近年美國情節(jié)系列劇中國人形象研究
發(fā)布時(shí)間：2018-10-15 08:06
【摘要】：20世紀(jì)60年代前，由于中美兩國在意識(shí)形態(tài)方面存在根本不同，加之政治隔閡、文化差異以及早期中美交流匱乏等歷史文化因素加之19世紀(jì)80年代美國國會(huì)頒布的“排華法案”和當(dāng)時(shí)社會(huì)盛行的“黃禍”潮流，使得中國人形象整體上遭到一定程度的扭曲及誤讀而被定型化、概念化。美國熒屏上對(duì)中國人形象的誤讀以扭曲，隨著以美國影視劇為代表的文化產(chǎn)品所產(chǎn)生的國際影響力，以迅猛之勢傳播至世界各個(gè)角落，而這些觀念在其電視劇當(dāng)中呈現(xiàn)的中國人形象進(jìn)一步得到傳播和強(qiáng)化，從而潛移默化地影響國際社會(huì)對(duì)中國人的印象，以及對(duì)中國國家形象的整體看法。 基于對(duì)近年15部美國情節(jié)系列劇中73位中國人形象的內(nèi)容分析以及文本分析。擬了解在中美政治交往、經(jīng)貿(mào)往來、文化交流等多個(gè)層面逐步深化的大時(shí)代背景下，，美國熒屏上所建構(gòu)的中國人形象是否有所轉(zhuǎn)變，以及這些看法背后隱藏的深層次原因。研究得出：美劇中出現(xiàn)了5類中國人形象：官員、黑幫成員、間諜、商人及平民。除了中國平民形象的塑造趨于正面，而后4類中國人的形象趨于負(fù)面塑造，其中所涉及的中國政府形象則處于負(fù)面。中國人在美劇中的扭曲及誤讀，有中國作為美國文化的“他者”、對(duì)中國政治體制、經(jīng)濟(jì)、軍事的誤讀、以及美國對(duì)國內(nèi)外的霸權(quán)文化的形象建構(gòu)的原因；但不可否認(rèn)的是，當(dāng)代中國的“問題”在一定程度上為異國想象提供了空間。異國形象作為一個(gè)國家民族的對(duì)于他者的集體想象物，兼具有認(rèn)識(shí)自我與他者的雙重功能，不僅可以透過這些形象了解異國也可以認(rèn)識(shí)自我、反省自我，為此中國亟須提高中國軟實(shí)力，以此擺脫西方國家強(qiáng)加給中國的尷尬境地。
[Abstract]:Before the 1960s, because of the fundamental differences in ideology between China and the United States, as well as the political divide, Cultural differences and the lack of exchanges between China and the United States in the early years, together with the "Chinese exclusion Act" enacted by the United States Congress in the 1880s and the current of "yellow peril" prevailing in the society at that time, Make the Chinese image as a whole by a certain degree of distortion and misreading and stereotyped, conceptualized. The misreading of the Chinese image on American screens is distorted, and with the international influence of the cultural products represented by American movies and TV dramas, they spread to every corner of the world in a swift and violent way. The Chinese image presented in the TV series has been further spread and strengthened, which has a subtle influence on the international community's impression of the Chinese people and the overall view of the Chinese national image. Based on the content analysis and text analysis of 73 Chinese characters in 15 American plot series in recent years. This paper intends to understand whether the Chinese image constructed on the screen of the United States has changed under the background of the great era of Sino-American political exchanges, economic and trade exchanges, cultural exchanges, and so on, and the underlying reasons behind these views. Five types of Chinese characters appear in American TV dramas: officials, gang members, spies, businessmen and civilians. In addition to the Chinese civilian image shaping tends to positive, the latter four categories of Chinese image tend to be negative, which involves the image of the Chinese government is in a negative. The distortion and misreading of the Chinese in American TV dramas include the reasons why China, as the "other" of American culture, misread the Chinese political system, economy and military, as well as the image construction of the hegemonic culture at home and abroad by the United States, but there is no denying that, To some extent, the problem of contemporary China provides space for foreign imagination. As the collective imagination of a nation and a nation, foreign images have the dual function of knowing themselves and others, and they can not only understand the foreign countries but also reflect on themselves through these images. Therefore, China needs to improve its soft power so as to get rid of the embarrassment imposed on China by western countries.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2271894
[Abstract]:Before the 1960s, because of the fundamental differences in ideology between China and the United States, as well as the political divide, Cultural differences and the lack of exchanges between China and the United States in the early years, together with the "Chinese exclusion Act" enacted by the United States Congress in the 1880s and the current of "yellow peril" prevailing in the society at that time, Make the Chinese image as a whole by a certain degree of distortion and misreading and stereotyped, conceptualized. The misreading of the Chinese image on American screens is distorted, and with the international influence of the cultural products represented by American movies and TV dramas, they spread to every corner of the world in a swift and violent way. The Chinese image presented in the TV series has been further spread and strengthened, which has a subtle influence on the international community's impression of the Chinese people and the overall view of the Chinese national image. Based on the content analysis and text analysis of 73 Chinese characters in 15 American plot series in recent years. This paper intends to understand whether the Chinese image constructed on the screen of the United States has changed under the background of the great era of Sino-American political exchanges, economic and trade exchanges, cultural exchanges, and so on, and the underlying reasons behind these views. Five types of Chinese characters appear in American TV dramas: officials, gang members, spies, businessmen and civilians. In addition to the Chinese civilian image shaping tends to positive, the latter four categories of Chinese image tend to be negative, which involves the image of the Chinese government is in a negative. The distortion and misreading of the Chinese in American TV dramas include the reasons why China, as the "other" of American culture, misread the Chinese political system, economy and military, as well as the image construction of the hegemonic culture at home and abroad by the United States, but there is no denying that, To some extent, the problem of contemporary China provides space for foreign imagination. As the collective imagination of a nation and a nation, foreign images have the dual function of knowing themselves and others, and they can not only understand the foreign countries but also reflect on themselves through these images. Therefore, China needs to improve its soft power so as to get rid of the embarrassment imposed on China by western countries.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
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本文編號(hào)：2271894
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