author not only follows the general rules of documentary music creation, It also gives the music motive of different tone and melody characteristics of the main characters in the works, and integrates it into the content of the scene, trying to bring some innovation in the music design of today's "Nature" documentary. Hope to be able to film through the documentary music, narrator, environment sound, audiovisual aesthetic to show you completely.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J952
本文編號(hào):2282515
[Abstract]:The film is an original documentary. The sound composition of the documentary is different from that of the film. Among them, the design of documentary music is more focused on the use of realistic techniques for narrative services, in narration, in the environment sound, The three pictures seek supplement and balance, while the design of film music pays more attention to artistic rendering. The author presents the theme and content of the film to the audience in the form of music in nearly 20 minutes. In this paper, the author analyzed and studied the music design of his original work "Cussy Lake" through the basic understanding of the music creation of documentary film. And combined with creative practice to introduce the documentary music creation needs to use a variety of techniques. "Nature" documentaries usually follow the scene content to score music. The original work "Cussy Lake" as a "nature" documentary, the author not only follows the general rules of documentary music creation, It also gives the music motive of different tone and melody characteristics of the main characters in the works, and integrates it into the content of the scene, trying to bring some innovation in the music design of today's "Nature" documentary. Hope to be able to film through the documentary music, narrator, environment sound, audiovisual aesthetic to show you completely.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J952
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 李飛雪;;試析紀(jì)錄片的聲音藝術(shù)特色及作用[J];中國(guó)廣播電視學(xué)刊;2009年08期
2 路永澤;;紀(jì)錄片——對(duì)現(xiàn)實(shí)的鏡像關(guān)照[J];電影文學(xué);2009年14期
3 苗燕;;紀(jì)錄片音樂(lè)淺談[J];現(xiàn)代企業(yè)教育;2008年21期
,本文編號(hào):2282515
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