【摘要】："時空穿越電影"因其獨(dú)特的時空假定性,形成了有別于傳統(tǒng)情境的特殊情境形態(tài)。本文從假定時空條件下獨(dú)特的"重復(fù)"情境形態(tài)入手,以《土撥鼠之日》(Groundhog Day,1993)和《羅拉快跑》(Lola rennt,1998)等經(jīng)典影片為研究對象,分別從假定時空下"重復(fù)"情境的建構(gòu)方式、"重復(fù)"情境中的人物以及"重復(fù)"情境的基本形態(tài)三個方面,歸納和分析了"重復(fù)"的劇作情境在"時空穿越電影"中所呈現(xiàn)的典型特征。
[Abstract]:Due to its unique temporal and spatial hypotheses, time-space traversing Film forms a special situational form different from the traditional situation. This paper starts with the unique "repetitive" situation pattern under the assumption of space-time conditions, and takes classic films such as "Groundhog Day" (Groundhog Day,1993) and "Lola rennt,1998" as the research object. From three aspects: the way of constructing the "repetitive" situation, the characters in the "repetitive" situation and the basic form of the "repetitive" situation in the assumed time and space, respectively, This paper sums up and analyzes the typical features of the situation of repetition in time-space and time-space traversing film.
【作者單位】： 河北民族師范學(xué)院;
【分類號】：J905
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本文編號：2276523